Fashion Art

A personal, expert look at iconic beauty products of the past, present and future from Britain's best and most trusted beauty writer. New beauty products are launched every day, but which ones really do the job, underneath all of the packaging? And which long-standing classics deserve to be dusted off before they are forgotten in amongst all the new trends?

For fashion journalist Lauren (“LoLo”) Scruggs, a short flight to look at Christmas lights turned into a nightmare when she was struck by the plane’s spinning propeller blades. As Lauren was rushed to the hospital, fighting for her life, the world watched in shock and horror. Several major surgeries and thousands of prayers later, Lauren was still alive. But she had suffered brain trauma and lost her left hand and left eye. Some thought that this would be the end of everything for her, a beautiful young woman working in an industry focused completely on appearance. They were wrong.

An intimate biography of Richard Avedon, the legendary fashion and portrait photographer who “helped define America’s image of style, beauty and culture” (The New York Times) by his longtime collaborator and business partner Norma Stevens and award-winning author Steven M. L. Aronson.

Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. Contained inside this audiobook is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the fans of one of New York's great characters.

Sports journalist and veteran shoe tester Brian Metzler takes runners and kicksologists deep inside the $10 billion running shoe industry with a behind-the-curtain look at what makes iconic running shoe brands tick. Kicksology follows a shoe from inspiration to store shelf to show how innovative ideas evolve into industry-wide trends and fads. Metzler tours shoe labs where scientists advance our understanding of shoes and running mechanics as well as the domestic and overseas shoe factories where the world's favorite kicks are assembled.

Elizabeth Arden was a household name on six continents and a millionaire several times over before her death in 1966. Arden counted British royalty and social elites from the overlapping worlds of New York, Hollywood, London, and Paris among her clients. She revolutionized skin care and cosmetics, making it acceptable for all women to embrace glamour and wear makeup—not just actresses and prostitutes. She created a successful international business empire before women gained the vote and at a time when virtually no woman owned or ran a national company.

Entrepreneur and influencer Mary Lawless Lee, creator of the popular lifestyle blog Happily Grey, brings her distinctive brand of grit and gratitude to this wonder-filled, photo-rich celebration of life lived in the in-between.

Everyday you probably wonder what you should wear, whether it's for a date, job interview, or just relaxation. This has been true throughout history, from ancient Egypt to medieval Japan to the roaring 20s and beyond. This book describes the sometimes shocking, sometimes funny, and occasionally unbelievable fashions that were popular in other times and places.

Vogue magazine started, like so many great things do, in the spare room of someone's house. But unlike other such makeshift projects that flare up then fizzle away, Vogue burnt itself onto our cultural consciousness. Today, 128 years later, Vogue spans twenty-two countries, has an international print readership upwards of twelve million, and nets over sixty-seven million monthly online users. Uncontested market leader for a century, it is one of the most recognizable brands in the world and a multi-million dollar money-making machine.

Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt.

Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law.

Second Chances is a unique guide to a one-of-a-kind, circular wardrobe. Eleni’s superpower is sniffing out great finds and here she walks you through the art of in-person discovery at thrift stores and vintage shops, estate sales and flea markets, yard sales and antique stores—and online resale platforms. This book will teach you how to organize your existing wardrobe, evaluate pieces you find, and manifest your dream closet.

In Clothes...And Other Things that Matter, Alexandra Shulman delves into her own life to look at the emotions, ambitions, expectations and meanings behind the way we dress. From the bra to the bikini, the trench coat to trainers, the slip dress to the suit, she explores their meaning in women's lives and how our wardrobes intersect with the larger world - the career ladder, motherhood, romance, sexual identity, ambition, failure, body image and celebrity.

I, Elizabeth Hawes, have sold, stolen, and designed clothes in Paris. I have reported on Paris fashions for newspapers and magazines and department stores, and I've worked with American buyers in Europe.

Part memoir, part manifesto, NFTs Are a Scam is the story of Bobby Hundreds’s journey into NFTs, Web3, and the Metaverse from 2020 to 2022. Hundreds’s first memoir, This is Not a T-Shirt, told his streetwear brand’s story of community, commerce, and style. Now, he wants to tell the story of when a community itself builds the brand. In NFTs Are a Scam, Hundreds’s shares his thoughts and philosophy around a decentralized digital revolution. Are NFTs a cult or a religion? And who do their followers pray to?

Did you ever think about where your jeans come from? How about the people who made your T-shirt, or what happens to the clothes you grow out of when you're done wearing them? The fabrics clothes are made of, the way they are designed and sewn and shipped around the world, and the way we consume them and get rid of them - every step in this process has a big impact on our environment, on the people who work in clothing factories, and on our cultures.

Amidst the waking nightmares of today, the solace of goth looms from behind the shadows to soothe our morbid anxieties. Permeating pop culture at every level - fashion, music, film, beauty - what was once the preserve of the hooded misfit, has now seeped into the mainstream. Which can only mean one thing: must be the season of the witch. To further inspire and illuminate the darkness, interspersed throughout we hear from notable goths and goth coded people like Anjelica Huston, Aryuna Tardis, Christina Ricci, Michèle Lamy, and Simone Rocha on what this eldritch culture means to them.

The legendary French designer Coco Chanel was born in 1883. She changed the way women thought about fashion and themselves; her dresses were meant to free women of the corset and allow them to move freely and elegantly. At the dawn of a new century, Chanel stood for a new type of woman. Chanel worked her way up from living in an orphanage to dining with royalty. She personified her own designs.

Editor in chief Alexandra Shulman kept a diary of British Vogue's centenary year. And what a year. She reveals the emotional and logistical minefield of producing the 100th anniversary issue (that Duchess of Cambridge cover surprise), organising the star-studded Vogue 100 Gala and working with designers from Victoria Beckham to Karl Lagerfeld and contributors from David Bailey to Alexa Chung, all under the continual scrutiny of a television documentary crew.

When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: 21 layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex" - a victory of elegant softness over engineered hardness, of adaptation over cybernetics.