English Renaissance

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science, and began to develop a vision of Western society that remains at the heart of Western civilization today.

In the best-selling Warriors of God and Dogs of God, James Reston Jr. limned two epochal conflicts between Islam and Christendom. Here he examines the ultimate battle in that centuries-long war, which found Europe at its most vulnerable and Islam on the attack. This drama was propelled by two astonishing young sovereigns: Holy Roman Emperor Charles V and Turkish sultan Suleyman the Magnificent. Though they represented two colliding worlds, they were remarkably similar.

Giorgio Vasari (1511-1574) was a man of many talents - a sculptor, painter, architect, writer, and scholar - but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari's extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari's visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift.

The Catalogue of Shipwrecked Books tells the story of the first and greatest visionary of the print age, a man who saw how the explosive expansion of knowledge and information generated by the advent of the printing press would entirely change the landscape of thought and society. He also happened to be Christopher Columbus’ illegitimate son.

England, 1651. Oliver Cromwell has defeated his royalist opponents in two civil wars, executed the Stuart King Charles I, laid waste to Ireland, and crushed the late king's son and his Scottish allies. He is master of Britain and Ireland. But Parliament, divided between moderates, republicans and Puritans of uncompromisingly millenarian hue, is faction-ridden and disputatious. By the end of 1653, Cromwell has become 'Lord Protector'. Seeking dragons for an elect Protestant nation to slay, he launches an ambitious 'Western Design' against Spain's empire in the New World.

Forcibly seduced by George Villiers, duke of Buckingham and the king's favourite, doctor's daughter Hester was cast aside to raise her illegitimate son, Rafe, alone and in secret. She hopes never to see his father again. Melis's visions cause disquiet and talk. She sees what others can't - and what has yet to be. She'd be denounced as a witch if Hester wasn't so carefully protective. Young Hope's beauty marks her out, drawing unwelcome attention to the family. Yet she cannot always resist others' advances. And her sisters cannot always be on their guard.

During the sweltering Roman summer of 1492, Rodrigo Borgia has risen to power as pope. Rodrigo’s eldest son Cesare, forced to follow his father into the church and newly made the Archbishop of Valencia, chafes at his ecclesiastical role and fumes with jealousy and resentment at the way that his foolish brother has been chosen for the military greatness he desired. Maddalena Moretti comes from the countryside, where she has seen how the whims of powerful men wreak havoc on the lives of ordinary people. But now, employed as a servant in the Vatican Palace, she cannot help but be entranced by Cesare Borgia.

A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th-century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome, and well-educated. Not to mention he is one of the powerful Medici family's favored circle. Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de' Medici's glittering circle of politicians, poets, artists, and philosophers. The men of Florence - most notably the rakish Giuliano de' Medici - become enthralled with her beauty.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.

Literature Professor Dr. Addie Cox is living a happy, if sheltered, life in her ivory tower when Harris Lang, the famously eccentric billionaire tech genius, offers her an unusual job. He wants her to guide a mercenary strike team sent to infiltrate his island retreat off the northwest coast of the United States. Addie is puzzled by her role on the mission until she understands what Lang has built: Insula Mirabilis, an isolated resort where tourists will one day pay big bucks for a convincing, high-tech-powered fantasy-world experience, complete with dragons, unicorns, and magic.

A chance meeting reunites Irene Redfield and Clare Kendry, estranged friends who have long been separated by their ambitions. Since losing touch, Irene has become a wife and mother in Harlem, where she remains closely connected to her racial heritage. The seductive Clare, however, now “passes,” enjoying the privileges of white society while hiding her roots from the world, including her rich (and racist) husband.

"And they lived happily ever after." In fairy tales, that's always how things end. The prince and princess ride away on his white horse and from then on, all's right with the world. But what if it wasn't? What if the prince's life didn't suit the princess? What if she felt stifled by life inside the castle walls? Could she tell him? And if she loved him - really loved him - how could she ask him to give up his kingdom?

Ralph Waldo Emerson's "Nature" is perhaps the greatest original work of philosophy written by an American. This specially-prepared edition includes a foreword on the origin and significance the book.

In this rambunctious satire, Wallace Thurman, one of the leading figures of the Harlem Renaissance, takes his fellow artists and critics to task. The setting is a buzzing apartment building in 1930s Harlem, where avatars for the likes of Langston Hughes, Zora Neale Hurston, Countee Cullen, and Thurman himself come together to push past old boundaries and test out new ideas. But the heat of this collective energy soon threatens to consume them all, as wild parties, jealous rages, and intellectual conflicts turn the literary circle into an out-of-control hothouse of personal drama.

Henrietta Maria is the most reviled consort to have worn the crown of Britain's Three Kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic—so causing a civil war—and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen.

Most historians credit the city-state of Florence as the starting place of the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medici family, a Florentine dynasty that ruled at the height of the Renaissance. Both Leonardo and Michelangelo were members of Lorenzo de Medici's court. The famous leader, who also considered himself an artist and poet, became known for securing commissions for the most famous artists of the age.

Each night, after dark, men flock to Bankside seeking girls of easy virtue, prostitutes known as the Winchester Geese. Joanie Toogood has worked the streets of Southwark since childhood, but her path is changed forever by an encounter with Francis Wareham, a spy for the King’s secretary, Thomas Cromwell. Meanwhile, across the river, at the glittering court of Henry VIII, Wareham also sets his cap at Evelyn and Isabella Bourne, members of the Queen’s household and the girls, along with Joanie, are drawn into intrigue and the shadow of the executioner’s blade.

Claudie Wells wants more than anything to be a person whose imagination can fly, instead of a person whose feet are stuck on the ground. She believes everyone has a talent except for her. She’s growing up in the neighborhood of Harlem in New York City during the 1920s, surrounded by writers and poets, painters and sculptors, actors and dancers, singers and musicians. When an eviction notice threatens her family, friends, and the beloved boardinghouse they share, Claudie has an idea that just might save the day.

England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise are sure to finally attract a suitor. Meanwhile, King Henry VIII is 45 and increasingly desperate for an heir. He changed his country's religion to leave his first wife, a princess of Spain, for Anne Boleyn—but she, too, has failed to provide a son.

Mary Howard is the dutiful daughter of the infamous Duke of Norfolk. Protected by her prestigious family and wealth, she is swept up in Anne Boleyn’s glittering court. Charmed by talented poets and flirtatious knights, it’s easy to forget that someone is watching her every move. The court grows wilder as the world changes around them. Everything seems possible, even marrying for love. All Mary can think of is her poetry, but then she gets involved in her uncle’s affairs. Soon her world of privilege and safety are torn away. But she’s not a Howard girl for nothing.