Gothic Historical Fiction

Newly appointed as land agent to the youthful Lord Croft, Matthew Rowsley finds plenty to keep him busy as he attends to his lordship's neglected country estate. But he's distracted from his tasks by the disappearance of a young housemaid. Has Maggie really eloped with a young man, as her mother attests - or is the truth rather more sinister? What's been going on behind the scenes at the grand country estate...and where has his lordship disappeared to?

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.

Only a woman with an iron backbone could succeed as an undertaker in Victorian England, but Violet Morgan takes great pride in her trade. While her husband, Graham, is preoccupied with elevating their station in society, Violet is cultivating a sterling reputation for Morgan Undertaking.

Society rogue Sebastian Reyne's search for a practical wife comes to a crashing halt when he dances with the effervescent Hope Merridew - and is seduced into a delicious intrigue of sensuality and desire.

Fate has lavished beauty on the Merridew sisters - that is, all save the eldest. But plain Prudence bears no grudge; she loves her four beautiful sisters infinitely. So when their abusive grandfather is laid up with an injury, she seizes the opportunity to concoct an ingenious plan that will allow all five of them to escape the clutches of their legal guardian. All it will take is a little matrimonial deception....

Talia could scarcely believe that she had finally earned the rank of full Herald. Though this seemed like the fulfillment of all her dreams, it also meant she would face trials far greater than those she had previously survived. For now, Talia must ride forth to patrol the kingdom of Valdemar, dispensing Herald's justice throughout the land. But in this realm beset by dangerous unrest, enforcing her rulings will require all the courage and skill Talia could command - for if she misuses her own special powers, both she and Valdemar will pay the price.

In 1910, 11-year-old Iris Villarca lives with her father at Rawblood, a lonely house on Dartmoor. Iris and her father are the last of their name. The Villarcas always die young, bloodily. Iris knows it's because of a congenital disease that means she must be strictly isolated. Papa told her so. Forbidden to speak to other children or the servants, denied her one friend, Iris grows up in solitude. But she reads books. And one sunlit autumn day, beside her mother's grave, she forces the truth from her father. The disease is biologically impossible. A lie to cover a darker secret.

Born with fragile health, Dawn Uxbridge has lived a sheltered existence. Her lonely days are filled by drawing fanciful landscapes and nurturing plants. When tragedy strikes, she finds herself alone and penniless with only one talent - a green thumb. Jasper, the Earl of Seton, is in need of a gardener to reclaim his derelict estate in the remote west of England. He expected a robust commoner, not a fragile young woman.

Jacob Ashland's life has taken an unexpected turn. He's now the earl of Ashland and expected to marry. But he's done that before and had his heart ripped from his chest. When Charlotte shows up at his door needing protection, he offers to marry her - in name - only. Charlotte, an orphan, suspects her sinister cousin of terrorizing London. When her maid disappears, she fears for her own life and runs away. Lord Ashland offers marriage, and it's the perfect solution. But it isn't long before she finds herself falling for her new husband.

A new compilation of Bram Stoker’s cult vampire novels for the 100th anniversary of his death. This delightful new compilation of Bram Stoker's cult classics will be sure to satisfy any lover of vampire fiction, from Dracula to Twilight. All three novels were published after Dracula debuted in 1897. They flirt with vampirism, horror, and human folly in the best Gothic tradition - all attempts to duplicate Stoker's only success.

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who’s just trying to survive in a city where it’s too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist’s Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham’s lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought.

Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London.

With her signature spirit, Faith Merridew has left everything she's ever known for the man she thought was the love of her life. Instead he leaves her name - and dreams - in the dust. That is, until she crosses paths with Nicholas Blacklock, a Waterloo veteran, who offers to save her reputation with a marriage of convenience. A hardened soldier, Nick hides a deadly secret - and tries to keep Faith at arm's length. But even though Nick can command legions of men with a word, his orders go sweetly ignored by his convenient bride.

Browsing an antiques shop in Wiltshire, Alison Bannister stumbles across a delicate old portrait - identified as the doomed Tudor queen Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 and presumed dead after going missing as a child. And Alison knows this because she, too, lived at Wolf Hall and knew Mary...more than 400 years ago.

Thanks to house tamer Hulda Larkin, the mischief infesting Whimbrel House has calmed. But if Hulda’s job is done, what does that mean for Merritt Fernsby, inheritor of the remote Narragansett Bay estate, who’s only now coming to terms with his enchanted place in the world? Merritt has realized his own burgeoning powers, which draw the thoughts of every plant, insect, and dog. His nights are sleepless, with an uncontrollable cacophony of voices that compel a long-overdue search into his uncanny bloodline. It’s not the only puzzle uniting Merritt and his ex-housekeeper, Hulda.

As a boy, William Bellman commits one small, cruel act: killing a bird with his slingshot. Little does he know the unforeseen and terrible consequences of the deed, which is soon forgotten amidst the riot of boyhood games. By the time he is grown, with a wife and children of his own, William seems to be a man blessed by fortune - until tragedy strikes and the stranger in black comes. Desperate to save the one precious thing he has left, William enters into a rather strange bargain, with an even stranger partner, to found a decidedly macabre business.

Lady Dona St Columb seems to revel in scandal: she is involved in every intrigue of the Restoration Court. But secretly, the shallowness of Court life disgusts her, and in her heart she longs for freedom and honest love. Retreating to Navron, her husband's Cornish estate, she seeks peace and solitude away from London. But Navron is being used as the base for a French pirate, an outlaw hunted all over Cornwall. Instead of feeling fear, Dona's thirst for adventure has never been more aroused; in Jean-Benoit Auéry she finds a sensitive man who would, like her, gamble his life for a moment's joy.

Young Fleetwood Shuttleworth is with child again. As the mistress of Gawthorpe Hall, she is anxious to provide her husband with an heir. But none of her previous pregnancies have come to term. Then she discovers a hidden letter from her physician that warns her husband that she will not survive another pregnancy. Distraught over the frightening revelation, Fleetwood wanders the woods of Pendle Hill, where she comes across a young local woman named Alice Gray who is gathering herbs. A midwife, Alice promises Fleetwood she can help her deliver a healthy baby.