Fiction Realism

As in Nigeria, vagabonds are those whose existence is literally outlawed: the queer, the poor, the displaced, the footloose and rogue spirits. They are those who inhabit transient spaces, who make their paths and move invisibly, who embrace apparitions, old vengeances and alternative realities. Eloghosa Osunde's brave, fiercely inventive novel traces a wild array of characters for whom life itself is a form of resistance.

Margo Everson sees the call out for the cookbook club and knows she’s found her people. Recently dumped by her self-absorbed husband, who frankly isn’t much of a loss, she has little to show for her marriage but his "parting gift"—a dilapidated old farm house—and a collection of well-loved cookbooks. Aja Alexander just hopes her newfound friends won’t notice that that every time she looks at food, she gets queasy. It’s hard hiding a pregnancy, especially one she can’t bring herself to share with her wealthy boyfriend and his snooty mother.

When Yui loses both her mother and her daughter in the tsunami, she begins to mark the passage of time from that date onward: Everything is relative to March 11, 2011, the day the tsunami tore Japan apart and when grief took hold of her life. Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around.

In 17th-century England, civil war rages and witches have become pawns in a plot to oust the king. Red-haired Evey does not want to be a witch, but she cannot deny the magick coursing through her veins. In a country seething with civil war, superstition, dread and dark forces are at work. A storm is coming. After witnessing the brutal murder of her mother by witch-hunters, Evey vows to avenge her and track down her killers. Fury burns in her bright and strong. But she has promised her mother that she will keep Dill, her little sister, safe.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn't care. She’d rather play a monster than a maid. But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her.

Ayukta is finally sitting down with her wife Nadya to respond to a question she’s long avoided: Should they have a child? The decision is complicated by a secret her family has kept for centuries, one that Ayukta will be the first to share with someone outside their bloodline: the women in her family inherit a mysterious tapestry, through which each generation can experience the memories of those who came before her. Ayukta invites Nadya into this lineage, carrying her through its past.

The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries visions of golden horses running beneath the prison, heat flowing like molten metal from their backs with the devastating violence of prison life.

To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel's wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches.

The ancient dragonborn people have returned to Shaeyara, and with them came the dragons. But the celebration of their return is short-lived as they soon discover that they are not welcome. The world is at war. After living underground for eight months, Andie and her followers have had enough. It is time to return to the surface to find her people, and together they must stop the lies and prove to the world who the true monsters are: The University that has had the world in its clutches for centuries.

At Montverre, an ancient and elite academy hidden high in the mountains, society's best and brightest are trained for excellence in the grand jeu—the great game—an arcane and mysterious competition that combines music, art, math, poetry, and philosophy. Léo Martin once excelled at Monteverre, but lost his passion for scholarly pursuits after a violent tragedy. He turned to politics instead, and became a rising star in the ruling party, until a small act of conscience cost him his career. Now, he has been exiled back to Monteverre, his fate uncertain.

A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home”, a National Magazine Award finalist for The New Yorker, a woman desperate for a child weaves one out of hair, with unsettling results. In “Wild”, a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good", three generations of women are haunted by the ghosts of war.

Maine, 1846. Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife’s death, so he moves to Maine, taking a position as a minister in the remote village of Pale Harbor. But not all is as it seems in the sleepy town. Strange, unsettling things have been happening, and the townspeople claim that only one person can be responsible: Sophronia Carver, a reclusive widow who lives with a spinster maid in the eerie Castle Carver. Sophronia must be a witch, and she almost certainly killed her husband.

It’s a classic story: girl meets boy, girl falls for boy, boy finally notices girl when he sees her in a homemade costume. At least, that’s what Sonia Patil is hoping for when she plans to meet her crush at the local comic-con in cosplay.

Caitlyn is settling into life as a novice witch in an English village chocolate shop - although she's finding the hardest magic to master is making caramel sauce without burning it! When two men are murdered, and a ghostly black hound is seen haunting the countryside, the village gossips are sure dark witchcraft is to blame.

One spring afternoon after school, Amber arrives home on her bike. It’s just another perfectly normal day. But when Amber’s mom sees her, she screams. Because Amber died seven years ago, hit by a car while on the very same bicycle she’s inexplicably riding now. This return doesn’t only impact Amber. Her sister, Melissa, now seven years older, must be a new kind of sibling to Amber. Amber’s estranged parents are battling over her. And the changes ripple farther and farther out.

Told in parallel timelines, Kate begins to live two lives--one in which Olivia resurfaces and one in which she doesn't. In the reality that follows her daughter's death, she maneuvers through every mother's worst nightmare, facing grief, rage, and the question of purpose in the aftermath of such profound loss. She endures, day by day, in a world without her daughter. In her alternate timeline, while she explores a tremulous romance with her best friend, Jason, she finds herself grappling with the ex-husband who abandoned Kate and Olivia years prior.

Gemma Turner once dreamed of stardom. Now the actress is on the cusp of obscurity. When she’s offered the lead in a radical new horror film, Gemma believes her luck has changed—but her dream is about to turn into a nightmare. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is alive. She’s been pulled into the film. And the script—and the monsters within it—are coming to life. Gemma must play her role perfectly if she hopes to survive.

Magic most definitely resides in the Maine summerhouse where the mysterious Madame Zoya has granted the innermost wishes of its visitors. Now, three women have come to this special place with one thing in common: a painful past they would each like to rewrite. Amy, who hides a heartbreaking loss behind her seemingly perfect marriage and family...Faith, a widow in her 30s whose deepest grief is for a man from years ago...and Zoe, an artist shunned by her hometown for reasons she doesn’t know after a traumatic night erased her memory.

Welcome to Newford: to the music clubs, the waterfront, and the alleyways where ancient myths and magic spill into the modern world. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the gray harbor waters and fill the cold night with their song. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost.

During a scorching August in Kyoto, our protagonist and his worst friend, Ozu, are locked in a glaring contest in a four-and-a-half-tatami-mat room. Ozu has spilled Coke on the air conditioner’s remote control—the only AC in Shimogamo Yusuisuiso, their famously shabby sweatbox of an apartment building. Vengeful and despairing, our protagonist discusses countermeasures with his secret crush, the reliably blunt Akashi, when Tamura, a strange young man with a bad haircut, appears.