Family Classics

Meet Eve, who has departed from her 30-year career to become a Free Spirit, Sally, who has waved goodbye to her indifferent husband and two grown-up children, and Anastasia: defiantly independent narrow-boat-dweller, suddenly vulnerable as she awaits a life-saving operation. Inexperienced and ill-equipped, Sally and Eve embark upon a journey through the canals of England, guided by the remote and unsympathetic Anastasia.

Henrietta, privileged and sheltered, expected a smoothly comfortable society life in Washington when she married Sam Pollitt, a handsome self-made biologist. Ten years later, Henny is a skinny, screaming drudge with five children, a raging wreck of a woman driven by 'hate, horror, passion or contempt'. But Sam, whose impractical idealism has brought his family to near-ruin, is unchanged: still at sea in all adult affairs, an absurd hypocritical buffoon but a genius with children, except Louie, his eldest daughter.

This recently rediscovered and critically acclaimed 1937 novel tells the story of Janie Crawford, a long-legged, articulate, and fiercely independent African-American woman of the 1930s. Janie's quest for identity includes three marriages and a return to her roots. Despite her struggles, Janie never defines herself by regret, fear, or unrealistic dreams, and refuses to be anything but her own person.

At age 26, Advika Srinivasan considers herself a failed screenwriter. To pay the bills and keep her mind off of the recent death of her twin sister, she’s taken to bartending A-list events, including the 2015 Governors Ball, the official afterparty of the Oscars. There, in a cinematic dream come true, she meets the legendary Julian Zelding—a film producer as handsome as Paul Newman and ten times as powerful—fresh off his fifth best picture win. Despite their 41-year age difference, Advika falls helplessly under his spell.

It's Christmas time for Emily Elizabeth and Clifford! While they count down the days to their favorite holiday, Clifford gets a tree, a stocking, and a surprise under the mistletoe.

Zola’s La Terre (The Earth) proved highly controversial on publication in 1887 and still retains the power to shock. It follows the fortunes of the Fouan family in the years leading up to the Franco-Prussian War. Old Fouan, the patriarch, draws up a legal contract to divide his farmland between his three children in exchange for an allowance that will support him and his wife through a comfortable retirement.

Truman Capote makes whisky-soaked fruitcake in Alabama; Laurie Lee slides across a frozen pond in Gloucestershire; and Shirley Jackson is outwitted by a wily Santa Claus at the bank. Ghosts haunt the Christmases of Muriel Spark and Elizabeth Bowen, while Dostoyevsky, Daphne du Maurier and Italo Calvino take a cynical view of the season and Selma Lagerlof and Angela Carter celebrate its miracles. Ranging from Cork to Lagos to the Wild West, and from Paris to San Paolo to outer space, this is Christmas as imagined by some of the greatest short-story writers of all time.

When Marshal of the Nobility Pozdnyshev suspects his wife of having an affair with her music partner, his jealousy consumes him and drives him to murder. Controversial upon publication in 1890, The Kreutzer Sonata illuminates Tolstoy's then-feverish Christian ideals, his conflicts with lust and the hypocrisies of nineteenth-century marriage, and his thinking on the role of art and music in society.

When Pollyanna Whittier's loving but impoverished father dies, she is left orphaned and alone. Her wealthy spinster aunt, Aunt Polly, agrees to take her in, so she and her few belongs are packed onto an eastbound train. Pollyanna looks forward to living with her aunt, but Aunt Polly is cold and strict. She puts Pollyanna in a musty attic room and expects her to keep quiet and stay out of the way.

"Send Us a Boy, We'll Send You a Cowboy!" is the slogan of the Box Canyon Boys Camp. But for the nail biters, thumb suckers, and teeth grinders, the cast-away offspring of parents who are busy traveling, being divorced, remarrying, and garnering fortunes, it's just another place to face rejection. Until Cotton.

When Gillian, David, and Michael each take the wrong suitcase from baggage claim, the airline directs them to retrieve their bags at a mysterious facility in a deserted part of the city. There, they meet the enigmatic Baggage Handler, who shows them there is more in their baggage than what they have packed, and carrying it with them is slowing them down in ways they can’t imagine. And they must deal with it before they can leave.

Spinky is convinced that his family hates him and goes off to sulk in his hammock. His brother and sister try to make amends. His mom even brings him a beautiful tray of food. But nothing can get Spinky to stop sulking - not even a circus passing by on his street! Will Spinky ever cheer up?

Nancy Mitford's first novel, a set of completely incompatible and hilariously eccentric characters collide in a Scottish castle. Inspired by Mitford's youthful infatuation with a Scottish aristocrat, her story follows young Jane Dacre to a shooting party at Dulloch Castle, where she tramps around a damp and chilly moor on a hunting expedition with formidable Lady Prague, xenophobic General Murgatroyd, one-eyed Admiral Wenceslaus and an assortment of other ancient and gouty peers of the realm, while falling in love with Albert, a surrealist painter with a mischievous sense of humour.

When Cyril, Anthea, Robert, Jane and their baby brother go digging in the gravel pit, the last thing they expect to find is a Psammead - an ancient Sand-fairy! Having a Sand-fairy for a pet means having one wish granted each day. But the children don't realize all the trouble wishes can cause... The five children find a cantankerous sand fairy, a psammead, in a gravel pit. Every day 'It' will grant each of them a wish that lasts until sunset, often with disastrous consequences.

“To help mother”: that was the goal of each and every one of the five Pepper children. Yet even as “Mamsie” struggles hard to feed and educate her brood, she still manages to fill the house with joy. The adventures of this poor but loving family - Ben, Polly, Joel, Davie, and the adored youngest, Phronsie - have charmed young listeners for more than a century. Overflowing with warmth, suspense, and many delightful surprises, this classic remains as compelling as ever.

Calico Road runs through a tiny Lancashire hamlet up on the edge of the moors, miles from anywhere. Its folk are an independent breed - and in 1827 they are a thorn in the side of the vicious mill owner in the valley below. Toby Fletcher's father ignored his bastard son while alive. Now Toby is the new owner of the rambling old inn, an unwitting keeper of its secrets. Then Meg Staley comes to Calico - a woman who was strong enough to survive one tragedy but found it harder to withstand a second blow.

This is the sequel to Freckles - the moving story of a young girl whose kindness and wholesome philosophy brightens the lives of everyone she meets.

A father and three of his seven children work brutal hours in a mine, facing hazards such as landslides, fire, and poisoned air, to scrape together enough money for food. When their lodger, Étienne, shares ideas about a workers' revolt, the family gradually embraces his plans. Soon the settlement is aflame with resolve to strike for better wages and working conditions. Savage and horrifying events ensue as miners clash with management and with each other.

This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

The Glass Menagerie is a memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on its author, his histrionic mother, and his mentally fragile sister, Laura.