English Poetry Literature

A dirty, skinny, dog shows up in Sam and Katie's neighborhood. They start to follow it, and they don't like what they see: The Wilson sisters yell at it because it goes in their garden and the Tracy twins chase it on their bikes and throw things at it. Sam and Katie want the dog to know they'll be its friends. They think it should have a name. Most of all, they want it to like them. But then they do something thoughtless, and after that, it's hard to make things right, especially because the dog now won't come near them.

In A Libretto for the Desert, Sona Van's subject is the Armenian genocide, also known as the Great Catastrophe. Van's parents and grandparents were driven into exile due to this horrific event. Her poems reflect a personal connection to this history as well as the universality of loss, persecution, and intolerance.

The second title in this new series about a lovable wizard, featuring a charming rhyming story. In the faraway village of Snottington Sneeze lived a wizened old wizard with knocketty knees. Woozy the Wizard loves his old broom - not too small, not too big - but it is a little rusty. So when he spies a shiny new shop with hoovers he can't believe his luck! If only he could make his new hoover go zoom.... Magic and mishap ensue with Woozy and his pet pig. A bold, funny and heartwarming story from the uniquely talented Elli Woollard.

Astronomy-loving Calliope June has Tourette's syndrome, so she sometimes makes faces or noises that she doesn't mean to make. When she and her mother move yet again, she tries to hide her TS. But it isn't long before the kids at her new school realize she's different. Only Calliope's neighbor, who is also the popular student body president, sees her as she truly is - an interesting person and a good friend.

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

Taut free verse tells the little-known story of the first contraband camp of the Civil War - seen by some historians as the "beginning of the end of slavery in America". One night in 1861, three escaped slaves made their way from the Confederate line to a Union-held fort. The runaways were declared "contraband of war" and granted protection. As word spread, thousands of runaway slaves poured into the fort, seeking their freedom. These "contrabands" made a home for themselves, building the first African American community in the country.

Grasshoppers, waterstriders, and fireflies light up the pages of this rib-tickling book of poetry for two voices. Written as spirited duets, the poems ring with the love songs of book lice, the serenades of moths, and a choir of cicadas. Each one is a treat, filled with busy insect life. In addition to the voices of these frisky critters, there are also fascinating tidbits about their lives and habits.

A special live recording at London's Soho Theatre - plus two exclusive bonus tracks. Since forming in 2008, Mark Grist and MC Mixy have been challenging the preconceptions of poetry and hiphop across the country. This audio was recorded at the Soho Theatre in London in 2012, during their third national tour, titled 'Anywhere and Everywhere'. During the tour the pair performed in schools, pubs, nightclubs, office blocks, market places, theatres, parks, taxi cabs, sitting rooms and universities across the country.

In this lively book, children discover a world of colors all around them: red is spices and swirling skirts, yellow is masa, tortillas, and sweet corn cake. Many of the featured objects are Latino in origin, and all are universal in appeal. With rich, boisterous illustrations, a fun-to-listen-to rhyming text, and an informative glossary, this playful concept book will reinforce the colors found in every child's day!

Kathryn Tucker Windham begins this montage of stories with the sounds of summer and ends with a joyful Christmas memory. The mixture of tales, from the mouth-watering description of good Southern food to the story of a governor more familiar with Tom Sawyer than Tom Jefferson, comes together to evoke the image of a happy childhood.

Majestic in its own simplicity. Inscribed above the portal, from afar. Conspicuous as the brightness of a star. Legible only by the light they give. Stand the soul-quickening words - believe, and live....

Annie Zook, the Amish preacher's daughter, is caught between two worlds. Living with shunned friend Esther, Annie longs to return to her forbidden art and the idyllic days spent with Englisher Ben Martin, before her father ordered her never to see him again.... Stunned when family secrets come to light, Ben determines to solve the mystery of his past. Will his future include Annie--or will the Brethren always stand between them?

In Birmingham, Alabama, on September 15, 1963, it is one little girl's 10th birthday. Excited about Youth Day at the 16th Street Baptist Church, she puts on her patent leather shoes and practices her choir solo. But her birthday will include no cake and no candles this year. A group of men have tucked a bundle of dynamite under the church's steps, and when it goes off, four girls are dead: AddieMae Collins, Carole Robertson, Cynthia Wesley, and Denise McNair.

Laura Amy Schlitz wrote the Newbery Medal winner Good Masters! Sweet Ladies! for the students at the school where she is a librarian. The 22 monologues introduce readers to everyone in a medieval village, from the town half-wit, to Nelly the Sniggler, to the Lord's daughter.

Juanita di Perli was a young woman when she decided to live the rest of her life on a table-top. She called it God's will, but for the order of nuns that sprang up around her, Juanita's devotion was a curse. For decades they did the bidding of the holy grouch, and the entire island of San Juan el Pirata sighed with relief when she died. Twenty years later, the islanders fight for Juanita's canonization - not because they liked her, but because a local saint would be a tourist boon. The only thing keeping the island poor is the Archduke, who refuses to ask Rome to consider Juanita for sainthood.

Here are a baker's dozen of Paul Laurence Dunbar's poems brought to life in the medium he always wrote for - the spoken word. As narrated by Bobby Norfolk, these poems evoke the range of moods, from elegy to wonder to celebration, that the poet is remembered for.

Divided into two sections, one inspired by ancient Chinese art, the other limning the ambiguities and incongruities of the contemporary human condition, Frutkin's new volume of poetry, Iron Mountain, often presents human beings wandering in the wilderness between two abysses while still appreciating the smell of pines, the softness of the rain, the brilliance of the stars, the hum of the computer, and the jostle of the crowd on the bus.

In awe of her DNA, at war with her anxiety and at odds with her heartstrings, author Kaitlyn Wylde is never at a loss for words. In her new collection, The Head, The Heart & The Home, she gives her listeners orchestra seats to a timeless drama of love and intimacy, and struggling with the absence of them. Under the white-knuckled grip of anxiety, the chainmail blanket of despair and the windless knock of heartache, Wylde thrives as a storyteller.

Answering questions like "why are so many vegetables green?", "what's the difference between brown bread and white bread?", and "why do beans make you gassy?", cheerful haiku poems and a simple Q&A format make this book a nutritious treat. The information in this book aligns with both the USDA's MyPlate guidelines and the Harvard School of Public Health's Healthy Eating Plate guidelines.

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.