Historical Women

They ruled England before the Tudors, and now internationally best-selling author Philippa Gregory brings the Plantagenets to life through the dramatic and intimate stories of the secret players: the indomitable women.

It’s seven in the morning. The Bantrys wake to find the body of a young woman in their library. She is wearing an evening dress and heavy makeup, which is now smeared across her cheeks. But who is she? How did she get there? And what is the connection with another dead girl, whose charred remains are later discovered in an abandoned quarry? The respectable Bantrys invite Miss Marple into their home to investigate. Amid rumors of scandal, she baits a clever trap to catch a ruthless killer.

The latest occurrence to disturb the peace in the quaint English village of Walmsley Parva hits rather too close to home - in fact, the prime suspect has taken up residence in Edwina's potting shed. Her elderly gardener Simpkins has been secretly sleeping there after a row with his disreputable brother-in-law and housemate, Hector Lomax. When Hector is found murdered, Constable Gibbs comes looking for Simpkins, last seen arguing with Hector the night before. Based on the sad state of her garden, Edwina has grave doubts that shiftless Simpkins could muster the effort to murder anyone.

In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early 19th century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath.

This is a captivating historical mystery, infused with romance, that links the lives of three women across a century - two deep in the past, one in the present - to the doomed passenger liner, RMS Lusitania.... Her finances are in dire straits, and best-selling author Sarah Blake is struggling to find a big idea for her next book. Desperate, she breaks the one promise she made to her mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-boat in 1915. What she discovers there could change history.

When shy Miss Eliza Balfour married the austere Earl of Somerset, twenty years her senior, it was the match of the season--no matter that he was not the husband Eliza wanted. Now, ten years later, Eliza is widowed. Suddenly, she is left titled, rich, and, for the first time in her life, utterly in control of her own future. She’s always lived by society’s conventions, but now, Eliza has resolved to do as she wants. And what she wants is to head to Bath with her cousin Margaret, pursue painting, learn to drive, and flirt with Bath’s most alluring new resident, the infamous Lord Melville.

In 1944, British bomber pilot Hugo Langley parachuted from his stricken plane into the verdant fields of German-occupied Tuscany. Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal. Nearly 30 years later, Hugo's estranged daughter, Joanna, has returned home to the English countryside to arrange her father's funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.

Acclaimed author Andrea di Robilant sweeps listeners back to 18th-century Venice for a spellbinding tale of forbidden love. Originally serialized in The New Yorker, this dazzling story is based on actual family letters. The letters describe a searing and illicit affair between the author’s ancestor, a great Venetian statesman, and a beautiful half-English girl. The couple pursued their passion with reckless abandon, offending nearly everyone, and even getting some help along the way from the infamous Casanova.

Artist Laura Matthews finds her new home in the Welsh mountains to be a place so charged with tales and legends that she is able to reach through the gossamer-fine veil that separates her own world from that of myth and fable. She and her husband, Dan, have given up their city life and moved to Blaencwm, an ancient longhouse high in the hills. Here, she hopes that the wild beauty will inspire her to produce her best art and will give her the baby they have longed for.

It is 1914, and the world has been on the brink of war so often many New Yorkers treat the subject with only passing interest. Eliza Ferriday is thrilled to be traveling to St. Petersburg with Sofya Streshnayva, a cousin of the Romanovs. Eliza embarks on the trip of a lifetime to see the splendors of Russia. But when Austria declares war on Serbia, Eliza escapes back to America, while Sofya and her family flee to their country estate. In need of domestic help, they hire the local fortune-teller’s daughter, Varinka, unknowingly bringing intense danger into their household.

Nell Stillman's road is not easy. When her boorish husband dies soon after they move to the small town of Harvester, Minnesota, Nell is alone, penniless yet responsible for her beloved baby boy, Hillyard. Not an easy fate in small-town America at the beginning of the 20th century. In the face of nearly insurmountable odds, Nell finds strength in lasting friendships and in the rich inner life awakened by the novels she loves.

Hana’s home has gone up in flames; the little bakery at the heart of the city is no more. Smoke curls into the sky and the buildings around her burn. But Hana has already lost far more – her blue-eyed fiancé was wrenched from her arms at the start of the war and her brave father was murdered by the Nazis. She’s determined to protect her younger sisters but every day more people are being killed… Hana realises that one person alone won’t win the war and she has to accept her sisters are playing their own part in the resistance.

Charlotte’s success on the RMS Provence has afforded her a certain measure of time and assurance. Taking advantage of that, she has been busy, plotting to prise the man her sister loves from Moriarty’s iron grip. Disruption, however, comes from an unexpected quarter. Lord Bancroft Ashburton, disgraced and imprisoned as a result of Charlotte’s prior investigations, nevertheless manages to press Charlotte into service: Underwood, his most loyal henchman, is missing and Lord Bancroft wants Charlotte to find Underwood, dead or alive.

Here is the dazzling saga of two women: the brilliant, bookish Elena and the fiery, uncontainable Lila. Both are now adults; many of life's great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women's friendship has remained the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up - a prison of conformity, violence, and inviolable taboos.

Lymstock is a town with more than its share of shameful secrets - a town where even a sudden outbreak of anonymous hate mail causes only a minor stir. But all that changes when one of the recipients, Mrs. Symmington, commits suicide. Her final note says "I can’t go on", but Miss Marple questions the coroner's verdict of suicide. Soon nobody is sure of anyone - as secrets stop being shameful and start becoming deadly.

The second daughter of the Queen’s close friend, the Scottish Duke of Buccleuch, Lady Margaret Montagu Scott is expected to make an advantageous marriage. But Margaret is an impulsive and outspoken girl in a repressive society where women are literally caged in corsets and required to conform. When Lady Margaret’s parents arrange a society marriage for her, she tries to reconcile herself to the match. But shortly before her betrothal is announced, Margaret flees, leaving her parents to explain her sudden absence to an opulent ballroom stuffed with two hundred distinguished guests.

January 1889. As the newest member of the Curiosity Club - an elite society of brilliant, intrepid women - Veronica Speedwell is excited to put her many skills to good use. As she assembles a memorial exhibition for pioneering mountain climber Alice Baker-Greene, Veronica discovers evidence that the recent death was not a tragic climbing accident but murder.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Robert Coles first met Dorothy Day over 35 years ago when, as a medical student, he worked in one of her Catholic Worker soup kitchens. He remained close to this inspiring and controversial woman until her death in 1980. His book, an intellectual and psychological portrait, confronts candidly the central puzzles of her life.

As the war begins, Hanna Rombauer, a young German woman, is sent to live with her aunt and uncle after her mother’s death. Thrown into a life of luxury she never expected, Hanna soon finds herself unwillingly matched with an SS officer twenty years her senior. The independence that her mother lovingly fostered in her is considered highly inappropriate as the future wife of an up-and-coming officer and she is sent to a “bride school.” There, in a posh villa on the outskirts of town, Hanna is taught how to be a “proper” German wife.