Horror Thriller

Le rêve brisé que je traîne derrière moi: le ballet. Je m’appelle Sarah et, autrefois, j’en faisais. Oh, je danse toujours...mais nue. Dans un bar. Ça reste de la danse. Voilà ce que je me répète sans cesse pour ne pas m’écrouler, pour tenter d’oublier à quel point ma vie est misérable.... En plus, je dois de l’argent à Carl, mon patron. Cinq mille dollars! Où vais-je bien pouvoir trouver une telle somme?

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger”, left by her body, Clare is horrified to see her life collide with the story lines of her favorite literature.

1978: At her renowned treatment center in picturesque Vermont, the brilliant psychiatrist Dr. Helen Hildreth is acclaimed for her compassionate work with the mentally ill. But when she’s home with her cherished grandchildren, Vi and Eric, she’s just Gran—teaching them how to take care of their pets, preparing them home-cooked meals, providing them with care and attention and love.

The novel opens with the vampire world in crisis… vampires have been proliferating out of control; burnings have commenced all over the world, huge massacres similar to those carried out by Akasha in The Queen of the Damned… Old vampires, roused from slumber in the earth are doing the bidding of a Voice commanding that they indiscriminately burn vampire-mavericks in cities from Paris and Mumbai to Hong Kong, Kyoto, and San Francisco.

From his arrival at Nekropolis, Matt has found himself embroiled in disputes with the city's vampire lords, shapeshifters, golems, and other monstrosities. Nothing has prepared him for the Dark War.

After her twin sister, Chiara, goes missing at a mom-fluencer weekend, Adrienne Shaw will find her no matter what it takes. They may have been on the outs, but no one comes for her sister and gets away with it. It’s been a year, the authorities have no answers, and her brother-in-law is useless in the matter. It’s time for Adrienne to take the case into her own hands. Following in Chiara’s last footsteps, Adrienne goes undercover, infiltrating the same influencer retreat as the last thing she wants to be: an Instamommy.

Set in a small-town North Carolina amusement park in 1973, Joyland tells the story of the summer in which college student Devin Jones comes to work as a carny and confronts the legacy of a vicious murder, the fate of a dying child, and the ways both will change his life forever. Joyland is a brand-new novel and has never previously been published.

Withdrawn, uneducated and unloved, Frederick is a loner who collects butterflies and takes photographs. He is obsessed with a beautiful stranger, the art student Miranda, whom he watches from afar. When he wins the pools, he buys a remote Sussex country house and painstakingly works to make the cellar a comfortable prison. He then calmly abducts Miranda, believing that she will inevitably grow to love him in time if she just gets to know him.

Once presided over by a flamboyant Hollywood mogul during the Roaring ’20s, the magnificent West Coast property known as Roseland is now home to a reclusive billionaire financier and his faithful servants. And, for the moment, it’s also a port in the storm for Odd Thomas and his traveling companion, the inscrutably charming Annamaria. In the wake of Odd’s most recent clash with lethal adversaries, the opulent manor’s comforts should be welcome. But there’s far more to Roseland than meets even the extraordinary eye of Odd, who soon suspects it may be more hell than haven.

Long ago, Nathan lived in a house in the country with his abusive father—and has never told his family what happened there. Long ago, Maddie was a little girl making dolls in her bedroom when she saw something she shouldn’t have—and is trying to remember that lost trauma by making haunting sculptures. Long ago, something sinister walked in the mountains and the coal mines of their hometown in rural Pennsylvania. Now, Nate and Maddie Graves are married, and they have moved back to their hometown with their son, Oliver. And now what happened long ago is happening again...to Oliver.

Alison has never been a fan of Christmas. But with it right around the corner and her husband busily decorating their cozy Vermont home, she has no choice but to face it. Then she gets the call. Mavis, Alison’s estranged mother, has been diagnosed with cancer and has only weeks to live. She wants to spend her remaining days with her daughter’s family. But Alison grew up with her mother’s alcoholism and violent abuse and is reluctant to unearth these traumatic memories.

Red has tried to keep his nose clean but the sins of his past still haunt him. They’ve forced him back into the darkness—toward a life he’d hoped to leave behind. Now he has just four days to make things right.

This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.

Ce qui me définit le mieux : ma passion pour le cinéma. Un jour, je tournerai mon propre film. Quand j’aurai de l’argent. Beaucoup d’argent. J’étais totalement à sec à mon arrivée en ville. Heureusement que Mini a accepté de partager son "appartement" avec moi. C’est grâce à elle que j’ai découvert AlphaLab.

On the evening of November 24, 1971, D. B. Cooper hijacked Flight 305—Portland to Seattle—with a fake bomb, collected a ransom of $200,000, and then parachuted from the rear of the plane, disappearing into the night...and into history. Fifty years later, Agent Pendergast takes on a bizarre and gruesome case: in the ghost-haunted city of Savannah, Georgia, bodies are found with no blood left in their veins—sowing panic and reviving whispered tales of the infamous Savannah Vampire.

Five days ago, the epidemic of rage began. Four days ago, the rash of senseless murders swept the nation. Three days ago, the president addressed the country and begged for peace—even as the murders increased tenfold. Two days ago, the killers began to mobilize. One day ago, the power went out. And tonight, the killers are reading the names of those to be killed over the Emergency Broadcast System.

Depuis que j’ai commencé à participer à cette étude clinique, ma vie me semble lourde, déréglée, impossible. Oui, l’argent que j’y reçois aide beaucoup ma sœur, mais toute cette expérience me dépasse. Je suis de moins en moins charitable, de plus en plus impatient. Et je commence à faire des cauchemars. À avoir des hallucinations qui me semblent parfois tellement vraies....

In the year since her son Danny’s tragic death, Tina Evans has suffered incredible heartache. But now, with her Vegas show about to premiere, Tina might be ready to put her grief behind her and start over. Until a shocking message appears on the chalkboard in Danny's room: NOT DEAD. Those two words send her on a terrifying journey from the bright lights of Las Vegas to the cold shadows of the High Sierras, where she uncovers a terrible secret.

Midnight. Some call it the witching hour. Others call it the devil’s hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you’re here in the graveyard, you can tell yourself it’s just the wind....

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.