English Irish

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

In June 1922, just seven months after Sinn Féin negotiators signed a compromise treaty with representatives of the British government to create the Irish Free State, Ireland collapsed into civil war. While the body count suggests it was far less devastating than other European civil wars, it had a harrowing impact on the country and cast a long shadow, socially, economically and politically, which included both public rows and recriminations and deep, often private traumas.

Since the fighting Irish first took to the field in 1887, Notre Dame has developed an incomparable level of tradition and achievement - both on the gridiron and in the classroom. With a record 96 All-American players and seven Heisman Trophy winners, it's no wonder several of Notre Dame's stars have gone on not only to star in the NFL, but also to successful careers and accolades in all walks of life. Notre Dame: Where Have You Gone? catches up with Fighting Irish players.

Molly’s policeman husband, Daniel, is late returning home. He comes with a tale to tell: There was a murder on Ellis Island that day, and the main suspect is the spitting image of Molly. The circumstances are eerily similar to when Molly herself arrived on Ellis Island, and she can’t help but feel a sense of fate. Molly was meant to be there that day so that she can clear this woman’s name.

It started in 1845 and lasted six years. Before it was over, more than one million men, women, and children starved to death and another million fled the country. Measured in terms of mortality, the Great Irish Potato Famine was one of the worst disasters in the 19th century-it claimed twice as many lives as the American Civil War. A perfect storm of bacterial infection, political greed, and religious intolerance sparked this catastrophe.

From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, fearless activism, and of the enduring power of song.

Think of The War of Art as tough love...for yourself. Since 2002, The War of Art has inspired people around the world to defeat "resistance"; to recognize and knock down dream-blocking barriers and to silence the naysayers within us. Resistance kicks everyone's butt, and the desire to defeat it is equally as universal. The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success.

The small village of Kilbane is hosting a poker tournament at the local pub, and card sharp Eamon Foley, a tinker out of Dublin, is set to win the tournament. But when Foley is found at the end of a rope, it’s time for the garda to take matters into their own hands. Macdara Flannery would lay odds it’s a simple suicide, but Siobhán suspects foul play, as does Foley’s pregnant widow.

In the tradition of Frank McCourt’s Angela’s Ashes and Alice Taylor’s To School Through the Fields, Tom Phelan’s We Were Rich and We Didn't Know It is a heartfelt and masterfully written memoir of growing up in Ireland in the 1940s. We Were Rich and We Didn't Know It recounts Tom’s upbringing in an isolated, rural community from the day he was delivered by the local midwife. With tears and laughter, it speaks to the strength of the human spirit in the face of life's adversities.

In this book, you’ll meet iconic figures like Cú Chulainn, The Children of Lir, and The Battle of Moytura, and dive deep into epic stories of bravery, magic, and myth that have shaped Irish culture for centuries. Whether you're new to Irish mythology or you've heard the stories before, this book is the perfect way to relax and immerse yourself in the magic, humor, and heroism of Ireland. Plus, you'll pick up some basic Irish words and phrases along the way, helping you feel like you're stepping right into the world of Éire (Ireland).

In this prequel to the international best seller The Ruin, set 10 years prior, bright-eyed Carrie Ryan is at the very start of her career. When she has a hunch about an ongoing murder investigation, she knows it could be her only chance to prove herself and truly break into the “boys' club” of Dublin’s police force.

The charming yet clueless professor: Dr. Vail Mifflin loves the history of organized crime. Teaching and writing about the adventures of mobsters are his life’s work. To Vail, the stories he tells are just that - fun accounts he doesn’t think of as real. When Dr. Mifflin gets too close to the modern-day mob truth while researching a book he’s writing, his life begins to fall apart. The Irish mob killers: Rowen, Cillian, Aspen, and Fallon work for the Killough Company, the Irish mob that controls the Eastern Seaboard of the US.

The four Grace sisters love their quiet life in the country village of Chevis Green. To some, their insular world might seem dull, but the sisters never seem to run out of conversation, jokes, and pleasant ways to pass the time together. They truly are the happiest of families. That is, until Aunt Rona comes to town. Rona intends to stay with the Graces indefinitely, and her meddlesome attitude immediately sets the sisters' teeth on edge. Throw in another unexpected houseguest, some potential suitors and a case of mistaken intentions, and the members of the Grace family suddenly find themselves quite out of their element.

I won. I defeated the changeling who'd been feeding on me. My treasures escaped the trap set by Balor's dark fae. But now I don't even know what I am. Am I fae? Like the monster who trapped me in marriage and fed on me for five years? Or like my leprechaun, Warwick Greenshanks, who plays a delicate game of neutrality between dark and light fae? He swore to never lie to me, but he didn't make that promise on his gold. Only his heart.

My father needs a pawn as he plays King with the Irish Mafia. Releasing me from the asylum walls that kept me from my revenge, I'm free to play a few games of my own. Games I plan on winning. The taste of revenge sits sweetly on my tongue as I watch her, Claire, my new obsession. I keep her safe in a cage made of glass. Safe from the cravings she stirs in me. I watch her, my hunger growing with every move she makes.

Recently widowed, Hannah Firth is still young - young enough to dream of a new life. When her spiteful daughter-in-law uses her as an unpaid servant, Hannah tries to leave, but she is unaware of the depths that Patty's spite will lead her to. Nathaniel King's life is ruined when his landlord's son lays waste to his market garden for a prank - and the resulting feud puts Nathaniel's livelihood at stake.

The new Anna Jacobs saga continues the story of the younger sisters of Keara Michaels, the heroine of A Pennyworth of Sunshine, following their fortunes from 19th-century Ireland to the brave new world of Australia. In 1863 the authorities send Irish orphans Ismay and Mara to Australia against their will. Just when they thought it couldn't get any worse, on arrival they're separated from one another. While Ismay is forced to take a job as a maid miles away in the country, Mara must stay in the care of the Catholic mission.

Keara Michaels doesn't want to leave her family in Ireland, but fate sends her first to Lancashire, then across the sea to Australia, pregnant and penniless. And Theo Mullane, the man who loves her, is married, with an ailing baby son, so cannot follow her as he longs to. Mark Gibson leaves Lancashire to avoid marriage. But gold prospecting is a dangerous pursuit, and when his gentle young wife dies in childbirth, his father-in-law kidnaps the baby. So Mark runs away again, this time to Western Australia, where he employs Keara in his country inn.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.