English Poetry

“With a bolt of lightning on my kicks . . . The court is SIZZLING. My sweat is DRIZZLING. Stop all that quivering. ’Cuz tonight I’m delivering,” raps twelve-year-old Josh Bell. Thanks to their dad, he and his twin brother, Jordan, are kings on the court. But Josh has more than basketball in his blood—he’s got mad beats, too, which help him find his rhythm when it’s all on the line.

"When I was 16, Helen Fleischman assigned me to memorize Shakespeare's Sonnet No. 29, 'When in disgrace with fortune and men's eyes, I all alone beweep my outcast state', for English class. And 50 years later, that poem is still in my head. Algebra got washed away, and geometry and most of biology, but those lines about the redemptive power of love in the face of shame are still here behind my eyeballs, more permanent than my own teeth." --Garrison Keillor

Before Josh and Jordan Bell were streaking up and down the court, their father was learning his own moves. In this prequel to Newbery Medal winner The Crossover, Chuck Bell takes center stage, as listeners get a glimpse of his childhood and how he became the jazz music worshiping basketball star his sons look up to. A novel in verse with all the impact and rhythm listeners have come to expect from Kwame Alexander, Rebound will go back in time to visit the childhood of Chuck "Da Man" Bell during one pivotal summer when young Charlie is sent to stay with his grandparents, where he discovers basketball and learns more about his family's past.

Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft and contend with the works of writers overrepresented in textbooks and anthologies and those often underrepresented.

Jericho Brown's daring book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive.

Ted Hughes married Sylvia Plath in 1956, at the outset of their brilliant careers. Plath's suicide six-and-a-half years later, for which many held Hughes accountable, changed his life, his closest relationships, his standing in the literary world, and brought new significance to his poetry.

In God Speaks Through Wombs, Drew Jackson explores the first eight chapters of Luke's Gospel in a new poetic register. These are declarative poems, faithfully proclaiming the gospel story in all its liberative power.

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives.

This new audiobook features a collection of Service's very best and most beloved verses from his time living in and writing about the Klondike.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

Following the success of At Blackwater Pond, this second CD from best-selling poet Mary Oliver contains a selection of 37 previously published poems and four as yet uncollected, read by the poet in her steady, magnetic voice. Oliver recites from the full range of her poetry - from her classic nature writing, to her verses for her mischievous bichon Percy, to her ever-deepening spiritual poems. Many Miles will be a most welcome addition to the collections of her fans.

When Linda Ellis wrote her poem, "The Dash", in one afternoon twelve years ago, it would change her life forever. In 239 words, she captured the "Simple Truths" of why we were put on this earth. Since then, The Dash has been published hundreds of times in books, newspapers, magazines and company newsletters. It has also been read countless times at company meetings, graduations and funerals.

Each pair of poems inspires a shift from the old way of thinking to the new: from guilt to gratitude, resistance to surrender, and fear to love. The first poem in each pair is dedicated to the old way. The second poem offers a shift in perspective that lovingly illuminates the new. Each seemingly simple poem instantly elicits a profound reset, and is coupled with beautiful line drawings that awaken not just the mind, but also the heart. The Shift’s unique poem pairings uplift the soul by offering a hopeful salve for our collective burnout.

In poyums, Len Pennie has created a collection that is as approachable as it is affecting; whether she's writing letters to her younger self, advocating for women's rights or adapting fairy tales to process an abusive relationship, Len's voice is bold, unashamedly frank and unmistakeably hers. She consciously fuses Scots into her poetry, cleverly ensuring that it is accessible to speakers of both languages.

Much-Afraid begins her journey, crippled and disfigured, with the cry, "Oh, if only I could escape from this Valley of Humiliation altogether and go to the High Places." She leaves her Fearing relatives behind, and presses on to the Realm of Love. As the Chief Shepard explains, no Fears can live in this realm, because "perfect love casts out fears and everything that torments".

Mary is going to Spellzany Castle for a poetry contest. After many magical mishaps, Mary and her aunt, Queen Ursula, are hoping for a magic-free event. After a fairy becomes upset over losing the contest, she casts a spell to make all the party-goers only speak in rhyme. Will Mary be able to undo the spell? Or will they all be stuck speaking in rhyme?

Paradise Lost is considered to be the best epic poem in the English language, as John Milton seeks to "justify the ways of God to men" through relating the story of Satan's rebellion in Heaven, the deception and fall of Man, and the presaged event of Redemption through Jesus, the Son of God...the "Second Adam."

In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'". It's about wrestling with histories, personal and shared.

One tiny snail longs to see the world and hitches a lift on the tail of a whale. Together they go on an amazing journey, past icebergs and volcanoes, sharks and penguins, and the little snail feels so small in the vastness of the world. But when disaster strikes and the whale is beached in a bay, it's the tiny snail who saves the day.

Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, counselor, conflict mediator, and spiritual healer, she's always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred. But then Kai Cheng found herself in a crisis of faith, overwhelmed by the violence with which people treated one another, and barely clinging to the values and dreams she'd built her life around: justice, hope, love, and healing.