Essays Social

Everybody Loves a Good Drought is the established classic on rural poverty in India. Twenty years after publication, it remains unsurpassed in the scope and depth of reportage, providing an intimate view of the daily struggles of the poor and the efforts, often ludicrous, made to uplift them. An illuminating introduction accompanying this 20-anniversary edition reveals, alarmingly, how a large section of India continues to suffer in the name of development so that a small percentage may prosper.

In her literary debut, internationally award-winning writer Courtney Zoffness considers what we inherit from generations past - biologically, culturally, spiritually - and what we pass on to our children.

Does it take faith to be a Jedi? Are droids capable of thought? Should Jar Jar Binks be held responsible for the rise of the Empire? Presenting entirely new essays, no aspect of the myth and magic of George Lucas's creation is left philosophically unexamined in The Ultimate Star Wars and Philosophy.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless - they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate.

Si l'Église réfléchit depuis déjà longtemps autour de la protection de la nature, jamais un pape ne lui a consacré une encyclique, son mode d'expression le plus solennel. Les mots italiens "Laudato si': Dieu soit loué", qui ouvrent la première encyclique du pape François sont les premiers du "Cantique des créatures", écrit par Saint François d'Assise peu avant sa mort en 1226. Considéré comme l'un des premiers textes de la littérature italienne, le Poverello y célèbre Dieu à travers sa création : frère soleil, sœur lune, frère vent, sœur eau, frère feu, notre mère la terre.

Mark Kurlansky, winner of the James Beard Award for Excellence in Food Writing, leads us on a mouthwatering culinary tour around the world and through history and culture from the fifth century B.C. to the present day. This wonderful collection contains essays by Plato on the art of cooking, Pablo Neruda on french fries, and many other writers on the passions of cuisine.

Why We Fight is a collection of essays written in the midst of the largest resurgence of the far-right in fifty years, and the explosion of antifascist, antiracist, and revolutionary organizing that has risen to fight it. The essays in this audiobook, narrated by Bea Flowers, unpack the moment we live in, confronting the apocalyptic feelings brought on by nationalism, climate collapse, and the crisis of capitalism, but also delivering the clear message that a new world is possible through the struggles communities are leveraging today.

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.

"Everyone is female, and everyone hates it." So begins Andrea Long Chu’s genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire. Drawing inspiration from a forgotten play by Valerie Solanas - the woman who wrote the SCUM Manifesto and shot Andy Warhol - Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself.

In this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial. Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than with her father’s—they never carried on conversations in languages that she couldn’t understand or blamed her for finding the food was too spicy.

Isaac Fitzgerald has lived many lives. He's been an altar boy, a bartender, a fat kid, a smuggler, a biker, a prince of New England. But before all that, he was a bomb that exploded his parents' lives—or so he was told. In Dirtbag, Massachusetts, Fitzgerald, with warmth and humor, recounts his ongoing search for forgiveness, a more far-reaching vision of masculinity, and a more expansive definition of family and self.

Refugia (reh-FU-jee-ah) is a term describing places of shelter where life endures in times of crisis, such as a volcanic eruption, fire, or stressed climate. Ideally, these refugia endure, expand, and connect so that new life emerges. Debra Rienstra applies this concept to human culture and faith, asking: In this era of ecological devastation, how can Christians become people of refugia? How can we find and nurture these refugia in our human cultural systems and in our spiritual lives? Refugia Faith speaks to people securely within the faith as well as to those on the edge.

The police murders of two Black men, Philando Castile and George Floyd, frame this searing exploration of the historical and fictional narratives that white America tells itself to justify and maintain white supremacy. From the country's founding through the summer of Black Lives Matter in 2020, David Mura unmasks how white stories about race attempt to erase the brutality of the past and underpin systemic racism in the present.

In this lively, accessible, and provocative collection, Aph and Syl Ko provide new theoretical frameworks on race, advocacy for nonhuman animals, and feminism. Using popular culture as a point of reference for their critiques, the Ko sisters engage in groundbreaking analysis of the compartmentalized nature of contemporary social movements, present new ways of understanding interconnected oppressions, and offer conceptual ways of moving forward, expressive of Afrofuturism and Black veganism.

In this hilariously irreverent collection of essays, Jen Mann, nationally best-selling author of People I Want to Punch in the Throat, turns her mordant wit on the holidays. On Mann's naughty list: mothers who go way overboard with their Elf on the Shelf, overzealous carolers who can't take a hint, and people who write their Christmas cards in the third person ("Joyce is enjoying Bunko. Yeah, Joyce, we know you wrote this letter."). And on her nice list...well, she's working on that one.

John Stuart Mill (1806-1873) had a profound influence on the shape of 19th-century thought and political discourse. His view of liberty justified the freedom of the individual in opposition to the unrestricted state. Mill favoured decentralised forms of socialism because he thought that a centralised model would discourage competition, neglect talent, and disregard freedom.

A group of notable writers - including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow - celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past.

Becoming Los Angeles, a new collection by the author of the acclaimed memoir Holy Land, blends history, memory, and critical analysis to illuminate how Angelenos have seen themselves and their city. Waldie’s particular concern is commonplace Los Angeles, whose rhythms of daily life are set against the gaudy backdrop of historical myth and Hollywood illusion. It’s through sacred ordinariness that Waldie experiences the city’s seasons.

The essays in The Two Fundamental Problems of Ethics have a rather special place in Schopenhauer’s work, both being written as entries to Scandinavian philosophy competitions, one in Norway and one in Sweden.