Entertainment Culture

The Mockumentary.. or fake documentary.. is becoming an increasingly successful film and television formula across many genres. Although they all investigate very different people, places, and events, they all share one key characteristic that differentiates them from most documentaries. None of it is real. They're all make-believe.

Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Avengers, the X-Men, Watchmen, and more: the companion volume to the PBS documentary series of the same name that tells the story of the superhero in American popular culture.

Leaving school and starting his career at Decca Records in 1958 at the age of sixteen, Tony King would soon find himself becoming close friends with Elton John, rekindling John Lennon and Yoko Ono's relationship, mediating a quarrelsome Mick Jagger and Keith Richards and spending time with Freddie Mercury in his final days - a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as a stalwart in London and New York's gay scenes.

One of America’s finest historians shows us how Bob Dylan, one of the country’s greatest and most enduring artists, still surprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov­ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan’s work with the skills of an eminent American historian as well as the passion of a fan.

Learn about the dance style of Krumping with iMinds insightful audio knowledge series. Imagine teams of super athletic dancers, engaging in spectacular and aggressive dance battles, their styles reminiscent of African dance to Hip Hop break beats, the scene looking more like a fight than a dance. The teams of dancers, made up of men, women and children, have their faces painted in elaborate styles from the childlike to the grotesque.

Learn about Stencil Art with iMinds insightful audio knowledge series. In any urban setting throughout the world today, you can expect to see examples of stencil art. On street corners, train stations and public toilets the world over stencil art is a favoured tool of the graffiti artist. Many consider such imagery urban pollution, the work of mindless vandals. Such attitudes ignore what has fast become one of the most significant artistic and cultural movements of the early 21st century.

The year 2000. As Britain celebrates the new millennium, something fluorescent and futuristic is stirring in the crumbling council estates of inner city London. Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre. Against all odds, these young MCs will grow up to become some of the UK’s most famous musicians, scoring number one records and dominating British pop culture for years to come.

Since 2014, The Hard Times has been at the forefront of music journalism, delivering hard-hitting reports and in-depth investigations into the punk and hardcore scene. From their scathing takedown of Kim Jong-un after he appointed himself the new singer of Black Flag to their incisive coverage of a healthy Lars Ulrich being replaced by a hologram, the site has become a trusted source for all things counterculture. Now the writers behind the site reveal their humble roots, documenting The Hard Times’ ascension alongside the rise of punk.

Nory Ryan's family has lived on Maidin Bay on the west coast of Ireland for generations, raising a pig and a few chickens, planting potatoes, getting by. Every year, Nory's father goes away on a fishing boat and returns with the rent money for the English lord who owns their cottage and fields, the English lord bent upon forcing the Irish from their land so he can tumble the cottages and clear the fields for grazing.

The digital revolution poses a mortal threat to the major creative industries - music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has unleashed a wave of piracy with disastrous effects on revenue. Cheap, easy self-publishing is eroding the position of these gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some claim? In Digital Renaissance, Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture, a veritable digital renaissance.

Tumbling from one love entanglement to another, 30-something teacher Izzy Comyn has a predilection for inappropriate men. Over the three hilarious series of Up the Garden Path, Izzy, played by Imelda Staunton, deals with the complicated ups and downs of her attempts to find true love.

From 1934 to 1954, Bing Crosby utterly dominated American entertainment. Nobody has ever had as many hit records, and Crosby was the number one movie star for five years in a row. The rise of Bing Crosby was the rise of American popular culture itself.

When musicians in the New York folk scene of the 1960s grew tired of city life, they decided to "get it together in the country". They headed for Woodstock - not to the site of the infamous music festival of 1969 but to the Catskills, to Bearsville, to Woodstock proper. Counterculture revolutionaries like Janis Joplin, Richie Havens, and Paul Butterfield got "back to the land", turning the once sleepy hollow into a funky Shangri-La.

This is Diablo's captivating fish-out-of-water story of her yearlong walk on the wild side, from quiet gentlemen's clubs to multilevel sex palaces and glassed-in peep shows. In witty prose she gives readers a behind-the-scenes look at this industry through a writer's keen eye, chronicling her descent into the skin trade and the effect it had on her self-image and her relationship with her now husband.

Imagine 50 Cent’s Hustle Harder, Hustle Smarter written by a nerdy Black kid from Newark, New Jersey, who made it big despite the skepticism of his family. That’s Top Billin'.

The most compelling figures in the Warner Bros. story are the sagacious Mo Ostin and the unlikely crew of hippies, eccentrics, and enlightened execs who were the first in the music business to read the generational writing on the wall in the mid-1960s. By recruiting outsider artists and allowing them to make the music they wanted, Ostin and his staff transformed an out-of-touch company into the voice of a generation. Along the way, they revolutionized the music industry and, within just a few years, created the most successful record label in the history of the American music industry.

From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul, Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, Black and White, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown.

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

Well hark at you, stumbling upon my autobiography. Bet you wouldn't have put money on that three years ago, eh? Please don't stress yourself out too much, though; it's actually socially acceptable nowadays that you're interested. Firstly I'd like to emphasise that I have written this audiobook myself, so be assured you're getting the tooth, the whole tooth and nothing but the tooth! (Which was my original choice of title, but babe, we're so over that).