English Theater

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

Life is cruel. Arbor learns this lesson the hard way when everything he loves is taken from him in a single night. Left alive by the men who butchered his family, Arbor has two options: give up and perish, or rise up and fight to take back the life he's lost. To do that, though, he'll have to leave behind the only home he's ever known and venture out into the world beyond. What he doesn't yet realize is that the world is a much more dangerous place than he could ever have imagined. A world filled with magic, monsters, and mythic beasts powerful enough to destroy entire nations!

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

It’s just another Thanksgiving for the Sullivans - until the walls disappear and they discover they are being transported to Arenia, a place where game rules are real and their Earthen ability to reincarnate grants them unlimited potential. Or it would, if the celestial administrator in charge of their case hadn’t mixed up longitude and latitude and sent the wrong family. Now scattered throughout the Arenian wilderness and armed only with their Tomes, the family members must discover a strength they didn’t know they had if they are going to survive.

I never believed in superheroes. I certainly didn't believe I'd become one, or that strategically forming a harem of hot chicas and getting down with them to unlock my superpowers would be the key to my survival. Did I say my survival? I meant the universe's. No, really.... That's exactly what happened when I was taken to a galaxy of supers, thrown into a prison ship full of villains, and told it was up to me to stop them all.

In the height of the Second World War, US forces launched a long and grueling campaign to take the island of Guadalcanal, mounting the first major land attack against Japanese forces. What followed was a six-month string of devastating battles as these two forces wrestled over this key military position. In the wake of near-daily aerial attacks and several determined assaults from the Japanese navy, the Guadalcanal campaign culminated in a victory for America and marked the first of many offensive attacks aimed at neutralizing the Japanese in the Pacific Theater.

Tennegan Felter (Ten) is a humble servant in Epoch Sol, a beacon of light in a world full of darkness. Her deepest desire is to serve the city she loves and defend it from the creatures of the Dark that live all around. The only way to do that is to join the Dragon Guard. There’s one big problem, though. She is a mere servant and faces near insurmountable odds just to get in.

They call the ancient hills of Jerusalem the butcher's theater. Here, upon this bloodstained stage, a faceless killer performs his violent specialty: The first to die brutally is a fifteen-year-old girl. She is drained of blood, then carefully bathed and shrouded in white. Precisely one week later, a second victim is found.

Who works in a theater? What is the green room? How do actors know where to stand on stage? Who controls the lights? Go on a guided tour of a theater to find out! Meet an actor and a director, see how the lighting works, hear the orchestra tune up, and watch as cast and crew get ready to perform.

Gideon Caldwell is a less than successful indie author barely making ends meet in his crummy basement apartment in New Haven, Connecticut, when a beautiful woman mysteriously appears at his doorstep.

Lio Aetos is the Young Aristocrat and heir apparent to a legendary Greek sect, a prodigious talent born and bred for glory. Solus is a slave, a disgraced patrician from the fallen city of Rome with nothing to his name. They're as different as the East is from the West. Yet both of them hunger—to cast off the threads of Fate they’ve been given. To reach for a higher purpose. In this world of ruined empires and long-forgotten gods, the Young Aristocrat and the Son of Rome share an unyielding conviction.

Deeply changed by his experiences on the fantasy world of Volar, Ty returns home to discover all-new threats and allies awaiting him. With the fate of two worlds on the line, he must do more than become the hero he’s always wanted to be. He must outmaneuver the gods themselves, even as they transform all he knows and loves into one giant theater of war.

The intergalactic bounty hunter and his team of hot and deadly ladies are going to the craziest planet in the Oram system. Their mission is to hunt down a rogue super, to infiltrate a secret society, and do whatever dirty deeds must be done for victory.

In this fourth book in this four-book series, Lindell A. Warden a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn that everything begins in the theater of your mind and that you are always creating in your imagination. He shares that your thought always precedes your evidence. You can literally choose what you will think daily and transform your world from the inside out.

In this second book in this four-book series, Lindell A. Warden, a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn that everything begins in the theater of your mind and that you are always creating in your imagination. He shares that your thought always precedes your evidence. You can literally choose what you will think daily and transform your world from the inside out.

Margaret Thursday was named after the day she was found on the church steps as a baby. But she isn’t really an orphan – each year a bag of gold coins is left at the church for her keep. When the money suddenly stops, her guardians have no choice but to send her away to an orphanage. The orphanage is worse than they could have imagined. Vowing to protect her new friends, Peter and Horatio, Margaret plans their daring escape...but she’ll have to outwit Matron at every turn.

Listen as stage and screen performer Jason Gotay (Gossip Girl, Evita) brings his breathtaking vocals and gift of storytelling to a musical narrative about his journey to self-acceptance. With soulful interpretations of musical theater selections and pop favorites, the Bring It On: The Musical actor walks us through transformational moments of his past while paying homage to the fierce women who have inspired him.

When Mexican-born novelist Lucia lands her first TV writing job, she immediately feels out of place in the White, male-dominated writers' room. Before long, she’s drawn to the only other Latino around, a janitor named Abel, and the two begin an unlikely friendship—one that’s tested when Abel’s confidences start showing up in Lucia’s scripts.

Ali Stroker won the Tony Award for Best Featured Actress in a Musical for her role as Ado Annie in a revival of Oklahoma! and before that made history as the first actor in a wheelchair to appear on Broadway. Listeners can now experience her incredible one-woman show as she performs crowd favorites as well as some unexpected songs while telling stories from her life and talking about her personal motto: “Turn your limitations into opportunities.”

NYC, 2013. During late night trips on the A train, we get snapshots of Tyrone's life - his close relationship with his mother, his attempts to flirt with a coworker, Niesha, his job as a bouncer, and his dreams of going back to school. As new traumas accumulate, Tyrone's world becomes as claustrophobic as the subway car, with as few opportunities to exit or change course.