Film History

Marvel Entertainment was a moribund toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. How did an upstart studio conquer the world? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole ongoing production, the Marvel Cinematic Universe.

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.

Billy Crystal is 65, and he's not happy about it. With his trademark wit and heart, he outlines the absurdities and challenges that come with growing old, from insomnia to memory loss to leaving dinners with half your meal on your shirt. In humorous chapters like "Buying the Plot" and "Nodding Off," Crystal not only catalogues his physical gripes, but offers a road map to his 77 million fellow baby boomers who are arriving at this milestone age with him. He also looks back at the most powerful and memorable moments of his long and storied life.

Joss Whedon has much to teach his fans, as he unfurls epics of sacrifice and heroism for superheroes and ordinary people. Whedon offers lessons to improve the world and our roles within it. This book compares themes, motifs, and archetypes across all his works, teasing out the common threads and the messages within

The Missing JFK Assassination Film is not the typical JFK assassination book. This book does not attempt to answer the question of who killed John F. Kennedy; instead it addresses why we should question the actions of those involved and why the truth was withheld from the people. Though copies of Orville Nix's film exist, the original film is missing. Why? The FBI confiscated Orville's camera for several months, then returned it in pieces. Were these actions sinister, or were they just examples of governmental incompetence?

The legend Newsweek once dubbed “Superflack,” Bobby Zarem knows all of Hollywood’s secrets, and he’s not afraid to share them all. Even if you don’t believe all his dish, you’ll never look at the movie business the same. In light of Peter Bogdanovich’s January 6 death, The Originals releases a never-before-heard 2019 interview in which the Oscar-nominated director narrates his own story. Candid, shocking, and often hilarious, Bogdanovich shares tales of the mistakes that bedeviled his career.

DisneyWar is an enthralling tale of one of America's most powerful media and entertainment companies, the people who control it, and those trying to overthrow them. It tells a story that - in its sudden twists, vivid, larger-than-life characters, and thrilling climax - might itself have been the subject of a Disney classic - except that it's all true.

When we think of '70s cinema, we think of classics like The Godfather and Taxi Driver...but the riches found in the overlooked B-movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times".

Professor Joseph Luzzi, the director of Italian studies at Bard College and an award-winning author, offers a comprehensive look at Italian cinema from its inception in 1895 through its major periods and influences. Having altered the landscape of Italian art and society, as well as inspiring filmmakers the world over, Italian cinema proves a fascinating study. Major focuses of the course include neorealism, the Spaghetti Western, the Italian giallo, and Italian-style comedy.

From the cocreator of the landmark series, the story millions of fans have been waiting to get their hands on for 25 long years.

A vastly layered, wide-ranging history that deepens the mysteries of the iconic town in ways that will thrill disciples of the original series and will prep fans for the upcoming SHOWTIME® series like nothing else out there.

Women have been instrumental in the success of American cinema since its very beginning. One of the first people to ever pick up a motion picture camera was a woman, as was the first screenwriter to win two Academy Awards, the inventor of the boom microphone, and the first person to be credited with the title film editor. Throughout the entire history of Hollywood women have been revolutionizing, innovating, and shaping how we make movies. Yet their stories are rarely shared. This is what film reporter Alicia Malone wants to change. Backwards and in Heels tells the history of women in film in a different way.

A full-speed-ahead oral history of the nearly two-decade making of the cultural phenomenon Mad Max: Fury Road—with more than 130 new interviews with key members of the cast and crew, including Charlize Theron, Tom Hardy, and director George Miller, from the pop culture reporter for The New York Times, Kyle Buchanan.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

Mike Medavoy is a Hollywood rarity: a studio executive who, though never far from controversy, remained loved and respected through four decades of moviemaking. He helped bring to the screen some of the most acclaimed Oscar-winning films of our time, including Apocalypse Now, One Flew over the Cuckoo's Nest, Amadeus, The Silence of the Lambs, Philadelphia, and Sleepless in Seattle.

Life is full of choices. Right now, yours is whether or not to buy the autobiography of a mid-grade, kind of hammy actor.

No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society.

Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, "I have to do a scene with this guy." That impulse changed both of their lives. The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make "the Citizen Kane of bad movies" ( Entertainment Weekly), which is now an international phenomenon.

Since The Karate Kid first crane-kicked its way into the pop culture stratosphere in June 1984, there hasn’t been a week Ralph Macchio hasn’t heard friendly shouts of “Wax on, wax off” or “Sweep the leg!” Now, with Macchio reprising his role as Daniel LaRusso in the number one ranked Netflix show Cobra Kai, he is finally ready to look back at this classic movie and give the fans something they’ve long craved.

In this intensive, intimate, and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre.

Shit, Actually is a love letter and a breakup note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.