Historical Thriller

In the spring of 1912, American writer Arthur Pearce is reeling from the wounds inflicted by a disastrous marriage. But his plans to travel abroad, write a new novel, and forget about his ex-wife are interrupted by a young woman he encounters on a London-bound train. Her name is Sarah Coyle, and the tale she tells him chills his blood. Sarah’s younger sister has been entranced by Count Richard Dunning, who is rumored to dabble in bizarre religious rites and experimental medicine. Arthur agrees to help, but he has no idea of what awaits him at Altarbook, Sarah’s ancestral mansion

San Francisco, 1906. In a city bustling with newly minted millionaires and scheming upstarts, two very different women hope to change their fortunes: Gemma, a golden-haired, silver-voiced soprano whose career desperately needs rekindling, and Suling, a petite and resolute Chinatown embroideress who is determined to escape an arranged marriage. Their paths cross when they are drawn into the orbit of Henry Thornton, a charming railroad magnate whose extraordinary collection of Chinese antiques includes the fabled Phoenix Crown, a legendary relic of Beijing’s fallen Summer Palace.

Nineteenth-century New Orleans is a blazing hotbed of scorching politics and personal vendettas. And it’s into this fire that Benjamin January falls when he is hired to follow Oliver Weems, a bank official who has absconded with $100,000 in gold and securities. But it’s more than just a job for January. The missing money is vital to the survival of the school for freed slaves that he and his wife, Rose, have founded.

Zane Grey wrote this splendidly thrilling sequel to Riders of the Purple Sage in 1915, but for almost 90 years it has existed in a profoundly censored version. At last, the real story can be told.

The island of Tarawa, a tiny spit of sand out in the middle of the Pacific, teemed with five hundred pillboxes filled with artillery pieces and highly motivated Japanese soldiers. Their commanding officer encouraged his troops, saying, “It would take one million men one hundred years” to conquer Tarawa. They were convinced that the Americans would be slaughtered before they ever got ashore.

At birth, Violet and Rose Flowers were identical, save for a tiny bluish-purple mark gracing Violet’s slender neck. By nineteen, their temperaments distinguish them, as different as the flowers their mother named them for—Violet, wild and outgoing, and Rose, solitary and reserved. Still, they are each other’s world. Then, on a sweltering, terrible August night in 1928, an explosion rocks Lamb’s Dance Hall in Possum Flats, Missouri, engulfing it in flames, leaving one twin among the dozens dead, and her sister’s life forever changed.

London, 1893: High up in a house on a dark, snowy night, a lone seamstress stands by a window. So begins the swirling, serpentine world of Paraic O'Donnell's Victorian-inspired mystery, the story of a city cloaked in shadow but burning with questions: Why does the seamstress choose to jump out of that window? Why is there a cryptic message sewn into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?

Edinburgh, 1869: Modern-day homicide detective Mallory Atkinson is adjusting to her new life in Victorian Scotland. Her employers know she’s not housemaid Catriona Mitchell—even though Mallory is in Catriona’s body—and Mallory is now officially an undertaker’s assistant. Dr. Duncan Gray moonlights as a medical examiner, and their latest case hits close to home. Men are dropping dead from a powerful poison, and all signs point to the grieving widows… the latest of which is Gray’s oldest sister. Poison is said to be a woman’s weapon, though Mallory has to wonder if it’s as simple as that.

Victorian Scotland is becoming less strange to modern-day homicide detective Mallory Atkinson. Though inhabiting someone else’s body will always be unsettling, even if her employers know that she’s not actually housemaid Catriona Mitchell, ever since the night both of them were attacked in the same dark alley 150 years apart. Mallory likes her job as assistant to undertaker/medical examiner Dr. Duncan Gray, and is developing true friends—and feelings—in this century.

The first book in a brand-new series, The Last Kingdom is set in England during the reign of King Alfred. Uhtred is an English boy, born into the aristocracy of ninth-century Northumbria. Orphaned at 10, he is captured and adopted by a Dane and taught the Viking ways. Yet Uhtred's fate is indissolubly bound up with Alfred, King of Wessex, who rules over the only English kingdom to survive the Danish assault. The struggle between the English and the Danes and the strife between christianity and paganism is the background to Uhtred's growing up.

It's 1194, and Sir Faucon de Ramis, the shire's newly appointed keeper of the pleas, must do his duty and make an official declaration of the cause of a miller's death. Saddled with a clerk who names Faucon his "penance", the shire's first crowner must thread the tangled relationships between the sheriff, the village of Priors Holston, and the priory that once ruled it. As a simple task takes a turn to the political, what seems obvious isn't, and what appears safe turns out to be more dangerous than he could imagine.

The year is A.D. 922. A refined Arab courtier, representative of the powerful Caliph of Baghdad, encounters a party of Viking warriors who are journeying to the barbaric North. He is appalled by their Viking customs - the wanton sexuality of their pale, angular women, their disregard for cleanliness...their cold-blooded human sacrifices. But it is not until they reach the depths of the Northland that the courtier learns the horrifying and inescapable truth.

His code name was “The Needle.” He was a German aristocrat of extraordinary intelligence - a master spy with a legacy of violence in his blood, and the object of the most desperate manhunt in history.... But his fate lay in the hands of a young and vulnerable English woman, whose loyalty, if swayed, would assure his freedom - and win the war for the Nazis....

In the town of Thirty-Four Corners, Colorado, Matt Jensen rides into a savage blood feud. Thirty years ago two friends came West and built a thriving cattle business. Now, their families have become kill-crazy enemies and the town is awash in a frenzy of killing. Add in hired gunmen on both sides of the fight, and two lovers crossing the dividing line, and the terror will never end. Eager to put as many miles between himself and Thirty Four Corners, Matt Jensen just can't bring himself to leave without trying to stop the bloodshed.

Scratch Morton and Bo Creel, two aging cowpokes and friends for years, have seen their share of cattle drives, shootouts, and bust-ups. They do their best to stay on the right side of the law, and never go looking for trouble, but it seems to find them just the same. In Arizona Territory, they get stuck in the midst of a battle between competing stagecoach lines. Of course, a pretty woman who happens to own one of the lines has a lot to do with it, and things aren't quite what they seem.

A jilted noblewoman forced into a dual existence half in and half out of the ton is unexpectedly confronted by the nobleman who left her behind 10 years ago, but before either can catch their breaths, they trip over a murder and into a race to capture a killer.

Kitchen maid Joan Hart and lady's maid Verity Hunter intend to enjoy their trip to the theater, especially as Verity's uncle Tommy is one of the leading men in the play. Act two of the play is curtailed when the lights come up in the interval, and the girls realize a man has been stabbed to death almost under their very noses. The case reunites the servant sleuths with their old ally, Detective Inspector Marks, and while the girls do their best to solve the case while keeping their jobs, the glitter and glamor of the theater may prove to be as dangerous as any battlefield.

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.

Frank Morgan has one son he knows of - and Kid Morgan has become famous in his own right. But in Montana, Frank comes face-to-face with a young man with a deadly swagger and a stunning claim: that he's Frank's son, too. And he's here to gun his old man down. For Frank, the first thing to do is find out if Brady Morgan is truly his own flesh and blood. That means tracking down a woman he once loved, and then untangling her lies, lust and a scheme to steal prime Montana ranch land.

In 1848, Dooley Monahan, son of struggling Iowa pioneers, went off to to pick up a new milk cow. Young Dooley never came home. Now, nearly three decades later, Dooley Monahan has become an accidental legend, managing to plant a bullet in the chest of a dangerous outlaw. All Dooley really wants is to claim his reward at a bank in Phoenix and make his way north to a gold strike he read about in a newspaper.