Historical House Fiction

This is Irving Stone's powerful and passionate biographical novel of Michelangelo. His time: the turbulent Renaissance, the years of poisoning princes, warring popes, the all-powerful Medici family, the fanatic monk Savonarola. His loves: the frail and lovely daughter of Lorenzo de Medici; the ardent mistress of Marco Aldovrandi; and his last love - his greatest love - the beautiful, unhappy Vittoria Colonna.

Tras perderse en el mar, el inglés John Blackthorne despierta en un lugar que pocos europeos conocen y menos aún han visto: Japón. Inmerso en la hermética sociedad nipona del siglo XVII, una tierra en la que la línea que separa la vida de la muerte es muy fina, Blackthorne debe enfrentarse no sólo a un pueblo extranjero, con costumbres e idioma desconocidos, sino también a sus propias definiciones de moralidad, verdad y libertad.

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words discarded or neglected by the dictionary men.

Val Darrant was just four years old the snowy night his mother abandoned him. But instead of meeting a lonely death, he met Will Reilly - a gentleman, a gambler, and a worldly, self-taught scholar. For 10 years they each were all the family the other had, traveling from dusty American boomtowns to the glittering cities of Belle Époque Europe - until the day Reilly’s luck ran out in a roar of gunfire. But it wasn’t a gambling brawl or a pack of thieves that sealed Will’s fate. It was a far more complex story that Val would soon uncover.

The spring of 1824 is a challenging one for the inhabitants of Paradise N.Y. when a flood devastates the village. But for Nathaniel and Elizabeth Bonner, it’s also a time of reunion as their children return from far-off places: Lily and her husband from Italy, and Martha Kirby, the Bonners’ ward, from Manhattan. Although Lily is nursing her own grief, it is Martha, fleeing a crushing humiliation, who brings with her trouble that will reverberate in all their lives.

It’s 1953, and for Nick Taylor, WWII veteran turned company lawyer, oil is the key to the future. He takes the train into the city for work and returns to the peaceful streets of the suburbs and to his wife, Bet, former codebreaker now housewife, and their two children, Katherine and Harry. Nick comes from humble origins but thanks to his work for American Oil, he can provide every comfort for his family, including Last House, a secluded country escape. Deep in the Vermont mountains, the Taylors are free from the stresses of modern life.

Edward Rutherfurd has enthralled millions of people with his grand, sweeping historical sagas that tell the history of a famous place over multiple generations. Now, in China: The Novel, Rutherfurd takes listeners into the rich and fascinating milieu of the Middle Kingdom. The story begins in 1839, at the dawn of the First Opium War, and follows Chinese history through Mao's Cultural Revolution and up to the present day. Rutherfurd chronicles the rising and falling fortunes of members of Chinese, British, and American families, as they negotiate the tides of history.

Feisty, passionate Beatrice Steele has never fit the definition of a true lady, according to the strict code of conduct that reigns in Swampshire, her small English township—she is terrible at needlework, has absolutely no musical ability, and her artwork is so bad it frightens people. Nevertheless, she lives a perfectly agreeable life with her marriage-scheming mother, prankster father, and two younger sisters— beautiful Louisa and forgettable Mary. But she harbors a dark secret: She is obsessed with the true crime cases she reads about in the newspaper.

Hollywood, 1938: As soon as she learns MGM is adapting her late husband’s masterpiece for the screen, 77-year-old Maud Gage Baum sets about trying to finagle her way onto the set. Nineteen years after Frank’s passing, Maud is the only person who can help the producers stay true to the spirit of the book - because she’s the only one left who knows its secrets. But the moment she hears Judy Garland rehearsing the first notes of “Over the Rainbow”, Maud recognizes the yearning that defined her own life story.

Sherlock Holmes is the greatest detective in literary history. For the first time since the death of Sir Arthur Conan Doyle, a new Holmes story has been sanctioned by his estate, whetting the appetites of fans everywhere. Information about the book will be revealed as deliberately as Holmes himself would unravel a knotty case, but bestselling novelist and Holmes expert Anthony Horowitz is sure to bring a compelling, atmospheric story to life.

Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor", and they plunge her into a world she never dreamed of: a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.

Bytown, 1836: The lawless cesspool that will become the city of Ottawa is beginning to reek of more than just swamp water. Rife with squalor, corruption, and organized crime, class injustice divides the town more starkly than the canal that bisects it, cutting off its Irish poor—who are ready to fight back. On a homestead in the woods near Bytown, a domestic drama is also reaching a fever pitch

As far as the eye can see is a vast, empty horizon. Evie Teale has finally accepted that her husband won’t be coming home. To make ends meet she runs a temporary stage station. But though she is diligent and careful, Evie must prepare for the day when the passengers no longer come and she must protect her children in an untamed country where’s it’s far easier to die than to live. Miles away, another solitary soul battles for survival. Conagher is a lean, dark-eyed drifter who is not about to let a gang of rustlers push him around.

The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world.

To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family, and even our fellow citizens—and the pain that ensues when we cannot.

On the isle of Ithaca, queen Penelope maintains a delicate balance of power. Many years ago, her husband Odysseus sailed to war with Troy and never came home. In his absence, Penelope uses all her cunning to keep the peace—a peace that is shattered by the return of Orestes, King of Mycenae, and his sister Elektra. Orestes' hands are stained with his mother's blood. Not so long ago, the son of Agamemnon took Queen Clytemnestra's life on Ithaca's sands. Now, wracked with guilt, he is slowly losing his mind.

Lucrezia Tornabuoni, brought up in the Palazzo Medici alongside Cosimo's children, always expected to marry his charismatic younger son, Giovanni. But now in later life, she finds herself imprisoned in a loveless marriage with the gout-ridden elder son, Piero. Like Cosimo, she sees the future salvation of the family in the hands of her own son, Lorenzo the Magnificent, but how can she be sure he inherits the mantle before Piero ruins everything?

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well. The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart, that's exactly what they get.

Living on her family’s idyllic lakeside estate in Cornwall, England, Alice Edevane is a bright, inquisitive and precociously talented 16-year-old who loves to write stories. One midsummer’s eve, after a beautiful party drawing hundreds of guests to the estate has ended, the Edevanes discover that their youngest child, 11-month-old Theo, has vanished without a trace. He is never found, and the family is torn apart and the house abandoned.

In Killing Commendatore, a 30-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna.