Entertainment Science

Today both reality and entertainment crowd our fields of vision with brutal imagery. The pervasiveness of images of torture, horror, and war has all but demolished the 20th-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away? Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel.

Celebrate the greatest saga ever told: All of us who are deeply influenced by the epic saga of Star Wars have our favorite moments. Each time the screen goes black and you see those words - "a long time ago, in a galaxy far, far away" - the music blasts through you, and you're a kid again. Ken Napzok, expert appreciator of Star Wars, counts down each one of those special moments that makes this series not just the best movies of all time, but the greatest saga ever told.

Ten years ago, Calamity came. It was a burst in the sky that gave ordinary men and women extraordinary powers. The awed public started calling them Epics. But Epics are no friend of man. With incredible gifts came the desire to rule. And to rule man you must crush his will. Nobody fights the Epics...nobody but the Reckoners. A shadowy group of ordinary humans, they spend their lives studying Epics, finding their weaknesses, and then assassinating them. And David wants in. He wants Steelheart - the Epic who is said to be invincible. The Epic who killed David's father.

The Gamesmaster is a narrative memoir chronicling the life and career of Flint Dille. And while he isn't exactly a household name, you almost certainly know his work - which includes credits from some of the most important and successful entertainment franchises throughout the world across the cartoon, film, video game, and comic book industries and beyond.

The Wizard's Council of Tarador was supposed to tell young Koren Bladewell that he is a wizard. They were supposed to tell everyone that he is not a jinx, that all the bad things that happen around him are because he can't control the power inside him, power he doesn't know about. The people of his village, even his parents, are afraid of him, afraid he is cursed. That he is a dangerous, evil jinx.

Twenty five years ago, the alien Givers came to Earth and bestowed upon the human race the greatest technology ever seen—four giant towers known as Ladders that rise 36,000 miles and culminate in space stations that power the entire planet. Then, for reasons unknown, the Givers disappeared.

Available only in audio, Fantastic Beasts: The Crimes of Grindelwald - Makers, Mysteries and Magic lifts the lid on the moviemaking secrets behind the latest installment in J.K. Rowling's Fantastic Beasts series. Narrator Dan Fogler (who plays No-Maj Jacob Kowalski) will guide you through the process of creating the magical on-screen world and explore the story, themes, and characters of Fantastic Beasts: The Crimes of Grindelwald.

In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own.

Hit the lights and jump in the fire, you're about to enter the School of Rock! Today's lecture will be a crash course in brain surgery. This hard and fast lesson is taught by instructors who graduated from the old school - they actually paid $5.98 for The $5.98 EP. But back before these philosophy professors cut their hair, they were lieutenants in the Metal Militia.

All year the half-bloods have been preparing for battle against the Titans, knowing the odds of victory are grim. Kronos's army is stronger than ever, and with every god and half-blood he recruits, the evil Titan's power only grows. While the Olympians struggle to contain the rampaging monster Typhon, Kronos begins his advance on New York City, where Mount Olympus stands virtually unguarded. Now it's up to Percy Jackson and an army of young demigods to stop the Lord of Time.

Rudeus arrives at Irel City in Biheiril Kingdom to request Ruijerd's support in his battle against Geese. The road to Ruijerd is a bumpy one, but after ten long years apart they finally reunite. Will Rudeus's impassioned pleas for aid in the Laplace War reach Ruijerd's heart?

Henry Fonda and James Stewart were two of the biggest stars in Hollywood for 40 years. They became friends and then roommates as stage actors in New York, and when they began making films in Hollywood, they roomed together again. Between them they made such memorable films as The Grapes of Wrath, Mister Roberts, Twelve Angry Men, and On Golden Pond; and Mr. Smith Goes to Washington, Destry Rides Again, The Philadelphia Story, It's a Wonderful Life, Vertigo, and Rear Window.

Not so very long ago, Eragon - Shadeslayer, Dragon Rider - was nothing more than a poor farm boy, and his dragon, Saphira, only a blue stone in the forest. Now the fate of an entire civilization rests on their shoulders. months of training and battle have brought victories and hope, but they have also brought heartbreaking loss. And still, the real battle lies ahead: they must confront Galbatorix. When they do, they will have to be strong enough to defeat him. And if they cannot, no one can.

The special exam on an uninhabited island has begun! For two weeks, students will do their best to visit checkpoints and complete challenges to gain points with their groups. Well, except for Ayanokouji, who has opted to tackle this exam on his own... or has he? Nanase, a first-year student from Class D, breaks off from her own group and asks to tag along with him, but there doesn't seem to be anything in it for her. Just what is this under-classman's goal?

The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies, James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters’ inner worlds, and he analyzes moments that help define their particular mental illness.

Lyra is rushing to the cold, far North, where witch clans and armored bears rule. North, where the Gobblers take the children they steal—including her friend Roger. North, where her fearsome uncle Asriel is trying to build a bridge to a parallel world. Can one small girl make a difference in such great and terrible endeavors? This is Lyra: a savage, a schemer, a liar, and as fierce and true a champion as Roger or Asriel could want. But what Lyra doesn't know is that to help one of them will be to betray the other.

Contact tablets and teleportation circles across the world have stopped functioning. Now, Rudeus and his allies gather at the Superd village, where a powerful subjugation patrol aims to take them out. The third North God Kalman, the former Sword God Gal Farion, and the Ogre God Marta march among their ranks. Rudeus's team puts their lives on the line in this ultimate clash of the world's most mighty warriors!

Ask a scientist about Hollywood, and you'll probably get eye rolls. But ask someone in Hollywood about science, and they'll see dollar signs: Moviemakers know that science can be the source of great stories, with all the drama and action that blockbusters require. That's a huge mistake, says Randy Olson: Hollywood has a lot to teach scientists about how to tell a story - and, ultimately, how to do science better. With Houston, We Have a Narrative, he lays out a stunningly simple method for turning the dull into the dramatic.

Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"?

Qui aurait pensé faire appel aux grands noms de la philosophie occidentale pour analyser les oeuvres artistiques du hip-hop, décortiquer les textes de chansons, les graffitis au mur, le travail des DJ et l'art des danseurs urbains? Le professeur de philosophie et spécialiste du rap Jérémie McEwen, bien sûr. Dans ce livre, il bâtit des ponts entre la philosophie occidentale traditionnelle et le hip-hop américain afin de mieux comprendre les racines de ce mouvement culturel mondial.