Historical Horror Fiction

In 1915, The Birth of a Nation casts a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring hell to Earth. But even Ku Kluxes can die.

Uncover the secret annals of untold history in these eighteen medieval manuscripts. Each tortured scribe will bring you face to face with ancient horrors lurking in cursed castles, wild woodlands, haunted hamlets, and mysterious monasteries. Including a lineup of authors both established and emerging, HOWL Society Press presents the first-ever anthology of historical horror from the medieval period, fittingly introduced by the writer who arguably started it all: Christopher Buehlman, author of the medieval horror epic Between Two Fires.

When young Emily Brontë helps a wounded man she finds at the foot of an ancient pagan shrine in the remote Yorkshire moors, her life becomes contentiously entwined with his. He is Alcuin Curzon, embittered member of a sect working to eradicate the resurgent plague of lycanthropy in Europe and northern England. But Emily's father, curate of the Haworth village church, is responsible for having unwittingly brought a demonic werewolf god to Yorkshire forty years ago—and it is taking possession of Emily's beloved but foolish and dissolute brother.

It is the autumn of 1910, and for 15 long years, Sherlock Holmes and Dr. John Watson have battled R’lluhloig, the Hidden Mind that was once Professor James Moriarty. Europe is creeping inexorably towards war, and a more cosmic conflict is nearing its zenith, as in a single night all the most eminent members of the Diogenes Club die horribly, seemingly by their own hands. Holmes suspects it is the handiwork of a German spy working for R’lluhloig, but his search for vengeance costs an old friend his life.

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

"Marley was dead to begin with...." These chillingly familiar words begin the classic Christmas tale of remorse and redemption in A Christmas Carol by Charles Dickens. Now R. William Bennett rewinds the story and focuses the spotlight on Scrooge’s miserly business partner, Jacob T. Marley, who was allowed to return as a ghost to warn Scrooge away from his ill-fated path. Why was Marley allowed to return? And why hadn’t he been given the same chance as Ebenezer Scrooge? Or had he?

It is 1917, in that sliver of borderland that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest, handsome, intelligent); Cob (short, heavyset, a bit slow); and Chimney (the youngest, thin, ill-tempered). Several hundred miles away in Southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula.

Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her. Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown.

1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it’s killing him from the inside. But that’s not all—he is rumored to have done monstrous things in his attempts to sate an insatiable appetite…an appetite they say tortures him still.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma.

Alexia Maccon, the Lady Woolsey, awakens in the wee hours of the midafternoon to find her husband, who should be decently asleep like any normal werewolf, yelling at the top of his lungs. Then he disappears, leaving her to deal with a regiment of supernatural soldiers encamped on her doorstep, a plethora of exorcised ghosts, and an angry Queen Victoria.

The charm of spending the Christmas holidays in South Wales, with its crumbling castles and ancient myths, seems the perfect distraction from the nightmares that have plagued literary agent Lyn Ravenshaw since the loss of her baby five years ago. Instead she meets an emotionally fragile young widow who's convinced that Lyn's recurring dreams have drawn her to Castle Farm for an important purpose - and she's running out of time.

An elderly couple living in Victorian London struggle against despair as their small resources dwindle. When an eccentric and mysterious gentleman answers their advertisement for a lodger, they celebrate. But as women begin dying at the hands of "The Avenger", they start to suspect something too horrific for words.

Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder. When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea.

William Day should be an acclaimed Arctic explorer. But after a failed expedition, in which his remaining men only survived by eating their dead comrades, he returned in disgrace. Thirteen years later, his second-in-command, Jesse Stevens, has gone missing in the same frozen waters. Perhaps this is Day’s chance to restore his tarnished reputation by bringing Stevens­—the man who’s haunted his whole life—back home. But when the rescue mission becomes an uncanny journey into his past, Day must face up to the things he’s­ done.

Connie's mother asks her to sell an abandoned house once owned by her grandmother in Salem, Mass. Relunctantly, Connie moves to the small town and inhabits the crumbling, ancient house, trying to restore it to a semblance of order. Curious things start to happen when Connie finds the name "Deliverance Dane" on a yellowed scrap of paper and begins to have visions of a long ago woman condemned for practicing "physick," or herbal healing, on her neighbors in 1690s Salem.

After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She’s always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she’d never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible.

The novel opens in the present. At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”

Lady Phoebe Batten is pretty, vivacious, and yearning for a social life befitting the sister of a powerful duke. But because she is almost completely blind, her overprotective brother insists that she have an armed bodyguard by her side at all times—the very irritating Captain Trevillion.

Mrs. Violet Wood is London’s premier medium, a woman of supreme ambition whose unique abilities have earned her the admiration and trust of London’s elite. Mrs. Wood is indeed a clever and gifted seer—her skill is unmatched in predicting exactly what her wealthy patrons want to hear from the beyond. But times are changing. First, a nosey newspaperman has begun working to expose false mediums across London. Many of Mrs. Wood’s friends—and, yes, some of her foes—have fallen to his merciless accusations.