Essays Social

Flyover country, the middle of nowhere, the space between the coasts. The American Midwest is a place beyond definition, whose very boundaries are a question. It's a place of rolling prairies and towering pines, where guns in bars and trucks on blocks are as much a part of the landscape as rivers and lakes and farms. Where girls are girls and boys are boys, where women are mothers and wives, where one is taught to work hard and live between the lines.

It is where Fidel Castro raised money to overthrow Batista and where two generations of Castro's enemies have raised armies to overthrow him, so far without success. It is where the bitter opera of Cuban exile intersects with the cynicism of U.S. foreign policy. It is a city whose skyrocketing murder rate is fueled by the cocaine trade, racial discontent, and an undeclared war on the island 90 miles to the south.

Does it take faith to be a Jedi? Are droids capable of thought? Should Jar Jar Binks be held responsible for the rise of the Empire? Presenting entirely new essays, no aspect of the myth and magic of George Lucas's creation is left philosophically unexamined in The Ultimate Star Wars and Philosophy.

The Burden, edited by award-winning Detroit newspaper columnist Rochelle Riley, is a powerful collection of essays that create a chorus of evidence that the burden is real. The Burden expresses the voices of well-known Americans, such as actor/director Tim Reid who compares slavery to a cancer diagnosis, and former Detroit News columnist Betty DeRamus who recounts the discrimination she encountered as a young Black Detroiter in the south.

Boldly claiming a space in which people with disabilities can be seen and heard as they are-not as others perceive them - About Us captures the voices of a community that has for too long been stereotyped and misrepresented. Speaking not only to those with disabilities, but also to their families, coworkers, and support networks, the authors in About Us offer intimate stories of how they navigate a world not built for them.

In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless - they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate.

The Unreality of Memory collects provocative, searching essays on disaster culture, climate anxiety, and our mounting collective sense of doom. In this new collection, acclaimed poet and essayist Elisa Gabbert explores our obsessions with disasters past and future, from the sinking of the Titanic to Chernobyl, from witch hunts to the plague. These deeply researched, prophetic meditations question how the world will end - if indeed it will - and why we can't stop fantasizing about it.

Iceland is home to only 330,000 people but more than 265 museums and public collections, ranging from the intensely physical, like the Icelandic Phallological Museum, which collects the penises of every mammal known to exist in Iceland, to the vaporously metaphysical, like the Museum of Icelandic Sorcery and Witchcraft, which poses a particularly Icelandic problem: how to display what can't be seen?

Writing comes down to turning your hazy mind into crystal-clear words. In this book, you will learn the different types of essays out there, the basics of research and development, use of logical reasoning and critical thinking skills, rough draft creation, editing, proofreading, and building an empire with your words. An essay is a remarkable way to spread your philosophy and grow your brand. Learn the basics of how to effectively write essays in Get to the Point....

Although he is guided and inspired by the people he respects, and despite the insufficiency of his knowledge and experience - an insufficiency shared by most (or all) other humans, Wallace Shawn can’t see any real alternative to trying to figure out his own answers to the most essential questions about the world he lives in.

Acclaimed author of The Real Lolita and editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true-crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today.

Le Lagom, c'est l'art de la simplicité à la suédoise. Pas vraiment traduisible, le mot signifie "ni trop, ni trop peu". Anne Thoumieux, journaliste, propose une approche à 360° de ce phénomène de modération tout sauf ennuyeuse qui pourrait bien aider à construire une société meilleure pour demain. Elle étudie le Lagom à travers les différents aspects de notre vie : qu'est-ce qu'éduquer, travailler Lagom ? Recevoir Lagom ? À quoi ressemble la mode, la beauté, le bien-être Lagom ?

From rediscovering an ancestral village in China to experiencing the realities of American life as a Nigerian, the search for belonging crosses borders and generations. Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as 20 writers share provocative personal stories of existing between languages and cultures.

In this hilariously irreverent collection of essays, Jen Mann, nationally best-selling author of People I Want to Punch in the Throat, turns her mordant wit on the holidays. On Mann's naughty list: mothers who go way overboard with their Elf on the Shelf, overzealous carolers who can't take a hint, and people who write their Christmas cards in the third person ("Joyce is enjoying Bunko. Yeah, Joyce, we know you wrote this letter."). And on her nice list...well, she's working on that one.

In the wake of the pandemic, will we see a new politics of social security and concern for the future? Between the fires and the plague, Scott Morrison had no choice but to adapt his style of leadership. But does he have an exit strategy for Australia from the pandemic? In this original essay, George Megalogenis explores the new politics of care and fear. He shows how our economic officials learnt the lessons of past recessions and applied them to new circumstances.

The goals of the budo - the martial arts and ways of Japan - lie in refining the body and spirit. These goals are not always the obvious ones - and are learned only through the guidance and direction of great teachers. The techniques, methods, and rituals of the sensei can serve as guides to a well-lived life - and provide invaluable lessons for today's martial artists.

In his debut essay collection, award-winning poet Jaswinder Bolina meditates on "how race," as he puts it, "becomes metaphysical": the cumulative toll of the microaggressions and macro-pressures lurking in the academic market, on the literary circuit, in the dating pool, and on the sidewalks of any given US city. Training a keenly thoughtful lens on questions that are never fully abstract, Of Color is a bold, expansive, and finally optimistic diagnosis of present-day America.

In America and in England, faltering economies at home and failed wars abroad have generated a political and intellectual hysteria. It is a derangement manifested in a number of ways: nostalgia for imperialism, xenophobic paranoia, and denunciations of an allegedly intolerant left. These symptoms can be found even among the most informed of Anglo-America.

Is our democracy corroding? In this original, eloquent essay, Waleed Aly and Scott Stephens explore the ethics and politics of public debate—and the threat it now faces. In a healthy society we need the capacity to disagree. Yet Aly and Stephens note a growing tendency to disdain and dismiss opponents, to treat them with contempt. This toxic partisanship has been imported from the United States, where it has been a temptation for both left and right.

In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains. Our undoing is also our becoming.