English Gothic

Damaged heroes, fated mates, and forbidden love.... Welcome to Vamps, where the statues are so much more than stone. Start the Underground Encounters series with Cursed, meeting the gargoyle shifters who guard at an underground club and appear throughout the series. Flings are supposed to be harmless fun, right? Wrong. Gargoyle shifter Lucan learns this the hard way when his latest conquest curses him with dark magic, forever trapping him - and his brothers - in stone.

In 1933, nine-year-old Stella is left in the care of her grandmother, Motty, in the backwoods of Tennessee. The mountains are home to dangerous secrets, and soon after she arrives, Stella wanders into a dark cavern where she encounters the family's personal god, an entity known as the Ghostdaddy. Years later, after a tragic incident that caused her to flee, Stella - now a professional bootlegger - returns for Motty's funeral, and to check on the mysterious 10-year-old girl named Sunny that Motty adopted.

There’s something in the lake at Wren Hall. At least, that’s what the locals say. Not that Meg cares much about the rumors. When she’s asked to spend Halloween weekend at the Ireland retreat of the wealthy Wren twins, she recognizes the invitation for exactly what it is: her last, and only, chance to save her spot at Greyscott’s, the exclusive British art school she attended on scholarship until last summer. Clever, beautiful, and talented, the twins are the pride of Greyscott’s, and kindhearted Lottie Wren was once Meg’s closest friend. But not anymore.

One secret can bury an entire family forever... Desmond is a man ill equipped for today's world. He is reclusive and unsocial, traits exacerbated by his domineering mother. As a result, Desmond is at his happiest when he's absolutely alone. During a birdwatching outing along the Devon coast, Desmond wanders into a cave. Inside, he finds something that appalls and terrifies him: a skeleton dressed in a nun's wimple.

On a remote island off the coast of Maine, a troubled family is trying to pick up the pieces of their shattered lives and start over. But, unbeknownst to them, the property they have inherited is steeped in ancient magic - magic that could seek to destroy and devour them.

The primal image of the black-caped vampire Dracula has become an indelible fixture of the modern imagination. It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. In this critically acclaimed excursion through the life of a cultural icon, David Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commodity, digging through the populist veneer to reveal what the prince of darkness says about us all.

After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She’s always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she’d never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible.

Molly Wasziak’s life has not gone the way she dreamed. Facing depression after several miscarriages, Molly is adapting to her husband’s purchase of a peculiar old farm. A search for a family tree pulls Molly deep into a centuryold murder case and a web of deception, all made more mysterious by the disturbing shadows and sounds inside the farmhouse.

Onboard the Anna, Amanda suspects that something fishy is going on. But when her investigation of the peculiar all-female Russian crew fails to uncover anything other than more speculation, she decides it's time to stop playing detective and face her real problem - a man she shouldn't want but can't live without.

Lucinda's boyfriend Dracula claims to be the Dracula - he sleeps in a coffin, hunts pigeons for blood, and only goes out at night. But is he really? Unsettlingly, there has been a spate of recent disappearances and Dracula may be connected. Lucinda doesn't know for sure or which is more dangerous: dating an immortal vampire or a UPS driver with a night shift who thinks he's one?

Created when they intermingled with demons, the dark elves who rule over the fae of Sinaryos have come to rely on humans to keep their race alive. The royal family is no exception, with a king on the verge of death, a court riddled with spies, and a broken line of succession. Despite everything working against him, Prince Fallon Blackwood has met all the demands of the crown for nearly 100 years...except for one. After avoiding this obligation for too long, the time has come for him to take a harem and prove that he's capable of continuing his family's bloodline.

Lila Grace Carter talks to dead people. Admittedly, that's not out of the ordinary in Lockhart, South Carolina. In her words, "I'm Southern. We all talk to dead people down here. As a matter of fact, I don't believe I can truly trust anybody that doesn't speak to at least two or three dead relations on a daily basis. The difference is, they talk back to me." Now there's a murderer on the loose in Lockhart, and Lila Grace is the only one who knows a crime was committed. Can she convince the sexy sheriff that Jenny Miller didn't fall down the steps on her own? Will she catch the killer?

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

Lucas Paige, a floundering middle-aged historian, reluctantly sits down with the woman he suspects was responsible for his father’s murder decades before. As they drink, they open up about this seminal event and he discovers much of what he thought to be true is anything but.

John Brandon has quickly become a critical darling thanks to his evocative prose and recognizable, yet quirky, characters. Citrus County introduces teenaged Shelby Register and her offbeat family. Moving to the swampy Citrus County region of Florida, Shelby is quickly confronted by life’s challenges and possibilities.

A beautiful girl seeks the help of an attorney when her father vanishes. Soon, her aunt also disappears from a locked house in the dead of the night. The search leads to the infamous White Cat, a nightclub frequented by crooked politicians and now, murder.

Edgar Allan Poe (1809-1849) changed residences about once a year throughout his life. Driven by a desire for literary success and the pressures of supporting his family, Poe sought work in American magazines, living in the cities that produced them. Scott Peeples chronicles Poe's rootless life in the cities, neighborhoods, and rooms where he lived and worked, exploring how each new place left its enduring mark on the writer and his craft.

After her parents' painful divorce, Evie Archer hopes that moving to Ravenglass, Massachusetts, is the fresh start her family needs. But Evie quickly realizes that her new home—known by locals as the Horror House—carries its own dark past after learning about Holly Hobbie, who mysteriously vanished from her bedroom one night. But traces of Holly linger in the Horror House and slowly begin to take over Evie's life. A strange shadow follows her everywhere she goes, and Evie starts to lose sight of what's real and what isn't the more she learns about The Lost Girl.

We were always The Four. From our very first day at High Realms. The four scholarship pupils. Outsiders in a world of power and privilege. And, according to everyone else, we were dangerous. It would have made our lives a lot easier if Marta had simply pushed our prefect Genevieve out of our bedroom window that day. Certainly, it would have been tragic. She would have died instantly. But Marta didn’t push her then, or–if you choose to believe me–at any other time. If she had, all of what we went through would not have happened.

In the spring of 1844, the Wells family receives a letter from a distant relative, the wealthy landowner Nicholas Van Ryn. He has invited one of their daughters for an extended visit at his Hudson Valley estate, Dragonwyck. Eighteen-year-old Miranda, bored with her local suitors and commonplace life on the farm, leaps at the chance for escape.