Film History

Un repaso concienzudo a una época que algunos llaman dorada en el cine español, una época de agudeza, de ingenio y de esfuerzo por sacar adelante proyectos enmarcados entre dos crisis mundiales: la bursátil de 2008 y la sanitaria del covid en 2020. Un interesantísimo análisis a través de entrevistas y recuerdos de la década de 2010, los impedimentos y los escollos para hacer cine de calidad, de la mano de quienes los superaron.

In a long line of beloved books, Loud Pictures stands as Marc Spitz’s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most—movies and rock and roll. In many ways, films can become imprinted on our brains because of their soundtracks.

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

The Rainbow Age of Television explores why queer people are so invested in—and conflicted by—the kinds of storytelling that TV has to offer. Above all, it's a celebration of the LGBTQIA+ shows, their characters, and their creators that define this new age in television.

Introducing Unveling the World of One Piece, the ultimate handbook for fans of one of the most beloved anime series of all time. This comprehensive guide is a must-have for anyone who wants to dive deeper into the world of One Piece, with insights and analysis that will enrich the viewing experience and help you appreciate the series even more.

This is the first full-length biography of this mid-twentieth century multi-faceted star. One of the central tensions of Dale's life revolved around chasing the elusive work/family balance, making her story instantly relatable to women today. In addition to fame, Dale longed for a happy, stable, family life. Her roles of wife and mother became the foundation for her public persona: the smart, smiling, cheerful cowgirl. Unusual for the time were Dale Evans's attempts to control the trajectory of her career at a time when men dominated decision-making in the entertainment fields.

It was made like a television movie, and completed in less than three months. It killed off its star in 40 minutes. There was no happy ending. And it offered the most violent scene to that date in American film, punctuated by shrieking strings that seared the national consciousness. Nothing like Psycho had existed before, and the movie industry, even America itself, would never be the same.

Esta contundente obra se consolida como el análisis definitivo de la serie Twin Peaks tanto en sus temporadas iniciales en los años 90 como en la rotunda y más reciente tercera temporada. Mucho más allá de la recolección de datos o anécdotas, "Universo Twin Peaks" nos lleva de la mano a través de las cortinas rojas de los entresijos tanto de la serie en sí como de sus ramificaciones más alejadas y lyncheanas. Imprescindible para cualquier aficionado a la serie y a lo audiovisual en general.

Featuring a foreword from legendary director Martin Scorcese, Woodstock: Interviews and Recollections combines stories, anecdotes, and perspectives from dozens of musicians and filmmakers about the making of the Academy Award-winning documentary Woodstock. Assembled by associate producer Dale Bell, the oral history takes listeners behind the scenes - and behind the camera - at the decade-defining event.

A smart, funny, and heartfelt middle grade novel about Lily Hong’s attempts to save her parents’ Chinese school and the town’s community center using all the resources she has—devoted friends, ingenuity, a passion for filmmaking, mediocre dance moves (at best), and perhaps even her archnemesis.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

El pueblo de Chinchero -a 28 kilómetros del Cusco- estaba, en 1970, en un territorio hermoso, todavía intocado por la maquinaria aplastante del turismo masivo. Hasta ahí llegó el joven y conflictivo Dennis Hopper para rodar la que vislumbraba como una obra maestra de la contracultura hippie: The Last Movie.

Ever wonder what the people who bring us our TV entertainment are thinking? Television and pop culture historian and author Herbie J Pilato has, and now takes listeners on a provocative and entertaining look into the agenda behind TV shows and the resulting trends. Even when it seemed television programming was primarily mindless, there was serious thought behind what audiences were presented. The networks, after all, believe in giving the people what they want, even when the people should have known better.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.

Malta 1565 - die Insel Malta wird von den Türken belagert. Nur ein Mann, so scheint es, kann den Christen noch helfen: Der Deutsche Mattias Tannhäuser wurde als Zwölfjähriger von den Türken entführt und ist bei ihnen aufgewachsen. Er kennt ihre Kultur und ihre Waffen. Um ihn auf die Insel zu locken, schickt der Großmeister des Malteser Ordens die schöne Contessa Clara nach Sizilien, wo Tannhäuser mit einem jüdischen Freund erfolgreich Handel treibt.

In the first full biography of actor Sidney Poitier, Aram Goudsouzian analyzes the life and career of a Hollywood legend, from his childhood in the Bahamas to his 2002 Oscar for lifetime achievement. Poitier is a gifted actor, a great American success story, an intriguing personality, and a political symbol; his life and career illuminate America's racial history.