Essays Anthology

Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.

Lars Horn's Voice of the Fish, the latest Graywolf Press Nonfiction Prize winner, is an interwoven essay collection that explores the trans experience through themes of water, fish, and mythology, set against the backdrop of travels in Russia and a back injury that left Horn temporarily unable to speak. In Horn's adept hands, the collection takes shape as a unified book: short vignettes about fish, reliquaries, and antiquities serve as interludes between longer essays, knitting together a sinuous, wave-like form that flows across the book.

In Entrapment and Other Writings - containing his unfinished novel and previously unpublished or uncollected stories, poems, and essays - Algren speaks to our time as few of his fellow great American writers of the 1940s and ’50s do, in part because he hasn’t yet been accepted and assimilated into the American literary canon, despite that he is held up as a talismanic figure.

A Sardinian wedding feast, the search for the perfect seaside pasta with wild fennel, meeting a risotto master: Laura Fraser journeys from the SpaghettiOs of her American childhood to savor the best of Italian cuisine and the culture that cooked it up. Using the same dreamy, delicious type of prose that made An Italian Affair a best-selling memoir, these essays will delight listeners who loved that book and all who love Italian food and culture.

The Right Side of History tells the 100-year history of queer activism in a series of revealing close-ups, first-person accounts, and intimate snapshots of LGBT pioneers and radicals. This diverse cast stretches from the Edwardian period to today, including first-person accounts of the key protest that is at the heart of the 2015 movie Stonewall. The book shows how LGBT folk have always been in the forefront of progressive social evolution in the United States.

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.

hile the ‘ nerdy white man’ stereotype of Autism dominates in media and popular culture, other Autistic people miss out on seeing themselves, their unique experiences, their hardships and their triumphs. In Someone Like Me, edited by Clem Bastow and Jo Case, twenty-five Autistic gender-diverse and women writers explore their experiences—and explode stereotypes. This groundbreaking anthology ranges from sex, living room dance parties and the natural world to eating disorders, all-encompassing passions and religion.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Malthus predicted a grim future with geometrical population growth, versus food production that increases only arithmetically. He claimed that this would result in famine and starvation unless births were controlled. It is called the Malthusian catastrophe, in which humans would disregard the limits of natural resources and the world would be plagued by famine and disease.

Building from his acclaimed anthology Tales of Two Americas, beloved writer and editor John Freeman draws together a group of our greatest writers from around the world to help us see how the environmental crisis is hitting some of the most vulnerable communities where they live. In the past five years, John Freeman, previously editor of Granta, has launched a celebrated international literary magazine, Freeman's, and compiled two acclaimed anthologies that deal with income inequality as it is experienced.

Central Park is perhaps the most well-trod and familiar green space in the country. It is both a refuge from the city and Manhattan's very heart; a respite from the urban grind and a hive of activity all its own. Eight hundred forty-three carefully planned acres allow some 37 million visitors each year to come and get lost in a sense of nature. Unsurprisingly, the park also inspires a wealth of great writing, and here Andrew Blauner collects some of the finest fiction and nonfiction - 20 pieces in all.

Blistering and deeply personal, I Am Sorry to Think I Have Raised a Timid Son records Russell's quest to understand, through his journalistic subjects, his own appetites and urges, his persistent alienation, and, above all, his knotty, volatile, vital relationship with his father.

Mohsin Hamid's brilliant, moving, and extraordinarily clever novels have not only made him an international best seller, they have earned him a reputation as a "master critic of the modern global condition" ( Foreign Policy). His stories are at once timeless and of-the-moment, and his themes are universal: love, language, ambition, power, corruption, religion, family, identity. Here, he explores this terrain from a different angle in essays that deftly counterpoise the personal and the political.

What does contemporary China's diverse and exciting fiction tell us about its culture, and the relationship between art and politics? The Subplot takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel laureate Mo Yan, and what is widely hailed as a golden age of Chinese science fiction.

Three awarded short stories for 2016: a short story full of suspense and thrilling events showing how to murder someone, pinning the kill on someone else; a quasi-biographical short story revealing embarrassing moments in a woman's life and her decision to take her life back (better later than never); the revelation of a quirk in the life of the inhabitants of a building that is about to be sold. Enjoy mathematical planning, humor, and good writing!

Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before.

In 1956, Caedmon had the great fortune to record Eudora Welty reading some of her finest stories. In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.", the spontaneous "Powerhouse", and the insightful voice of women's truths in "Petrified Man". Ms. Welty's reading brings immediacy and resonance to these wonderful tales.

Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women.