Indigenous Folklore

Rich with storytelling, history, folklore, and Marshall's own personal experiences, The Lakota Way expresses the heart of Native American philosophy and the 12 core qualities that are crucial to the Lakota way of living: bravery, fortitude, generosity, wisdom, respect, honor, perseverance, love, humility, sacrifice, truth, and compassion.

An extraordinary compilation of legends and rituals about nature's ever-present signs. From the birds that soar above us to the insects beneath our feet, Native American healer Bobby Lake-Thom shows how the creatures of the earth can aid us in healing and self-knowledge.

Approached by an ecumenical society representing many faiths, from Judeo-Christians to fellow members of First Nations, Harold R. Johnson agreed to host a group who wanted to hear him speak about the power of storytelling. This book is the outcome of that gathering. In The Power of Story, Johnson explains the role of storytelling in every aspect of human life, from personal identity to history and the social contracts that structure our societies, and illustrates how we can direct its potential to re-create and reform not only our own lives, but the life we share.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

In this strange and wonderful book, thirty elders of the ancient Hopi tribe of Northern Arizona—a people who regard themselves as the first inhabitants of America—freely reveal the Hopi worldview for the first time in written form. The Hopi kept this view a secret for countless centuries, and anthropologists have long struggled to understand it. Now they record their myths and legends, and the meaning of their religious rituals and ceremonies as a gift to future generations.

The author of this audiobook has endeavored to provide at least one myth from every major culture group in North America: Arctic, Subarctic, Plateau, Northwest Coast, Great Basin, Great Plains, California, Southwest, Southeast, and Northeast Forest. Of the many different genres of story available, four are chosen for this present volume. The first has to do with the origins of things, either of the world in its entirety or some aspect thereof that was significant to the people who created the story. The other side of creation is death.

My grandmother was the greatest storyteller I have known. In her soft voice, she spoke of heroes and giants, of evil deeds and of mysterious spirits. Sometimes her stories were short, others epic, but she always managed to hold my brother and me completely under her spell. She seemed to have an infinite supply, at times telling a tale of the West Coast peoples and then a story from the prairies, the East, or lands in the north.

Martín Prechtel revives a hitherto unknown Guatemalan Tzutujil Mayan tale of the beginnings of the world with a poetic retelling of the story. Prechtel authoritatively retells the powerful tale of the Tall Girl who weaves the world in a loom, her parents the Sun and the Moon who repudiate her suitors, and the mysterious man who disguises himself as a hummingbird to lure her away.

A creature of myth and magic emerging from the mist-shrouded forests of the Northwest, Coyote appears as a creator, messenger, hero, trickster, fool, or shapeshifter. Always on the lookout for fun, mischief, or the opportunity to help humans, Coyote’s encounters with gods, demons and the supernatural bring to life the rich cultural traditions of the Northwest peoples.

The Raven is as much a paradoxical creature as he is important in the myths of many native cultures. The central character of these stories, the Raven is considered the benevolent creator, filling the world with beauty and harmony, the master mind behind all that is good and looked upon with warm admiration. On the other hand, he is often viewed as a malevolent conniving, scheming trickster with self-gratification as his only goal.

When Nathan goes to visit his grandma, Nali, at her mobile summer home on the Navajo reservation, he knows he’s in for a pretty uneventful summer, with no electricity or cell service. Still, he loves spending time with Nali and with his uncle Jet, though it’s clear when Jet arrives that he brings his problems with him. One night, while lost in the nearby desert, Nathan finds someone extraordinary: a Holy Being from the Navajo Creation Story - a Water Monster - in need of help.

Tiki is a God who in the dim long ago helped to build the world, and the whose carved image is now supporting the middle pillar of the house. His eyes of pawa-shell, which once commanded in the Ten Heavens and were full of fire and wisdom, glisten out of the silent twilight; they stare far, far into the Darkness, which Hine-nui-te-po is slowly spreading over the world; Hine-nui-te-po, the Great Mother of Night, who at one time was young and beautiful, and gave Life to Nature.

Below the mist-shrouded mountains of the West Coast lie the stories of how we came to be. It is through the myths of the people who have lived with this spirit of place for thousands of years that we uncover the mystery of our homeland. The mythical creatures Raven, Thunderbird, Bear, and the Great Spirit become a path to rediscovering the spiritual landscape of culture. These are the stories of the Pacific Coast that tell of gods and demons, good and evil; things unimaginable brought to life.

Explore captivating Native American myths.

Have you ever seen the Thunderbird? You probably wouldn’t have because it’s discussed only in myths. According to legends, the Thunderbird are large birds that produce thunder and lighting. They were so huge, they hunt whales! How do Canadians ancestor come up with such wild stories? Blame imagination and a desire to explain natural phenomena, too. 

According to the Australian government’s website, at the time of first contact with Europeans, there were some 500 distinct Indigenous nations, speaking different languages and following their own religious and cultural practices. As with all human societies, that of the Indigenous Australians is abounding in stories. Stories of how the world came to be the way it is, stories of heroism and perfidy, stories about animals and birds, and stories about love and hate all have parts to play in the wide array of myths, legends, and tales created by Indigenous Australians.  

Insightful, telling, ironic, and moving, 14 Native-American legends reflect a nomadic non-property-owning culture, with a reverence for all things natural.

This meticulously researched book offers an unprecedented journey through the diverse spiritual landscapes of the world, celebrating the rich tapestry of beliefs that define humanity's relationship with the supernatural. Uncover the hidden messages behind each story, gain insight into different cultures' understanding of the paranormal, and appreciate the shared human fascination with the unknown.

Charles Alexander Eastman (1858-1939) was a mixed-blood Sioux. He became one of the best known Indians of his time, receiving a bachelor of science degree from Dartmouth in 1887 and a medical degree from Boston University three years later.

Charles Eastman is unique among Indian writers, whether storytellers or oral historians. He was raised traditionally, as a Woodland Sioux, by his grandmother, from 1858 to 1874, until he was 15. He thus gained a thorough first-hand knowledge of the lifeways, language, culture, and oral history. His father (thought to have been hanged at Mankato, Minnesota) reappeared and insisted he receive the white man's education.