Entertainment Culture

In Planet Funny, Ken Jennings explores this brave new comedic world and what it means - or doesn’t - to be funny in it now. Tracing the evolution of humor from the caveman days to the bawdy middle-class antics of Chaucer to Monty Python’s game-changing silliness to the fast-paced meta-humor of The Simpsons, Jennings explains how we built our humor-saturated modern age, where lots of us get our news from comedy shows and a comic figure can even be elected president of the United States purely on showmanship.

One bright spring morning in the woods of France, a soldier, blinded by the war, is found by a little girl named Coco, and her older sister Marcelle. In return for their kindness, the soldier tells the sisters marvelous tales, each story connected to the keepsake he carries in his pocket: a perfect, tiny, silver donkey.

Bond and the Beatles present us with opposing values, visions of the British culture, and ideas about sexual identity. Love and Let Die is the story of a clash between working class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond, and why it was Ringo who won the heart of a Bond Girl in the end.

One of America’s finest historians shows us how Bob Dylan, one of the country’s greatest and most enduring artists, still surprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov­ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan’s work with the skills of an eminent American historian as well as the passion of a fan.

Learn about the dance style of Krumping with iMinds insightful audio knowledge series. Imagine teams of super athletic dancers, engaging in spectacular and aggressive dance battles, their styles reminiscent of African dance to Hip Hop break beats, the scene looking more like a fight than a dance. The teams of dancers, made up of men, women and children, have their faces painted in elaborate styles from the childlike to the grotesque.

Learn about Stencil Art with iMinds insightful audio knowledge series. In any urban setting throughout the world today, you can expect to see examples of stencil art. On street corners, train stations and public toilets the world over stencil art is a favoured tool of the graffiti artist. Many consider such imagery urban pollution, the work of mindless vandals. Such attitudes ignore what has fast become one of the most significant artistic and cultural movements of the early 21st century.

The year 2000. As Britain celebrates the new millennium, something fluorescent and futuristic is stirring in the crumbling council estates of inner city London. Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre. Against all odds, these young MCs will grow up to become some of the UK’s most famous musicians, scoring number one records and dominating British pop culture for years to come.

From the writer and editor who coined the term “baby boomer” comes Celebrity Nation, an exploration into how and why fame no longer stems only from heroic achievements but from the number of “likes” and shares—and what this change means for American culture. Landon Jones—who spent decades in “celebrityland” only to emerge, like Alice, blinking in the sunlight—brings a personal and first-person perspective on fame and its dark underbelly, complicated even further by the arrival of the internet and social media.

Universal Studios never really wanted to get into the theme park business. They wanted to be the anti-Disney. But when forced to do so, they did it in a big way. Despite the fits and starts of multiple owners, the parks have finally gained the momentum to mount a serious challenge to the Walt Disney Company. How did this happen? Who made it happen? What does this mean for the theme park industry?

Tantos movimientos culturales y sociales determinan un siglo XIX muy denso y desconcertante. La cultura se difunde en el pueblo y produce una serie de conmociones políticas y económicas que nadie habría podido prever con anterioridad. Por todas estas causas el silgo XIX es al mismo tiempo progresista y desconcertante, como podemos ver en esta breve colección de imágenes con el que queremos recordarlo.

When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: 21 layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex" - a victory of elegant softness over engineered hardness, of adaptation over cybernetics.

The digital revolution poses a mortal threat to the major creative industries - music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has unleashed a wave of piracy with disastrous effects on revenue. Cheap, easy self-publishing is eroding the position of these gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some claim? In Digital Renaissance, Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture, a veritable digital renaissance.

Low-rise jeans, butterfly clips, The Lizzie McGuire Movie, and Paris Hilton’s nights out. The early 2000s were a time of major moments in fashion, media, celebrity culture, and especially music. Artists such as Britney Spears, Avril Lavigne, Taylor Swift, Rihanna, and Beyoncé were leading the charge—their success not only producing a new respect for female artists, but for pop stardom itself. Nora Princiotti examines how these artists redefined the role of the pop star within the music industry and culture more broadly, and ultimately set the stage for the women who top the charts today.

Tumbling from one love entanglement to another, 30-something teacher Izzy Comyn has a predilection for inappropriate men. Over the three hilarious series of Up the Garden Path, Izzy, played by Imelda Staunton, deals with the complicated ups and downs of her attempts to find true love.

Por la riqueza y exuberancia de sus productos hemos tenido que presentar dos colecciones de esta zona que sólo pretenden acercarnos levemente a la gran producción artística oriental. Ya hemos indicado que a partir del siglo XX, estas obras tuvieron influencia en la imaginación de los artistas europeos contemporáneos.

Aunque no podemos mostrar la complejidad del arte de esta zona oriental, hemos mostrado esta breve colección de sus mejores producciones poniendo de relieve la influencia que han tenido, no sólo con el arte hindú sino incluso con el occidental, sobre todo a partir del siglo XX, en que los contactos económicos entre estas zonas fueron cada vez más intensos.

From 1934 to 1954, Bing Crosby utterly dominated American entertainment. Nobody has ever had as many hit records, and Crosby was the number one movie star for five years in a row. The rise of Bing Crosby was the rise of American popular culture itself.

The '90s was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power, of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide.

Herman J. (1897-1953) and Joseph L. Mankiewicz (1909-1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture.

This is Diablo's captivating fish-out-of-water story of her yearlong walk on the wild side, from quiet gentlemen's clubs to multilevel sex palaces and glassed-in peep shows. In witty prose she gives readers a behind-the-scenes look at this industry through a writer's keen eye, chronicling her descent into the skin trade and the effect it had on her self-image and her relationship with her now husband.