English Theater

Richmond, Virginia 1811. It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the journey to the capital. On the night after Christmas, the city's only theater is packed with holiday revelers. In the middle of a performance, the theater goes up in flames. Based on the true story of Richmond’s theater fire, The House Is on Fire offers proof that sometimes, in the midst of great tragedy, we are offered our most precious—and fleeting—chances at redemption.

This riveting Pulitzer Prize and Tony Award-winning drama tells the fascinating, real-life story of Charlotte von Mahlsdorf, a transgender woman who managed to defy insurmountable odds. Based on interviews conducted by the playwright, I Am My Own Wife takes us on a theatrical journey that vividly chronicles the bravery, cunning, and strength that Von Mahlsdorf used to survive both the Nazi and Communist regimes of East Germany.

After experimenting with an exploit, Vincent begins to develop new spells that will take him higher in the game than he ever thought possible. Unfortunately, he crosses paths with the last moderator, a young man named Lucas that uses his mod abilities to torture and subjugate other players. Lucas is willing to abuse his power to conquer the World-Tree, but Vincent’s exploit might just be the key to stopping him.

Most witches don't work for police departments, but Michelle isn't your average witch. She's clanless, looking for a warlock who isn't offended by her lack of family connections, and in danger of losing her job if she can't find the eight escaped trolls before they start eating the local residents. Trolls, angry police, and misbehaving spells are the least of her problems. Statues attacking homeowners might be problematic for your average witch, but to Michelle it's another day at the office.

Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.

Lio Aetos is the Young Aristocrat and heir apparent to a legendary Greek sect, a prodigious talent born and bred for glory. Solus is a slave, a disgraced patrician from the fallen city of Rome with nothing to his name. They're as different as the East is from the West. Yet both of them hunger—to cast off the threads of Fate they’ve been given. To reach for a higher purpose. In this world of ruined empires and long-forgotten gods, the Young Aristocrat and the Son of Rome share an unyielding conviction.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

John Ratey, best-selling author and clinical professor of psychiatry at Harvard Medical School, lucidly explains the human brain's workings, and paves the way for a better understanding of how the brain affects who we are. Ratey provides insight into the basic structure and chemistry of the brain, and demonstrates how its systems shape our perceptions, emotions, and behavior. By giving us a greater understanding of how the brain responds to the guidance of its user, he provides us with knowledge that can enable us to improve our lives.

A gunslinger with four affinities is a myth. It's the kind of story whispered in frontier saloons one drink before closing and around campfires in the dead of night. For the heroes and villains in those tales, that impossible power is a boon, a gift. For Mr. Jones, it's a curse. Of course, that's not his real name. He's had many. Changing names is necessary when you possess a power that every lawman and outlaw would kill to obtain. To survive, you keep your head down, kill when you must, and never stay in one place too long.

London, 1815. Amateur sleuth Atlas Catesby is about to discover the dark side of the bright lights. His long-awaited night at the opera with Lady Lilliana ends abruptly when a notorious courtesan is shot to death in Covent Garden. The infamous victim was the mistress of the powerful Marquess of Vessey. Atlas believes that the marquess - his former brother in law - is responsible for the long-ago death of Atlas' sister, Phoebe. Atlas seizes the opportunity to potentially avenge his sister's death.

Go to the big city. Hang out with the bigwigs. Have fun. That was the plan, right? Right! Except, our hero was supposed to be the guest of honor and the mob was not supposed to be invited. Daniel was running out of places to lay low, however. Something needed to be done, or he’d be caught in the ever-tightening net of his pursuers.

The second edition of Building the Successful Theater Company takes listeners even deeper into the world of theatrical production, examining in great depth the financial realities of establishing - and maintaining - a successful organization. This indispensable reference is updated to include more theater company profiles with expert advice to better reveal the pitfalls, passions, and practicalities of the theater industry.

Growing up on a farm in Ohio, George always preferred being outdoors and exploring. This made school a challenge, but his hunting, fishing, and trapping skills helped put food on his family's table. As a poor teenager living in a rough area, he got into regular brawls, and he found holding down a job hard because of his wanderlust. After working out West with the CCC, he decided that joining the Marines offered him the opportunity for adventure plus three square meals a day; so he and his brother joined the Corps in 1941.

Escaping to NYU for college didn’t turn out the way Cameron planned—he’s flunking his theater classes, about to lose his scholarship, and he still hasn’t found anyone he can call his “people.” When he gets home for winter break, he’s so desperate to avoid a Conversation with his dad that he takes the first acting job he can get—as a mall elf. Despite how Scroogey he feels, the plus side is that there’s a cash prize for the most festive of Santa’s helpers. But the competition is fierce—especially from fellow elf Marco.

From the first landings at Casablanca straight through to the crossing of the Elbe River and V-E Day, this book tells the gripping story of the European theater of operations battles of World War II that American soldiers, sailors, and airmen took part in and of the strategy behind them. The book's core is its account of such famous and dramatic episodes as the landings in North Africa, Kasserine Pass, Salerno and Anzio; D-day; the liberation of Paris; the Battle of the Bulge; the crossing of the Rhine; and the race across Germany.

This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools.

At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots - the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative.

When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middle class youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris.

When spunky Maddy McGuire needs money to pay for horseback riding lessons, she decides to host a week-long pet camp. Despite many near-disasters, Maddy learns that raising the money itself was much of the fun and decides to try out different businesses. Throughout the series, she discovers skills that help her be a great entrepreneur, including organization, enthusiasm, math skills, and more.

They call the ancient hills of Jerusalem the butcher's theater. Here, upon this bloodstained stage, a faceless killer performs his violent specialty: The first to die brutally is a fifteen-year-old girl. She is drained of blood, then carefully bathed and shrouded in white. Precisely one week later, a second victim is found.