English Theater

Lewis Hallam Jr. was a theater manager and one of the stars of the early American stage. But it wasn't always easy for theater troupes during this time.

Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders.

We created this audiobook with the goal of providing a set of very simple and clear instructions on how to write and create standup comedy material, where to seek out performance opportunities, and how to perform your standup comedy material on stage for a live comedy audience.

From Broadway debuts to landmark productions. Score a front row seat to hear hundreds of stories about the most important stages in the world, seen through the eyes of the producers, actors, stage hands, writers, musicians, company managers, dressers, designers, directors, ushers, and door men who bring The Great White Way to life each night. You'll never look at Broadway the same way again.

Lee is a quiet and unassuming office worker who leads a life of solitude, comfort, and routine. Day in and day out, he shuts off his brain, keeps his head down, and goes about doing his job and minding his own business. That is, he does until a drunken god shows up randomly one day and whisks him off into another world, demanding that Lee serve as his pawn in a game between the gods. Now, trapped in a completely different world full of danger, magic, and creatures, Lee has to figure out how to stay alive long enough to make it back home.

Year 2286. Alex Bell has put in 20 years of work in the VR game Eternal Dominion—a full dive fantasy VRMMO game that accounts for around 20 percent of the world's economy. He had risen to the top as a vice guild leader, and thanks to his work, his guild was steps away from truly standing with the other top guilds. Only fate decided to rip it all away at the last moment. After his fall, Alex awakens to see his 18-year-old self looking back at him in the mirror.

Run. Hide. Live the good life online. Early retirement looked so easy on paper. Steal eight million euros from a gangster. Hide inside an online game and enjoy the finer things in life as a bard until the danger had passed. Except Daniel messed up. Now, the gangsters are in the game looking for him and he's stuck with an imbalanced character build in a dead-end starter village. Can Daniel find his own place and a life worth living inside the World of Chains?

Mass violence committed by young people is now an epidemic. The reasons behind this escalating violence and the cultural forces that have impugned a generation is the subject of this important new book. The Spiral Notebook is full of interviews with Generation Z, a group dogged by big pharma and antidepressants and ADHD drugs, by a doomsday/apocalyptic mentality present since birth, and by an entertainment industry that has turned violence into parlor games.

Qube was designed to die.... As the cheerful childhood NPC companion who helps the [Player] learn the world during the start of the game, it was only natural that the big bad would kill her at the end of the tutorial, kick-starting the [Player] on a quest for vengeance. The only thing is, no one told her that.... And this particular [Player] doesn’t like to play by the rules. Being a chaos-loving gremlin, he glitches her out of her programming loop and drags her on various adventures. They'll grapple with friendly sharktopuses, evil emperors, and what it means to be a person.

In a world just parallel to ours exists a mystical realm known only as the Gardens. It’s a place where feasts never end, games of croquet have devastating consequences, and teenagers are punished for growing up. For a select group of masters, it’s a decadent paradise where time stands still. But for those who serve them, it’s a slow torture where their lives can be ended in a blink. In a bid to escape before their youth betrays them, Dora and Thistle - best friends and confidants - set out on a remarkable journey through time and space.

Theater of Lies provides an in-depth examination of the lies, misinformation, and propaganda in our lives. For centuries, we’ve been persuaded to trust the lies told by our governments, businesses, and religions to manage how we think and act, to their benefit, not ours. Filled with real-life examples, Theater of Lies demonstrates the impact lies and misinformation have had through the centuries and today on topics including racism, gender debates, entrenched political divides, and the status of women.

After Nadya, a 16 year old girl, returns home from seeing a play, she is happily consumed with its plot of unrequited love. To Nadya, unrequited love is the most interesting type of love, as love is boring if everyone is happy. Quickly, Nadya's thoughts turn to her two suitors, Gorny and Guzdev. Although they have both declared their love for her, she, more than anything, wants to believe that they do not love her. Trying to emulate the unrequited love from the play, she writes a letter to Gorny, like the heroine in the play....

In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror". He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations.

For generations, the LeChats had kept the mouse problem in the Old Lighthouse Theater under control. But Purrcey LeChat doesn't want to hunt mice—he wants to see his name up in lights!

For more than 150 years I've served the Kingdom of Sena. Through four kings and a queen. Two wars and a rebellion. I've founded and taught at a magic school. I've fought against beast waves and dungeon breaks. But now? Now, the one close friend I had left has passed. So, I'm done with their politics and their economics. The short and busy lives of humans are more burden than benefit on the weary soul of this half-elf.

Upon arrival in Edmonton, Jessica is quickly outed as mystery writer J. B. Fletcher, and despite numerous protests, a hotel staffer arranges a book signing for her. This and touristy adventures arranged for the group make for a much busier trip than Jessica was expecting. When a hotel bartender, who also happens to be a stagehand for Emma’s play, turns up dead backstage at the theater, Jessica’s fun and relaxing vacation quickly becomes anything but.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

In Nothing Like a Dame, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. He carefully selected Tony Award-winning stars who have spent the majority of their careers in theater, leaving aside those who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night.

Most witches don't work for police departments, but Michelle isn't your average witch. She's clanless, looking for a warlock who isn't offended by her lack of family connections, and in danger of losing her job if she can't find the eight escaped trolls before they start eating the local residents. Trolls, angry police, and misbehaving spells are the least of her problems. Statues attacking homeowners might be problematic for your average witch, but to Michelle it's another day at the office.

Born in 1962, Alexandra Billings grew up in a decade in which being herself was illegal. When she started transitioning in 1980, the word “Transgender” didn’t exist. With no Trans role models and no path to follow, Alexandra did what her family, teachers, and even friends said was impossible: Alexandra forged ahead. Spanning five decades, from profound lows to exhilarating highs, This Time for Me captures the events of a pioneering life.