Indian Literature

In this explosive conclusion to the Indian Hill series we find Mike, Tracy, Drababan, BT and the entire crew of the now destroyed USS Guardian hurtling through space, head on into their destiny. But will it be the one they seek or the destruction of all they know and have ever known.

Dr. Trisha Raje is San Francisco’s most acclaimed neurosurgeon. But that’s not enough for the Rajes, her influential immigrant family who’s achieved power by making its own nonnegotiable rules: Never trust an outsider, never do anything to jeopardize your brother’s political aspirations, and never, ever, defy your family. Trisha is guilty of breaking all three rules. But now, she has a chance to redeem herself. So long as she doesn’t repeat old mistakes.

A soaring work of the imagination based on oral histories of the post - Civil War years in North Texas, Paulette Jiles's The Color of Lightning is at once an intimate look into the hearts and hopes of tragically flawed human beings and a courageous reexamination of a dark American history.

Joy Harjo, the first Native American to serve as US poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice.

Rain in the Mountains brings together some of Ruskin Bond’s most beautiful works from his years spent in the foothills of the Himalayas in the town of Mussoorie. Through vivid images and lucid writing, Bond evokes the everyday sights and sounds, and captures the essence of mountain life. The musings on his natural habitat, in both prose and poetry, offer a view of that simple and affable world. Some of his writings featured in the book include: "Once Upon a Mountain Time", "Sounds I Like to Hear", "How Far Is the River" and "After the Monsoon".

The Source, the natural wellspring of Magic in the world, is stretched to the breaking point. If gluttonous witchcraft and human usurpers are not curtailed, it will vanish from the Nine Realms, taking with it every legendary race, and the magical sway of all that is good in the world will disappear forever. Before that end, the gods themselves will wage a final destructive war on Creation. The quest to save Magic at all costs is at hand, and an ancient prophesy awakens.

Eighty-year-old Ma slips into a deep depression after the death of her husband. Despite her family’s cajoling, she refuses to leave her bed. Her responsible eldest son, Bade, and dutiful, Reebok-sporting daughter-in-law, Bahu, attend to Ma’s every need, while her favorite grandson, the cheerful and gregarious Sid, tries to lift her spirits with his guitar. But it is only after Sid’s younger brother—Serious Son, a young man pathologically incapable of laughing—brings his grandmother a sparkling golden cane covered with butterflies that things begin to change.

The novel begins in the decade of 1990s. The world had changed overnight. The wall of Berlin had vanished, and the great and mighty Soviet Union was vanishing. But in India, the report of the Mandal Commission was creating new frontiers. Meanwhile Advani started his rathyatra.

1970 के दशक के उत्तरार्ध में, उत्तर भारत के एक छोटे-से क़स्बे रामनगर में बिताए गए एक बचपन का वृत्तांत है ‘लपूझन्ना’। नौ-दस साल के बच्चे की निगाह से देखी गई ज़िंदगी अपने इतने सारे देखे-अदेखे रंगों के साथ सामने आती है कि पढ़ने वाला गहरे-मीठे नॉस्टैल्जिया में डूबने-उतराने लगता है।

Agla Prishth' allahabadi chaatra jeevan ki dastaan par, apne samay ki sarvadhik charchit kriti 'Shesh Agle Prishth Par' ke lokpriya lekhak K.D. Singh ki agaami kriti hai. Allahabad mein padh rahe, aur competition ki tayyari kar rahe chaatron ke sukh-dukh, utsaah-nairaashya, hatasha, kshobh, ke bawjood, jeevan

तितलियों के पीछे दौड़ते बचपन की ये कहानी, उजली रातों में मुठ्ठी भर जुगनू पकड़ने की कहानी है। पगडंडियों पर बाहें फैलाए उड़ने की और किसी पेड़ की फुनगी पर बैठ नदी के पार ढलते सूरज को निहारने की कहानी है। ये कहानी बगीचे में चिड़िया के एक-एक तिनके जुटाने और गिलहरी के अमरूद से आम तक फुदकने के बीच मिट्टी के खिलौने बनाने की है। ये उन दिनों की कहानी है जब दिल और दिमाग़ एक ही बात सोचा करते थे, एक ही बात कहा करते थे। बचपन के सतरंगी सपनों वाली ये तितलियों के पीछे भागने की कहानी है।.

संग्रह की हर कहानी हिंदी साहित्य में वर्तमान लेखन की बँधी हुई परिपाटी तोड़कर अपना रास्ता बनाना चाहती है और यह आपके साथ से ही संभव है।.

On Mahashivratri, when the moon casts a crimson glow and bats scurry across the night sky, the Vetaals appear from the shadows to take revenge against an ancient custom led by a sadistic demigod. The only one who stands between them and the future of humankind is Vikramaditya, the king of Avantika. But to battle against these dark forces, he needs an ally. An ally who whispers with blood between his teeth, the one who speaks in riddles—the original Veetal. Will Vikramaditya be able to convince the Veetal to help him defeat this unbeatable enemy?

At 16 Diksha, like any girl her age, finds her life revolving around school, boys and endless hours of fun with her best friend. But one day all that changes. What starts as an innocent crush explodes into something far beyond her control. Eighteen years later she finds herself at the crossroads of life. Urged by a twist of events, a wish list is born. But can a wish list help her piece her life back together? Will she succumb to the tangled mess of an extramarital relationship?

Shruti and Aman were once inseparable. Theirs was a love that would last forever and more. Then, out of the blue, Shruti left Aman. A devastated Aman moved abroad in the hope of forgetting Shruti and to heal. Shruti married Rishabh. Now Aman is back in India and looking for a fresh start. But he is still haunted by memories of his love. Can he ever break free from it? His head tells him to move on, to find love with Anjali, but his heart won't listen. No matter what he does, Shruti's shadow looms large. Can there be a happily ever after for any of them?

Taken literally, stories, symbols and rituals of Hindu mythology have much to say about gender relationships. Taken symbolically, they reveal many more things about humanity and nature. Which is the correct reading? The third title in the bestselling Hindu Trinity series focuses on the goddess, and respected mythologist Devdutt Pattanaik tries to unravel the secrets locked within her stories, symbols and rituals.

Old Basar Mal remembers his love and homeland that he lost in Sindh, Pakistan during the Partition. A young graduate gets into an imaginary relationship with a girl at a yellow window. The Mumbai land mafia is after Basar Mal and his library. A chatty book cover relates the plight of books. A silent Mangan's ma washes and feeds a plastic doll she thinks is her son.

1927: Accompanying Mr. Redvers on an assignment to Ootycamund to quell revolutionary rumblings, Jane finds there’s more than meets the eye to India’s Queen of Hill Stations. Ooty’s lush tea plantations and tranquil gardens barely conceal its secrets--scandalous affairs, political sabotage, and a mounting anti-colonial movement. Even Redvers intends to subvert his official mission in Ooty, by arranging a series of clandestine meetings with local resistance leaders. But it’s not until the shocking death of a British national that Jane and Redvers are truly drawn into Ooty’s deepest shadows.

Exuberance and dread, attachment and estrangement: in this novel, Jhumpa Lahiri stretches her themes to the limit. In the arc of one year, an unnamed narrator in an unnamed city, in the middle of her life’s journey, realizes that she’s lost her way. The city she calls home acts as a companion and interlocutor: traversing the streets around her house, and in parks, piazzas, museums, stores, and coffee bars, she feels less alone.

In 1942, when Mahatma Gandhi asks Indians to give one family member to the freedom movement, 10-year-old Anjali is devastated to think of her father risking his life for the freedom struggle. But it turns out he isn't the one joining. Anjali's mother is. And with this change comes many more adjustments designed to improve their country and use "ahimsa" - non-violent resistance - to stand up to the British government. First the family must trade in their fine foreign-made clothes for homespun cotton, so Anjali has to give up her prettiest belongings.