Horror Genre

Back in the 1960s, Mary Terrell shot and killed a man. A former member of the fanatical Storm Front Brigade - a splinter group of the notorious Weathermen - Terrell has stayed one step ahead of the FBI for decades. Living with numerous identities and menial jobs, Terrell's only constants in life have been LSD, psychotic delusions of motherhood, and murderous rage.

Dexter Morgan is not your average serial killer. He enjoys his day job as a blood spatter analyst for the Miami Police Department . . . but he lives for his nighttime hobby of hunting other killers. Dexter is therefore not pleased to discover that someone is shadowing him, observ­ing him, and copying his methods. Dexter is not one to tol­erate displeasure . . . in fact, he has a knack for extricating himself from trouble in his own pleasurable way.

A seemingly straightforward private case turns out to be much more complicated - and sinister - than Special Agent A. X. L. Pendergast ever could have anticipated. Pendergast, together with his ward, Constance Greene, travels to the quaint seaside village of Exmouth, Massachusetts, to investigate the theft of a priceless wine collection. But inside the wine cellar, they find something considerably more disturbing: a bricked-up niche that once held a crumbling skeleton.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.

America’s most-read, most-watched, and most­ beloved serial killer - Dexter Morgan - is back. After selling more than one million copies and inspiring the wildly popular number one Showtime series and top-rated crime drama on pay-cable television, New York Times best-selling author Jeff Lindsay returns with his most hilarious, macabre, and purely entertaining novel yet. Dexter Morgan has always lived a happy homicidal life. He keeps his dark urges in check by adhering to one stead­fast rule...he only kills very bad people.

Ten years after the collapse, Huxley has built a good life again. He has a loving wife, a farm with fields of golden barley, and a daughter with a strange and wonderful gift. Then the slavers come. Working out in the fields during the attack, Huxley returns too late. His daughter has been taken, and his wife is bleeding out, her last whispered words about a man with a scorpion tattoo on his neck. Where do the slavers go? Huxley has no idea. He knows only that they head east, and so will he, setting out on foot across the desert of the Wastelands.

Six years after four family members died of arsenic poisoning, the three remaining Blackwoods—elder, agoraphobic sister Constance; wheelchair-bound Uncle Julian; and 18-year-old Mary Katherine, or, Merricat—live together in pleasant isolation. Merricat has developed an idiosyncratic system of rules and protective magic to guard the estate against intrusions from hostile villagers. But one day a stranger arrives—cousin Charles, with his eye on the Blackwood fortune.

A new breed of evil has come to old New York. The horribly mutilated body of a young male prostitute turns up in the East River in 1896. Reporter John Moore and his mentor Laszlo Kreizler decide to investigate.

Mike Mignola's award-winning series Hellboy has earned fans all over the world, among them some of the most respected horror, fantasy, and mystery novelists in the field as well as some of Hollywood's most talented writers and directors. Now a who's who list of these writers are drawn together to tell their own tales of Hellboy, to play with the characters and worlds Mignola has created. As part of Dark Horse's celebration of Hellboy in 2004, Christopher Golden has brought together a stellar array of talents.

In the spring of 1903, locomotive 311, known as the Majestic, carried more than one hundred passengers toward a tunnel through the underbelly of the Canadian Rockies. But then the mouth of the tunnel swallowed the 311 whole, and the train—and everyone on it—was never seen again. Seven years later, a gang of cattle thieves and cutthroats wait on horseback for a train car full of railway cash—a payroll they intend to steal. What they will discover, however, is that the approaching train isn’t the 5409. It’s the missing 311, a train only whispered about around dying campfires.

With his marriage on the rocks and his life in shambles, washed-up true-crime writer Lucas Graham is desperate for a comeback, one more shot at the best-selling success he once enjoyed. His chance comes when he's promised exclusive access to death row inmate Jeffrey Halcomb, the notorious cult leader and mass murderer who's ready to break his silence after 30 years, and who contacted Lucas personally from his maximum-security cell.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?

It’s the last summer for Kit Lamb: The last summer before college. The last summer with her high school basketball team, and with Dana, her best friend. The last summer before her life begins. But the night before the big game, one of the players tells a ghost story about Daphne, a girl who went to their school many years ago and died under mysterious circumstances. Some say she was murdered, others that she died by her own hand. And some say that Daphne is a murderer herself.

This second Gothic novel in the dark Mirror Sisters trilogy continues the tale of sisterly love at its absolute worst - from the legendary New York Times best-selling author of Flowers in the Attic and the My Sweet Audrina series (now Lifetime movies). For fans of Ruth Ware ( In a Dark, Dark Wood) and Liane Moriarty ( The Husband's Secret).

He lives in solitude beneath the city, an exile from society, which will destroy him if he is ever seen. She dwells in seclusion, a fugitive from enemies who will do her harm if she is ever found. But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance - and nothing less than destiny - has brought them together in a world whose hour of reckoning is fast approaching.

Satantango, the novel that inspired Béla Tarr’s classic film, is proof that the devil has all the good times. Set in an isolated hamlet, the novel unfolds over the course of a few rain-soaked days. Only a dozen inhabitants remain in the bleak village, rank with the stench of failed schemes, betrayals, failure, infidelity, sudden hopes, and aborted dreams. “Their world,” in the words of the translator George Szirtes is “rough and ready, lost somewhere between the cosmic and tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death.”

Still reeling from a brutal dismemberment, detective Kline is forcibly recruited to solve a murder inside a religious cult that takes literally the New Testament idea that you should cut off your hand if it offends you. Armed only with his gun, his wits, and a gift for self-preservation, Kline must navigate a gauntlet of lies, threats, and misinformation. All too soon he discovers that the stakes are higher than he thought and that his survival depends on an act of sheer will.

On the day of his wedding, Conrad, heir to the house of Otranto, is killed under mysterious circumstances. His calculating father, Manfred, fears that his dynasty will now come to an end and determines to marry his son's bride himself, despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful Prince of Otranto, begins to unfold.

Going to Cabin Green alone after the death of his fiancee was Ben's first mistake. His second mistake was tempting fate by saying, "There's no such thing as an evil building." Now he's caught in a nightmare of his own making deep in the woods of Northern Michigan. Even worse, a family history of mental illness makes it impossible for him to know if the ghosts haunting the cabin are real or all in his head.

Ruth and Nat are orphans packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later Ruth's niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been?