English Irish

Three men search for some version of home; their lives move inexorably toward a reckoning that will draw them all together. For Farouk, family is all. He has protected his wife and daughter as best he can from the war and hatred that has torn Syria apart. If they stay, they will lose their freedom. Lampy is distracted; he has too much going on in his small town life in Ireland. He has the city girl for a bit of fun, but she's not Chloe. The game was always the lifeblood coursing through John's veins: manipulating people for his enjoyment. But it was never enough.

A fake wedding between a billionaire and an executive assistant in need of financial help sounds like the perfect fix, but what happens when feelings get involved?

Young Michael, an illegal immigrant escaping the troubles in Northern Ireland is strong and fearless and clever, just the fellow to be tapped by Darkey, a crime boss, to join a gang of Irish thugs struggling against the rising Dominican powers in Harlem and the Bronx. The time is pre-Giuliani New York, when crack rules the city, squatters live furtively in ruined buildings, and hundreds are murdered each month.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

"Brother, you have often declared that you would not end your days in slavery. I see no possible way in which you can escape with us; and now, brother, you are on a steamboat where there is some chance for you to escape to a land of liberty. I beseech you not to let us hinder you. If we cannot get our liberty, we do not wish to be the means of keeping you from a land of freedom."

The narrator is Max Morden, a middle-aged Irishman who, soon after his wife’s death, has gone back to the seaside town where he spent his summer holidays as a child—a retreat from the grief, anger, and numbness of his life without her. But it is also a return to the place where he met the Graces, the well-heeled vacationing family with whom he experienced the strange suddenness of both love and death for the first time.

When the naive David Balfour sets out on his quest for a long-lost relative, a terrifying chain of events is set in motion. He is plunged into a world of infamy and violence from which there seems no escape - until, that is, he meets the enigmatic and valiant Highlander, Alan Breck....

In May 1987, Jackie Benton received a heartbreaking phone call from her boyfriend, Sean Hardy, bringing an end to their five-year relationship. He’d fallen for a fellow student at Exeter University. Sean and Jackie would never see each other again. Thirty-three years later, Sean returns to his home town. There, he inadvertently discovers what became of Jackie Benton.

Sophisticated wit and intense emotion, religious fervor and erotic sensuality, delight in life’s pleasures and fascination with death, are all to be found in the paradoxical poetry of John Donne. One of the foremost metaphysical poets, Donne’s ingenious metaphors and inspired use of language has earned him affection and reverence in near equal measure to Shakespeare.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

FBI agent Aidan Talley has been hiding parts of himself since he was a teen. Thirty years later, he’s hiding his heart from his partner. He’s already lost the love of his life once, and Jamie could be that kind of love again. He won’t survive the loss a second time. Cyber agent Jameson Walker left behind a promising sports career to keep his sexuality out of the spotlight. Now, he must return to his old life, as a coach, to bust an illegal gambling ring. He needs his partner, but after refusing to hide how much he cares for Aidan, they’re as far from partners as they’ve ever been.

King. Warrior. Lover. Brian Boru was stronger, braver, and wiser than all other men-the greatest king Ireland has ever known. Out of the mists of the country's most violent age, he merged to lead his people to the peak of their golden era. His women were as remarkable as his adventures: Fiona, the druidess with mystical powers; Deirdre, beautiful victim of a Norse invader's brutal lust; Gormlaith, six-foot, red-haired goddess of sensuality.

Andrew Lang (1844-1912) was a poet, novelist, and literary critic. He created the enchanting world of fairyland inhabited by characters like the snow-queen, the mermaid's son, ogres, dwarfs, monsters, magicians, and giants. The Pink Fairy Book contains 41 tales from Africa, Japan, Scandinavia, and Europe. They range from familiar stories like "The Snow-Queen" and "The Fir-Tree" to the obscure tales of the Tanuki. This collection contains stories like "The Cats' Elopement", The "Princess in the Chest", "Snowflake", and more....

Explore the four cities of Irish legend to which druid Abaris the sky-rider traveled in his flying machine, and from which the Tuatha dé Danann gods of Ireland came prior to their arrival in the British Isles - an arrival from the sky by a race of humanoids whose description matches that of the Nordic extraterrestrials visiting Earth today. Clues link diverse regions of the world under one pantheon of related gods and not the unrelated gods as we perceive them today, while greedy humans line their pockets and destroy the evidence in a grand power play.

There's a mantra real writers know but wannabe writers don’t. And the secret phrase is this: "Nobody wants to read your shit." Recognizing this painful truth is the first step in the writer's transformation from amateur to professional.

As Liam McGinty's belt lashes my bare backside, it isn't the burning sting or the humiliating awareness that my body's surrender is on full display for this ruthless mobster that shocks me. It's the fact that this isn't a scene from one of my books. I almost can't process the fact that I'm really riding in the back of a luxury SUV belonging to the most powerful Irish mafia boss in New York—the man I've written so much about—with my cheeks blushing, my bottom sore inside and out, and my arousal soaking the seat beneath me.

In this sweeping history, Ireland's best-known historian, Tim Pat Coogan, tackles the dark history of the Irish Famine and argues that it constituted one of the first acts of genocide. In what the Boston Globe calls "his greatest achievement", Coogan shows how the British government hid behind the smoke screen of laissez faire economics, the invocation of divine providence, and a carefully orchestrated publicity campaign, allowing more than a million people to die agonizing deaths and driving a further million into emigration.

Having escaped capture in London, Bridget and Cormac flee to Ireland with their daughter, Emily. Their homecoming is bittersweet as they embark upon the daunting task of searching for Cormac’s family, who have been missing for over seven years. Their journey takes them back to the familiar surroundings of the Oakleigh Estate in Carlow, but their childhood home has become a different place to the one they remember. As they confront the consequences of Bridget’s embittered mother’s actions, they must also come to terms with an agonizing choice between family and duty.

Eighteen-year-old Debbie was raised on her family’s rural dairy farm, 40 minutes and a world away from Dublin. She lives with her mother, Maeve, a skittish woman who takes to her bed for days on end, claims not to know who Debbie’s father is, and believes her dreams are prophecies. Rounding out their small family is Maeve’s brother, Billy, who lives in a caravan behind their house, drinks too much, and likes to impersonate famous dead writers online. Though they may have their quirks, the Whites’ fierce love for one another is never in doubt. But Debbie’s life is changing.

She's my nemesis. My prisoner. I'll make her beg for mercy. I'll make her scream my name. I'll make her mine. Sheena Hurston's been a thorn in my side for years. But when she tries to bring my family to ruin, I'm done playing games. She will pay for what she's done. No one comes before my family. Sheena belongs to me.