Historical House Fiction

In this irresistibly imagined belowstairs answer to Pride and Prejudice, the servants take center stage. Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended.

As England enters World War II's dark early days, spirited music professor Primrose Trent, recently arrived to the village of Chilbury, emboldens the women of the town to defy the Vicar's stuffy edict to shutter the church's choir in the absence of men and instead carry on singing. Resurrecting themselves as The Chilbury Ladies' Choir, the women of this small village soon use their joint song to lift up themselves and the community as the war tears through their lives.

He was etched by the desert's howling winds, a big, broad-shouldered man who knew the ways of the Apache and the ways of staying alive. She was a woman alone raising a young son on her own on a remote Arizona ranch. And between Hondo Lane and Angie Lowe was the warrior Vittoro, whose people were preparing to rise against the white men. Now the pioneer woman, the gunman, and the Apache warrior are caught in a drama of love, war, and honor.

Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht—the night his family loses everything. As her child’s safety becomes ever harder to guarantee, Samuel’s mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin.

Fresh from duty on the frigate Desperate in her fight with the French Capricieuse off St. Kitts, Midshipman Alan Lewrie passes his examination board for lieutenancy and finds himself commissioned first officer of the brig o'war Shrike. There's time for some dalliance with the fair sex, and then Lieutenant Lewrie must be off to patrol the North American coast and attempt to bring the Muskogees and Seminoles onto the British side against the American rebels (dalliance with an Indian maiden is just part of the mission).

At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of 16th-century Istanbul, from one of the most prominent contemporary Turkish writers.

For years, Milo Talon had been riding the outlaw trail, looking for a man who had betrayed his family. Only Hank Rossiter wasn’t the man he had been. Old now and blind, Rossiter was trying desperately to hold on to a small ranch to support his daughter, Barbara. Suddenly Talon found himself in the middle of a range war, siding with the man he’d marked for payback. But had Rossiter really changed? And could his daughter be trusted by either of them? For Milo, getting to the truth meant a long hard fight to separate his enemies from his friends - and forgiveness from revenge.

For young Peony, betrothed to a suitor she has never met, lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage.

Rhode Island, 1846. Estranged from his family, writer Merritt Fernsby is surprised when he inherits a remote estate in the Narragansett Bay. Though the property has been uninhabited for more than a century, Merritt is ready to call it home—until he realizes he has no choice. With its doors slamming shut and locking behind him, Whimbrel House is not about to let Merritt leave. Ever.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader.

It is the late summer of 1814, and Hannah Bonner and her half brother Luke have spent more than a year searching the islands of the Caribbean for Luke's wife and the man who abducted her. But Jennet's rescue, so long in coming, is not the resolution they'd hoped for. In the spring she had given birth to Luke's son, and in the summer Jennet had found herself compelled to surrender the infant to a stranger in the hope of keeping him safe.

Absalom, Absalom! tells the story of Thomas Sutpen, the enigmatic stranger who came to Jefferson township in the early 1830s. With a French architect and a band of wild Haitians, he wrung a fabulous plantation out of the muddy bottoms of the north Mississippi wilderness. Sutpen was a man, Faulker said, "who wanted sons and the sons destroyed him". His tragedy left its impress not only on his contemporaries but also on men who came after, men like Quentin Compson, haunted even into the 20th century by Sutpen's legacy.

As an Indian wedding gathers a family back together, parents Rafiq and Layla must reckon with the choices their children have made. There is Hadia, their headstrong eldest daughter, whose marriage is a match of love and not tradition. Huda, the middle child, determined to follow in her sister’s footsteps. And lastly, their estranged son, Amar, who returns to the family fold for the first time in three years to take his place as brother of the bride.

It is 1780, and 17-year-old Alan Lewrie is a brash, rebellious young libertine. So much so that his callous father believes a bit of naval discipline will turn the boy around. Fresh aboard the tall-masted Ariadne, Midshipman Lewrie heads for the war-torn Americas, finding - rather unexpectedly - that he is a born sailor, equally at home with the randy pleasures of the port and the raging battles on the high seas. But in a hail of cannonballs comes a bawdy surprise.

Boston, 1662. Mary Deerfield is 24 years old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But here in the New World, amid this community of saints, Mary is the second wife of Thomas Deerfield, a man as cruel as he is powerful. When Thomas, prone to drunken rage, drives a three-tined fork into the back of Mary's hand, she resolves that she must divorce him to save her life.

Major James Brionne brought Dave Allard to trial for murder. Just before the hanging, Dave swore his brothers would take vengeance.... Four years later, the Allard boys returned to settle the score. Only Brionne's son escaped. They murdered his wife, destroyed his home, and left Brionne nothing but the charred ruins of his past to haunt him. Seeking peace and a new life, Brionne and the boy headed west. But the Allards hadn't finished with him. He knew they'd call him for a showdown - and this time he'd be ready....

From the award-winning, internationally best-selling author, a beguiling romp of a novel, at once intimate and panoramic, about the adventures and misadventures of a nineteenth-century everyman.

Maggie Hope has come a long way since she was Mr. Churchill’s secretary. In the face of tremendous danger, she’s learned espionage, sabotage, and reconnaissance. But things are different now that she has so much to lose, including the possibility of a family with John Sterling, the man who’s long held her heart.

Although it is autumn in the small English town of Bishop’s Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce’s sister, Ophelia, is at last getting hitched, like a mule to a wagon. “A church is a wonderful place for a wedding”, muses Flavia, “surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar.”

In the wake of an unthinkable family tragedy, 12-year-old Flavia de Luce is struggling to fill her empty days. For a needed escape, Dogger, the loyal family servant, suggests a boating trip for Flavia and her two older sisters. Something grazes her fingers as she dangles them in the water. She clamps down on the object, imagining herself Ernest Hemingway battling a marlin, and pulls up what she expects will be a giant fish. But in Flavia's grip is something far better: a human head, attached to a human body.