Essays Social

Today’s gay youth have dozens of queer peer heroes, both fictional and real, but former gay teenager Grace Perry did not have that luxury. Instead, she had to search for queerness in the (largely straight) teen cultural phenomena the aughts had to offer: in Lindsay Lohan’s fall from grace, Gossip Girl, Katy Perry’s “I Kissed A Girl”, country-era Taylor Swift, and Seth Cohen jumping on a coffee cart. And, for better or worse, these touch points shaped her adult identity. She came out on the other side like many millennials did: in her words, gay as hell.

Taming the Rascal Multitude is a judicious selection of essays and interviews from Z Magazine from 1997 to 2014. In each, Chomsky takes up some question of the moment. As such, in sum, the essays provide a historical overview of the history that preceded Trump and the reaction to Trump. The essays situate what followed even without having known what would follow. They explicate what preceded the current era and provide a step-by-step revelation, or how-to, for successfully comprehending social events and relations.

Leo Tolstoy wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These culminated in What Is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered and rejected the idea that art reveals and reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire, and even his own novels are condemned in the course of Tolstoy's impassioned and iconoclastic redefinition of art as a force for good; for the improvement of humankind.

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.

Isaac Fitzgerald has lived many lives. He's been an altar boy, a bartender, a fat kid, a smuggler, a biker, a prince of New England. But before all that, he was a bomb that exploded his parents' lives—or so he was told. In Dirtbag, Massachusetts, Fitzgerald, with warmth and humor, recounts his ongoing search for forgiveness, a more far-reaching vision of masculinity, and a more expansive definition of family and self.

The essays in The Two Fundamental Problems of Ethics have a rather special place in Schopenhauer’s work, both being written as entries to Scandinavian philosophy competitions, one in Norway and one in Sweden.

Becoming Los Angeles, a new collection by the author of the acclaimed memoir Holy Land, blends history, memory, and critical analysis to illuminate how Angelenos have seen themselves and their city. Waldie’s particular concern is commonplace Los Angeles, whose rhythms of daily life are set against the gaudy backdrop of historical myth and Hollywood illusion. It’s through sacred ordinariness that Waldie experiences the city’s seasons.

Refugia (reh-FU-jee-ah) is a term describing places of shelter where life endures in times of crisis, such as a volcanic eruption, fire, or stressed climate. Ideally, these refugia endure, expand, and connect so that new life emerges. Debra Rienstra applies this concept to human culture and faith, asking: In this era of ecological devastation, how can Christians become people of refugia? How can we find and nurture these refugia in our human cultural systems and in our spiritual lives? Refugia Faith speaks to people securely within the faith as well as to those on the edge.

Chuck Klosterman IV consists of three parts:

THINGS THAT ARE TRUE
Profiles and trend stories: Britney Spears, Val Kilmer, McDonalds, '70s rock band nostalgia cruises. With new introductions and asides.

The Foxfire Magazine, a literary journal first published in 1967 in Rabun Gap, Georgia, was founded on the belief that stories and meaning could be found in Appalachian spaces, not only in classics such as Shakespeare. Filled with poetry and prose from local students and authors, the magazine also featured interviews with relatives and neighbors. These oral histories conducted by students from the Rabun Gap-Nacoochee School quickly became the star of the magazine. Now, pulled from the vast Foxfire archive, come twenty-one oral histories from southern Appalachian women.

This second collection of This I Believe essays gathers 75 essayists - ranging from famous to previously unknown - completing the thought that begins the book's title. With contributors who run the gamut from cellist Yo-Yo Ma to ordinary folks like a diner waitress, an Iraq War veteran, a farmer, a new husband, and many others, This I Believe II, like the first New York Times best-selling collection, showcases moving and irresistible essays.

When 53 percent of white women voted for Donald Trump and 94 percent of black women voted for Hillary Clinton, how can women unite in Trump's America? Nasty Women includes inspiring essays from a diverse group of talented women writers who seek to provide a broad look at how we got here and what we need to do to move forward. Nasty Women features essays by Rebecca Solnit, Cheryl Strayed, Sarah Hepola, Nicole Chung, Katha Pollitt, Jill Filipovic, Samantha Irby, Randa Jarrar, Sarah Hollenbeck, Meredith Talusan, and Sarah Jaffe, among others.

Clifford Geertz's first collection of essays, The Interpretation of Cultures (1973), made him a leading voice of anthropology's "symbolic" movement, which believed scholars should read the signs and symbols of a culture from the perspective of its natives. Geertz's approach helped anthropology reinvent itself as a scientific discipline that is still relevant today, making him - in the words of one critic - "a true giant of social and cultural theory."

Why We Fight is a collection of essays written in the midst of the largest resurgence of the far-right in fifty years, and the explosion of antifascist, antiracist, and revolutionary organizing that has risen to fight it. The essays in this audiobook, narrated by Bea Flowers, unpack the moment we live in, confronting the apocalyptic feelings brought on by nationalism, climate collapse, and the crisis of capitalism, but also delivering the clear message that a new world is possible through the struggles communities are leveraging today.

In 1968, civil rights activist Fannie Lou Hamer called for Americans to "wake up" if they wanted to "make democracy a reality." Today, as Black communities continue to face challenges built on centuries of discrimination, her plea is increasingly urgent. In this exhilarating anthology of original essays, Keisha N. Blain brings together the voices of major progressive Black women politicians, grassroots activists, and intellectuals to offer critical insights on how we can create a more equitable political future.

We're Doomed, Now What? addresses the crisis that is our time through a series of brilliant, moving, and original essays on climate change, war, literature, and loss from one of the most provocative and iconoclastic minds of his generation.

From rediscovering an ancestral village in China to experiencing the realities of American life as a Nigerian, the search for belonging crosses borders and generations. Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as 20 writers share provocative personal stories of existing between languages and cultures.

What draws our species to war? What makes us see violence as a kind of sacred duty, or a ritual that boys must undergo to "become" men? Newly reissued, Blood Rites takes listeners on an original journey from the elaborate human sacrifices of the ancient world to the carnage and holocaust of 20th-century "total war." Ehrenreich sifts deftly through the fragile records of prehistory and discovers the wellspring of war in an unexpected place - not in a "killer instinct" unique to the males of our species, but in the blood rites early humans performed.

¿Qué implicaciones tiene ser madre, parir y dar de mamar? Las mujeres nos enfrentamos a una doble presión, ser mamás, como dicta el mantra patriarcal, y triunfar o sobrevivir como podamos en el mercado de trabajo: un ejercicio casi imposible de malabarismos cotidianos. A lo largo de la historia, la maternidad ha sido utilizada como instrumento de control y supeditación de las mujeres. Pero, una vez conquistado el derecho a no ser madres, tenemos pendiente reapropiarnos de la experiencia materna.

The place is El Salvador in 1982, at the ghastly height of its civil war. The writer is Joan Didion, who delivers an anatomy of that country's particular brand of terror - its mechanisms, rationales, and intimate relation to United States foreign policy. As ash travels from battlefields to body dumps, interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear," Didion gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.