English Mythology

The Edge is a land of two worlds: above and below. It took me my childhood to learn about above; when I was 19, I went to learn the wonders of below: a world of darkness and silence, so dark that you can see the lights of brain cells discharging; so silent that blood in the veins can be heard.

Countless would-be readers and listeners of Finnegans Wake - James Joyce's 1939 masterwork, on which he labored for a third of his life - have given up after a few pages and "dismissed the book as a perverse triumph of the unintelligible." In 1944, a young professor of mythology and literature named Joseph Campbell, working with novelist and poet Henry Morton Robinson, wrote the first guide to understanding the fascinating world of Finnegans Wake.

Studies have shown that developing an “atomic habit” - just doing a few minutes a day of whatever skill or habit you want to take on can be more than enough to engrain it into our lives. Therefore, we have transformed timeless, legendary stories into 10-minute, bite-size chunks long enough to entertain, enthrall, and even educate the youths but short enough to be enjoyed quickly at bedtime or any other point in our busy modern days.

Hercules, Zeus, Thor, Gilgamesh - these are the figures that leap to mind when we think of myth. But to David Leeming, myths are more than stories of deities and fantastic beings from non-Christian cultures. Myth is at once the most particular and the most universal feature of civilization, representing common concerns that each society voices in its own idiom.

Captured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh—these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology—from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled.

Fairies have long been a part of witchcraft traditions, especially Celtic and Norse witchcraft, paganism, and other traditions deeply tied to the earth. But these fairies aren’t the harmless creatures you’ve read about in children’s tales: They are magical creatures with their own culture and rules that you need to know before venturing into their territory. Now you can explore the world of the fairies and how their magic relates to your own witchcraft practice with The Modern Witchcraft Book of Fairies.

Ever familiar and instructive, Davis shows why the ancient tales of gods and heroes, from Mount Olympus to Machu Picchu, from ancient Rome to the icy land of the Norse, continue to speak to us today, in our movies, art, language, and music. For mythology novices and buffs alike, and for anyone who loves a good story, Don't Know Much About Mythology is a lively and insightful look into the greatest stories ever told.

Twin sisters, Mercy and Hunter are witches, direct descendants of the Goode family, the founders of their town. After the murder of their mother at the hands of a foul demon, they have become the protectors of the Gates to different underworlds—ancient portals between their world and realms where mythology rules and the darkest of creatures exist.

Welcome to The Book of Japanese Folklore: a fascinating journey through Japan’s folklore through profiles of the legendary creatures and beings who continue to live on in pop culture today. From the sly kitsune to the orgrish oni and mischievous shape-shifting tanuki, learn all about the origins of these fantastical and mythical creatures. With information on their cultural significance, and how it’s been spun into today’s popular culture, this tome teaches you about the stories and histories of the beings that inspired characters in your favorite movies, animes, manga, and games.

We think of fairies as little winged people with magic wands, but Irish fairies were flesh-and-blood extraterrestrials who towered over humans. We knew them as angels, demons, phantoms, mermaids, fairies, gods and not-gods, and the Gentry. Giant, chalk-white humanoids with piercing blue eyes, and flaming red or golden-yellow hair cascading in curls over their shoulders, that’s the true appearance of the ancient fairies of Ireland who came down from the cosmos thousands of years ago.

In this book, author Alda Sigmundsdóttir presents 20 translated elf stories from Icelandic folklore, along with fascinating notes on the context from which they sprung. The international media has had a particular infatuation with the Icelanders’ elf belief, generally using it to propagate some kind of “kooky Icelanders” myth. Yet Iceland’s elf folklore, at its core, reflects the plight of a nation living in abject poverty on the edge of the inhabitable world, and its people’s heroic efforts to survive, physically, emotionally, and spiritually.

More preoccupied with drinking, sleeping, and writing, an unnamed student neglects his studies and invents three separate openings for a novel. The first introduces the Pooka MacPhellimey, "a member of the devil class", the second involves Mr. John Furriskey, a character belonging to another of the student's creations (writer Dermot Trellis), while the final opening features legendary Irish heroes Finn Mac Cool and Mad King Sweeny. Soon, Trellis' creations rebel against him, doing as they like while he sleeps, and the characters begin wandering in and out of each other's tales.

This unique treasury of in-world space tales takes listeners to the far reaches of the Star Wars universe...including to the remote outer rim world of Batuu from Galaxy's Edge.

This is a selection of the myths and legends of Scotland, filled with local color, from Scottish journalist, folklorist, and writer Donald Alexander Mackenzie. These stories offer not only glimpses of ancient times and of old habits of thought and life but also of the country itself at different times of the year.

Conor and his sword companions must leave the safety of the faéry kingdom for the barbarian Scálda threaten to overrun Eirlandia. As he fights for his people’s survival, Conor discovers that several of the clan leaders have betrayed their nation by aiding the Scálda. The corruption is such that Conor and his men choose to become outcasts, clan-less and open to attack by friend and foe alike. They form their own warband...and the beginning of a legend as Conor unites the common people of Eirlandia to drive the poison from their land.

The Ecstasy of Being brings together seven of Campbell’s previously uncollected articles on dance, along with “Mythology and Form in the Performing and Visual Arts,” the treatise that he was working on when he died, published here for the first time. In this new collection Campbell explores the rise of modern art and dance in the twentieth century; delves into the work and philosophy of Isadora Duncan, Martha Graham, and others; and, as always, probes the idea of art as “the funnel through which spirit is poured into life.”

Further Along the Road Less Traveled takes the lectures of Dr. Peck and presents his profound insights into the issues that confront and challenge all of us today: spirituality, forgiveness, relationships, and growing up. In this aid for living less simplistically, you will learn not to look for the easy answers but to think multidimensionally. You will learn to reach for the "ultimate step," which brings you face to face with your personal spirituality. It will be this that helps you appreciate the complexity that is life.

In Mythologies Without End, Jerome Slater argues that US policies in the region are largely a product of mythologies that are often flatly wrong. For example, the Israelis' treatment of Palestinians after 1948 undermined its claim that it was a true democracy, and the argument that Arab states refused to negotiate with Israel for decades is simply untrue. Because of widespread acceptance of these myths in both the US and Israel, the consequences have been devastating to all of the involved parties.

Martín Prechtel revives a hitherto unknown Guatemalan Tzutujil Mayan tale of the beginnings of the world with a poetic retelling of the story. Prechtel authoritatively retells the powerful tale of the Tall Girl who weaves the world in a loom, her parents the Sun and the Moon who repudiate her suitors, and the mysterious man who disguises himself as a hummingbird to lure her away.

Set in the prewar Indochina of Marguerite Duras's childhood, this is the haunting tale of a tumultuous affair between an adolescent French girl and her Chinese lover. In spare yet luminous prose, Duras evokes life on the margins of Saigon in the waning days of France's colonial empire, and its representation in the passionate relationship between two unforgettable outcasts.