English Renaissance

Beatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own.

In true stories as vivid as the colors in which they painted, Jim Weiss brings to life the astounding Leonardo da Vinci; the volcanic genius Michelangelo; Brunelleschi, who changed the way we see the world; the lighthearted sculptor, Donatello; and other captivating characters. You will watch fierce Pope Julius II drive out invaders while supervising the painting of the Sistine Chapel, and dine in the palace of Lorenzo de Medici, swordsman, statesman and patron of the arts, as he faces treachery and turns war to peace.

This book compiles both the first (1855) and final (1892) versions of Walt Whitman's masterpiece Song of Myself in one volume, making it unique and valuable for students of American literature.

Montpellier in 1566 - only fools walk the streets at night unarmed while a profession of faith in the wrong company can lead to a knife in the back. Not even this proud city of philosophers is safe from the menaces that endanger the peace of France. The city militia are struggling to contend with the lawlessness and religious hatred that threaten to tear the whole country in two.

The following Tales are meant to be submitted to the young learner as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Age of Discovery explores a world on the brink of a new Renaissance and asks: how do we share more widely the benefits of unprecedented progress? How do we endure the inevitable tumult generated by accelerating change? How do we each thrive through this tangled, uncertain time? From gains in health, education, wealth and technology to crises of conflict, disease and mass migration, the similarities between today's world and that of the 15th century are both striking and prophetic: we have been here before.

Giorgio Vasari (1511-1574) was a man of many talents - a sculptor, painter, architect, writer, and scholar - but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari's extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari's visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift.

The Renaissance was only a short period in European history, but it was the revolution needed to move from the Middle Ages to the modern world. It was full of new philosophies and art, new architecture and inventions, and new governments and churches. In a short span of time, the Europeans found themselves creating, acting, and living in completely new ways. People now had access to new ideas, and Europe would never be the same again.

Harlem, 1926. Young Black women like Louise Lloyd are ending up dead. Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights at the Zodiac, Harlem’s hottest speakeasy. Louise’s friends, especially her girlfriend, Rosa Maria Moreno, might say she’s running from her past and the notoriety that still stalks her, but don’t tell her that.

A History of the Middle Ages is the amazing story of European man in transition. It is a dramatic chronicle of 1,000 years of political, social, and economic transformation beginning with the dissolution of the classical Mediterranean civilization and ending with the first flowering of the Renaissance. It is also the story of two new religions, Christianity and Islam, both of which were destined to dominate the mind of every person in those new civilizations arising in their wake.

May 1536: Queen Anne Boleyn has fallen and Jane Seymour is about to become Queen, yet the King's new love is troubled not only by the fall and execution of his last wife and Queen, but by the creeping feeling that she knows not the man she has promised to marry. As Jane steps into the palaces of the King, emerging quietly as England's Queen, she finds herself haunted by thoughts of Anne Boleyn, Katherine of Aragon and what the past means for her own fate. And Jane is not the only one troubled by the actions of King Henry VIII.

Anne, Duchess of Brittany, is the love of King Louis XII of France's life. Too bad he's already married. While his annulment proceedings create Europe's most sensational scandal of 1498, Anne returns to Brittany to take back control of her duchy that her late husband, Charles VIII, King of France, had wrested from her. At age 21, Anne is sovereign ruler of Brittany as well as Europe's most wealthy widow. But can she maintain Brittany's independence from France if she accepts Louis's offer to make her Queen of France once more?

The principles of Zen can be applied both on and off the court to foster a deeper sense of focus, resilience, and inner peace. Through engaging insights, practical exercises, and meditative practices, this book provides you with the tools to cultivate mindfulness and presence during intense matches.

Elle Newmark's richly seductive prose brings to life the color and scandal of 15th-century Venice. Through Luciano, a street urchin apprenticed to a great chef in the palace of the doge, Newmark tells a wicked tale of political and papal intrigue. In Venice where every whisper is a secret or a lie, Luciano's initiation into the chef's spicy world makes for deliciously suspenseful listening.

A history of the Renaissance told through the lives of its most influential patrons. From the late Middle Ages, the independent Italian city states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of 15th- and 16th-century Italy immersed themselves in the culture of antiquity, commissioning palaces, villas and churches inspired by the architecture of ancient Rome, and offering patronage to artists and writers.

A concise, star-studded retelling of Italy's past, from Caesar and Augustus to da Vinci and Michelangelo, tracing the story of a country with prodigious global influence—from a foremost author of historic Italy.

Ramie Targoff's Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist's best friend - the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy - but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d'Este, among others.

New York City, uptown, Harlem. In the 1920s it was the most exciting place in the world. Poets, writers, dancers, and musicians all came together and invented a new American culture - a dazzling and revolutionary African American culture of music and poetry and art. Everyone who was anyone wanted to come to Harlem and hear the music of jazz genius Duke Ellington, the rap-like stylings of Langston Hughes, and the classical lyricism of Countee Cullen.

Modern beer has little in common with the drink that carried that name through the Middle Ages and Renaissance. Looking at a time when beer was often a nutritional necessity, was sometimes used as medicine, could be flavored with everything from the bark of fir trees to thyme and fresh eggs, and was consumed by men, women, and children alike, Beer in the Middle Ages and Renaissance presents an extraordinarily detailed history of the business, art, and governance of brewing.