English Horror

Megan Crewe has received both critical accolades and popular acclaim for her young adult novels. The Way We Fall launches a new series featuring 16-year-old Kaelyn, whose island community is quarantined after the outbreak of a deadly virus. Before long, people begin to turn against each other as they fight for dwindling supplies. Remarkably, in the midst of this chaos, Kaelyn discovers both an unlikely ally and a surprising love interest. And with prospects for survival growing dimmer with each passing moment, she will need all the help she can get.

For the first time, Stephen King has fully authorized a return to the harrowing world of The Stand through this original short story anthology as presented by award-winning authors and editors Christopher Golden and Brian Keene. Bringing together some of today’s greatest and most visionary writers, The End of the World As We Know It features unforgettable, all-new stories set during and after (and some perhaps long after) the events of The Stand.

Erin is a documentary filmmaker on the brink of a professional breakthrough, Mark a handsome investment banker with big plans. Passionately in love, they embark on a dream honeymoon to the tropical island of Bora Bora, where they enjoy the sun, the sand, and each other. Then, while scuba diving in the crystal blue sea, they find something in the water....

The family of Adam Nichols shows up in Frederickport when Marie ends up in a nursing home with a broken hip. Yet unlike Adam, who is trying to get his grandmother home, the new arrivals are more concerned with selling off her assets and keeping her in the questionable facility. While Danielle tries to help her dear friend, she begins wondering, maybe not having a family has its good points, after all. And it's not just Marie's family causing problems; Walt's distant cousin begins making his own demands.

Everyone knows leprechauns are just make believe. But wait, isn't that what they say about ghosts?

Get four complete stories in Frank Kurns: Tales of the Underworld: You Don't Touch John's Cousin, Bitch's Night Out, Bitch's Night Out, and Challenges.

Meg wants a normal life. Her new artistic style, born in the depression of her mother's death, is poised to take the art world by storm, if she could just overcome the debilitating anxiety caused by the car accident that scarred her boyfriend, Austin. Encouraged by her therapist, Meg pushes outside her comfort zone to befriend Haley, a guest instructor at the university. Haley is everything Meg wants to be: charismatic, confident, and perfect, but when Austin expresses his worry that Haley is changing Meg too fast, Meg kicks him out of her life. Or at least, she tries.

Faust has been caged, buried, cut off from his allies and his magic. His enemies think they've won. They're about to learn, the hard way, that this is one sorcerer who always has a trick up his sleeve. Nobody has ever escaped from the Iceberg. But the Iceberg has never had a prisoner like Daniel Faust.

New research has uncovered deeply buried military secrets—both the Allied and Axis special operations during WWII included monsters. Did the Soviets use a dragon to win the Battle of Kursk? Did a vampire fight for the Canadians in Holland? Did the US drop the second atomic bomb on a kaiju? This collection takes real events from World War II and injects them with fantastical creatures that mirror the “unreality” of war itself. Each story—and two poems—feature mythical, mystical, and otherwise unexplainable beings that change the course of history.

If you find yourself driving down a winding mountain road near an endless stretch of pines, try tuning in to 104.6 FM: the radio station that shouldn't exist. Troubled radio host Evelyn McKinnon returns to her hometown of Pinehaven, but soon realizes the isolated mountain village has secrets of monstrous proportions. She's stalked by a bird with human eyes, her new co-host drives her crazy, and when the fog rolls in, the beasts of Pinehaven Forest begin their brutal, bloody hunt.

Following the phenomenal success of Necronomicon, its companion volume brings together Lovecraft's remaining major stories plus his weird poetry, a number of obscure revisions, and some notable nonfiction, including the seminal critical essay "Supernatural Horror in Literature." athering together in chronological order the rest of Lovecraft's rarely seen but extraordinary short fiction, this collection includes the entirety of the long-out-of-print collection of thirty-six sonnets "Fungi from Yuggoth."

Ellie Blake is recovering from a nervous breakdown. Deciding to move back to her northern roots, she and her psychiatrist husband buy Tanners Dell at auction - an old water mill in the moorland village of Bridesmoor. However, there is disquiet in the village. Tanners Dell has a terrible secret, one so well guarded no one speaks its name. But in her search for meaning, Ellie is drawn to traditional witchcraft and determined to pursue it.

In a bleak corner of the city of Valgaast, the House of Malveil awaits. A place of darkness, its halls throb with a sinister history. Its rooms are filled with malice. Its walls echo with pain. Now it stirs eagerly with the approach of an old heir - Colonel Maeson Strock of the Astra Militarum has returned home to his ancestral mansion. He is a man broken, both by the horrors of war and by personal loss, and he has come home to take up the mantle of Planetary Governor.

One day, the power goes off and the world falls silent. And in two very different parts of America, two very different nightmares are about to begin. In Manhattan, Elizabeth and her brother Henry are all alone in their parents' apartment. Looking out the window, they can see the carnage slowly spreading through the city. But as hopes fade for their parents to come back, Elizabeth and Henry discover that dangers might already have entered the building.

In the darkest part of the solar system lies a wormhole. Nether. Astrophysicist Cammie Skoura has joined the first research team traveling to the Nether anomaly, eager to understand the mechanics of the wormhole and to explore its possibilities as a shortcut to Alpha Centauri. But another race of ancient beings has already been here—an impossibly long time ago—leaving remnants of their vast complexes and gigantic temples built for horrific beings beyond comprehension.

At 16, Sadie Young had a brush with death, and as a result she became more sensitive to the supernatural. Rather than embrace this gift, she spent years running from it, and from the darkness that once preyed upon her. Now 25 and working as a librarian, Sadie is called upon by a desperate family friend to look into a strange series of events. A teenaged girl has entered a reputedly haunted house in town and has gone mad. Committed, the girl attempts suicide and claims to be terrorized at all hours by a horrific specter known as "Mother Maggot".

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

There's an underground black market for arcane things. Akin to the trade in rhino horns or tiger bones, this network traffics in remains of gryphons, faeries, goblins, and other fantastic creatures. When her fiance Vince goes missing, Angela Gough, an American criminology student, discovers he was a part of this secretive trade. It's a big-money business-shadowy, brutal, and sometimes fatal. As the trail leads her deeper into London's dark side, she crosses paths with a crime lord whose life is dedicated to collecting such relics.

His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy.

Darkness, both literal and psychological, holds its own unique fascination. Despite our fears, or perhaps because of them, listeners have always been drawn to tales of death, terror, madness, and the supernatural, and no more so than today when a wildly imaginative new generation of dark dreamers is carrying on in the tradition of Poe and Lovecraft and King, crafting exquisitely disturbing literary nightmares that gaze without flinching into the abyss - and linger in the mind long after.