English Renaissance

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

A secret affair. A disfiguring punishment. A burning need for revenge. Kyrra d'Aliente has a bad reputation and an arm made of metal. Cast out of the safe and luxurious world of silk to which she was born, played as a pawn in a game of feuding Houses, Kyrra navigates a dangerous world of mercenaries, spies, and smugglers while disguising herself as a man. War destroyed her family and the man she loved. Vengeance is within her grasp. But is she willing to pay its price?

However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself.

The best-selling revisionist biography of one of the great women of the 16th century. Orphaned in infancy, Catherine de Medici was the sole legitimate heiress to the Medici family fortune. Married at 14 to the future Henri II of France, she was constantly humiliated by his influential mistress, Diane de Poitiers. When her husband died as a result of a duelling accident in Paris, Catherine was made queen regent during the short reign of her eldest son (married to Mary Queen of Scots, and like many of her children he died young).

The best-selling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling captures the excitement and spirit of the Renaissance in this chronicle of the life and work of "the king of the world's booksellers" and the technological disruption that forever changed the ways knowledge spread.

Exploring everything from visions, hunches, vibes, astrology and the occult arts and sciences, to modern physics, geomagnetism, and bio-electricity, Psychic Literacy is renowned artist and remote viewer Ingo Swann's grand overview of human psychic potential.

Beginning in the heady days just after the First Crusade, this volume - the third in the series that began with The History of the Ancient World and The History of the Medieval World - chronicles the contradictions of a world in transition. Impressively researched and brilliantly told, The History of the Renaissance World offers not just the names, dates, and facts but the memorable characters who illuminate the years between 1100 and 1453 - years that marked a sea change in mankind's perception of the world.

Orphaned from infancy, Catherine de’ Medici endured a tumultuous childhood. Married to the French king, she was widowed by forty, only to become the power behind the French throne during a period of intense civil strife. In 1546, Catherine gave birth to a daughter, Elisabeth de Valois, who would become Queen of Spain. Two years later, Catherine welcomed to her nursery the beguiling young Mary Queen of Scots, who would later become her daughter-in-law. Together, Catherine, Elisabeth, and Mary lived through the sea changes that transformed sixteenth-century Europe.

In the best-selling tradition of The Swerve and A Distant Mirror, The Verge tells the story of a period that marked a decisive turning point for both European and world history. Here, author Patrick Wyman examines two complementary and contradictory sides of the same historical coin: the world-altering implications of the developments of printed mass media, extreme taxation, exploitative globalization, humanistic learning, gunpowder warfare, and mass religious conflict in the long term, and their intensely disruptive consequences in the short-term.

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

If you want to discover the captivating history of the Renaissance, then pay attention.

A standalone audio exclusive set in the world of the Red Knight. Taking place in Etrusca, Terra Antica, thousands of miles from Alba and Liviapolis, an ancient power is rediscovered.

Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction.

In When Plants Dream, Pinchbeck and Rokhlin explore the economic, social, political, cultural and environmental impact that ayahuasca is having on society. "Part One" covers the background; what ayahuasca is, where it is found, and its cultural origins. "Part Two" explores the role and practices of the ayahuasquero in both Amazonian and Western cultures. "Part Three" examines the medicinal plants of the Amazon, looking particularly at the ingredients in ayahuasca and their therapeutic qualities, covering the most up-to-date biomedical research. Plus much more....

Volume Three of 2,000 Years of Christ's Power, in showing the progression of the Reformation era and the daring bravery of its figures, presents a period of history from which there are many lessons to be learnt—not least of all, the vibrancy of people's lives and the courage with which they faced death.

In Navola, a city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur.

I met Nazareth Armstrong when I was eighteen years old. From the beginning, my brother warned me to stay away from him. Told Naz to stay away from me. Our hearts didn’t listen. I shared one magical night under the stars with my brother's rival, thinking it was the start of a once-in-a-lifetime something. But one awful moment ended it all.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Moderna and Regio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf.

For as long as language and communication have existed, humans have invented ways to mask their messages from prying eyes. One could be forgiven for assuming there are no ciphers left unsolved. On the contrary, a diverse array of both ancient and modern cryptographic challenges, which have stumped even the most seasoned code crackers of today, exist, and may exist for generations to come. Among the most famous of these memorandums is a 600-year-old document that continues to mystify: the Voynich Manuscript.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.