English Gothic

It is the summer of 1921, and a group of Bolsheviks have taken over Irina and Lili Goliteva’s ancestral home in Moscow, a stately mansion falling into disrepair and decay. The remaining members of their family are ordered to move into the cramped attic, while the officials take over an entire wing of grand rooms downstairs. The sisters understand it is the way of things and know they must forget their noble upbringing to make their way in this new Soviet Russia. But the house begins to whisper of a traumatic past not as dead as they thought.

On his 59th birthday, Tyson Parks—a famous, but struggling, horror writer—receives an ornate antiquarian desk in the hopes it will rekindle his creative juices. Perhaps inspire him to write another best-selling book and prove his best years aren’t behind him… As Tyson begins to use the new desk, he finds himself writing copy at an unfathomable speed, becomes so focused on writing that he binges on all-night, all-day sessions that take a serious physical and psychological toll. Soon, Tyson begins acting strange. Violent.

The year is 1901, and Ada Byrd―spinster, schoolmarm, amateur naturalist―accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past―riddled with grief and shame―has never seemed so far away. But then Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun.

Every autumn, John Pentecost returns to the farm where he grew up to help gather the sheep down from the moors for the winter. Very little changes in the Endlands, but this year, his grandfather - the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time. Each year, the Gaffer would redraw the boundary lines of the village, with pen and paper, but also through the remembrance of tales and timeless communal rituals, which keep the sheep safe from the Devil.

It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day. But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik’s Cube before, but who can solve it at once. There is something wrong with her, though, something odd.

Prince of the Carpathians Mikhail Dubrinsky has witnessed numerous mysterious events during his many centuries on Earth, but now he is faced with the ultimate horror: the extinction of his species. The Carpathians' enemies salivate at the thought of a final victory, but all hope is not lost. The Carpathians gather, united in a desperate hope. And no matter the outcome, blood will be shed and limitless passion unleashed.

Emotionally guarded Daphne Amos always believed she’d found a kindred spirit in her fiancé, Heath. Both very private people, they’ve kept their pasts hidden from the world, and each other, until Heath’s escalating nightmares begin to put an undeniable strain on their relationship. Determined to give their impending marriage the best chance of succeeding, Heath insists that Daphne join him on a seven-day retreat with Dr. Matthew Cerny, a psychologist celebrated for getting to the root of repressed memories.

In a forgotten corner of western Kentucky lies a haunted forest referred to locally as "The Deadening", where vampire cults roam wild and time is immaterial. Our protagonist and his accomplice - the one and only Carver Canute - set out down the Old Spur Line in search of the legendary Kudzu House, where an old couple is purported to have been swallowed whole by a hungry vine.

Dracula. A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his story not of a monster but of a man - and a contradiction. For the one they called 'The Devil's Son' was both tyrant and lawgiver, crusader and mass slaughterer, torturer and hero, lover and murderer. His tale is told by those who knew him best. The only woman he ever loved, who he must sacrifice. His closest comrade and traitor.

I'm an offering. A test. A pawn in an agreement I know little about. Fly to Andorra Sector. Allow them to experiment. Mate an X-Clan wolf alpha. Hope for the best. Those are my orders. My fate. My current existence. There's nowhere to run, and the moon is a clock I can't ignore. One of these alphas will claim me, assuming our genetics are a match. And if not, well, that's a fate worse than death.

St. Vincent's Orphanage for Boys. Turn of the century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future...a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within.

In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

The car crash that killed Heaven and Logan left Annie Casteel Stonewall orphaned and crippled. Whisked off to Farthinggale Manor by the possessive Tony Tatterton, Annie pines for her lost family, but especially for Luke, her half-brother. Friend of her childhood, her fantasy prince, her loving confidante...without the warm glow of Luke's love, she is lost in the shadows of despair. When Annie discovers Troy's cottage hidden in Farthinggale's woods, the mystery of her past deepens. Even as she yearns to see Luke again, her hopes and dreams are darkened by the sinister Casteel spell.

It is the nineteenth century, the twilight of Europe’s bloody bacchanals, and a vampire must escape. She arrives to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city. She adapts, intermingles with humans, and attempts to be discreet.

John Sackville will soon be dead. Shadows writhe in the corners of his cell as he mourns the death of his secret lover and as the gnawing hunger inside him grows impossible to ignore. He must write his last testament before it is too late. The story he tells will take us to the darkest part of the human soul. It is a tale of otherworldly creatures, ancient cults, and a terrifying journey from the stone circles of Scotland to the icy peaks of Tibet. It is a tale that will take us to the end of the world.

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.

For 300 years, Sister Autumn has incited wars, burnt villages, killed kings, and released plagues at the bidding of the grimoire. When an order from the grimoire sends Agatha to the Kingdom of Merveille, she already anticipates the worst. Unless she wants to face the wrath of the Goddess, Agatha must keep her head down and do as she's commanded. But when the grimoire orders her to marry a pompous prince and play the role of a peasant "accepted" by vicious aristocrats, she finds herself at the center of a war between the classes and an age-old prophecy.

Run, run, run! They're chasing me, even into my dreams. And when I awake, I see him. Striking blue eyes with a hint of the devil inside. He's my savior and my worst nightmare combined. Because he owns me. He found me. He saved me. But I don't want to be owned. I want to be free. Even if it kills me.

I'm not who I used to be. Valentine Morningstar, my own father, tried to ruin my life, and instead he made me stronger. But my own power will consume me if I don't learn how to control it, how to channel it to help everyone, not just myself. I have to learn how to be this new person I've become. GC - my handsome false god, Pazuzu - my dark demon, Sariel - my fallen archangel, and Francis - my...I know what he is now, but it hurts to say it. They keep me grounded. They keep me sane, and they keep me good. Without them, I'm afraid I might just turn into a villain.

Merritt Fernsby’s life has changed considerably since he inherited Whimbrel House. He’s engaged to Hulda Larkin, who opened his eyes to the uncanny. And he’s grown quite protective of his uncle Owein—several generations, and iterations, removed. Owein is presently inhabiting the body of a mixed-breed terrier when Merritt receives a missive from none other than Alexandrina Victoria, the Queen of England: I am interested in your dog.