Identity Politics

The book reveals the universal and cosmic love of the Red Road. The Red Road is the philosophy/worldview/religion of the native Indian tribes/pueblos of North and South America. This worldview promotes integration with Mother Earth and the cosmos to achieve harmony within eternally evolving existence. Using the Chicano as an example, the book explores the human lifetime as a cosmic being with eternal cycles of reincarnation and integration. This cosmic journey is examined from the perspective of the Red Road.

In Wholistic Feminism, you will see how the American women’s movement has defined success in a way that keeps us striving, yet never fully arriving. You will learn to see female contributions in a new light and realize that you are not inadequate. You, and your female body were never the problem.

What does it mean to be Muslim in India? What does it mean to look like one's religion? Does one's faith determine how one is perceived? Is there a secular ideal one is supposed to live up to? Can people of different faiths have a shared culture, a shared identity? But You Don't Look Like a Muslim is a work that every thinking Indian must hear.

Ersula J. Ore scrutinizes the civic roots of lynching, the relationship between lynching and white constitutionalism, and contemporary manifestations of lynching discourse and logic today. From the 1880s onward, lynchings, she finds, manifested a violent form of symbolic action that called a national public into existence, denoted citizenship, and upheld political community.

To See and Be Seen considers some of the ideological, aesthetic, pragmatic, institutional, cultural, commercial, environmental, and psychological forces that consciously or otherwise shape the production of news images and subsequently influence their reception. T. J. Thomson examines the expectations, experiences, and reactions of those depicted by visual journalists and considers other relevant factors: How do everyday people perceive cameras and those who operate them?

Este libro es una reflexión crítica sobre la cultura mexicana contemporánea. Se han elegido los lugares comunes del carácter del mexicano: se trata de un manojo de estereotipos codificados por la intelectualidad, pero cuyas huellas se reproducen en la sociedad, provocando el espejismo de una cultura popular de masas. Estas imágenes sobre "lo mexicano" no son reflejo de la conciencia popular (suponiendo, cosa que se duda, que dicha conciencia exista como entidad única y homogénea).