Gothic English Mystery

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night.

We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life....

In 1890, Corrine Dixon meets and is swept away by the charms of rich, sophisticated, and handsome Garland Foxworth. After discovering that she’s pregnant, Garland does what appears to be the honorable thing and marries her in a huge wedding ceremony on the luxurious Foxworth Hall grounds while both families keep her pregnancy a secret. Now the mistress of the labyrinthine estate, Corrine discovers that nothing is what is seems. Garland is not the man she expected, and she’s uncomfortable with his intense infatuation with his deceased mother’s memory.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

The descendant of adventuring-dead-aristocrats, Clarissa Knightley supplements a modest inheritance by penning gothic novels that cost more than they earn. Upon learning that she has mysteriously inherited a share of an earl's estate, she rashly packs up her household. In remote Gravesyde Priory, she hopes to find a safe haven and family who will welcome her and her young nephew. Instead, she discovers a drunken American army captain, his African servant, and ancient, surly caretakers.

When Ruby McTavish Callahan Woodward Miller Kenmore dies, she’s not only North Carolina’s richest woman, she’s also its most notorious. The victim of a famous kidnapping as a child and a widow four times over, Ruby ruled the tiny town of Tavistock from Ashby House, her family’s estate high in the Blue Ridge Mountains. But in the aftermath of her death, her adopted son, Camden, wants little to do with the house or the money—and even less to do with the surviving McTavishes.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out. At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six awful days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged.

They were a perfect and beautiful family - until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother.

In the midst of the woods stands a house called Lichen Hall. This place is shrouded in folklore—old stories of ghosts, of witches, of a child who is not quite a child. Now the woods are creeping closer, and something has been unleashed. Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds—and together they begin to unpick the secrets of this place.

Elle Edwards, who has been told she's a product of her mother's sinful mistake, has never gone to school, never met a teenager her own age, never even been allowed off of her grandparents' property. Convinced that their granddaughter is infected with evil, Myra and Prescott Edwards believe that only the harshest child-rearing methods will prevent Elle from becoming an instrument of the devil.

Once an aristocrat in the heady days of pre-revolutionary France, now Lestat is a rockstar in the demonic, shimmering 1980s. He rushes through the centuries in search of others like him, seeking answers to the mystery of his terrifying exsitence. His story, the second volume in Anne Rice's best-selling Vampire Chronicles, is mesmerizing, passionate, and thrilling.

"With the roar of thunder and the speed of a galloping horse comes the tide to Mont St. Michel", goes the old nursery song. So when the aged patriarch of the du Rocher family falls victim to the perilous tide, even the old man's family accepts the verdict of accidental drowning. But too quickly, this "accident" is followed by a bizarre discovery in the ancient du Rocher chateau: a human skeleton, wrapped in butcher paper, beneath the old stone flooring. Professor Gideon Oliver, lecturing on forensic anthropology at nearby St. Malo, is asked to examine the bones.

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

Anita Blake is a vampire hunter. But when someone else sets his sights on her prey, she must save them both from the inferno.

Chris and Cathy made such a loving home for 14-year-old Jory - so handsome, so gentle. And for Bart, who had such a dazzling imagination for a nine-year-old. Then the lights came on in the house next door. Soon the Old Lady in Black was there, watching them, guarded by her strange old butler. Soon she had Bart over for cookies and ice cream and asked him to call her "Grandmother". And soon Bart's transformation began....

Audrina fiercely desired to be as good as her sister. She knew her father could not love her as he loved that other girl, for her sister was so special, so perfect - and dead. Upstairs in a locked room awaited her sister's clothes and dolls, her animals and games - and her sacred rocking chair. Now Audrina will rock and rock and rock to reclaim all of her gone sister's special gifts.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

The only family Ruby Landry has ever known are her loving guardian Grandmere Catherine, a Cajun spiritual healer, and her drunken Grandpere Jack. Although thinking about her dead mother and mysterious father sometimes makes her feel sad and solemn, Ruby is grateful for what she has, especially when her attraction to handsome Paul Tate blossoms into a wonderful love affair. But Paul’s wealthy parents forbid him to associate with a poor Landry. Then, finding her father in his massive New Orleans mansion, Ruby is quickly subjected to his world of lies, torment...and madness.

Ever since Fern could remember, she and her mother have lived as servants in Wyndemere House, the old Gothic mansion of the Davenport family. She may have been a servant, but Fern developed a sweet friendship with Dr. Davenport's son, Ryder, and she was even allowed free range of the estate. But Dr. Davenport has remarried, and his new wife has very different ideas about a servant's place. Yet, for all her wrath, the cruel woman cannot break the mysterious bond between Ryder and Fern.