Japanese American

“Your husband is a landowner,” they told her. “Food and clothing is so plentiful, it grows on trees.” “You will be able to go to school.” Of the three lies the matchmaker told Willow before she left home as a picture bride in 1918, the third hurt the most. Never one to be deterred, Willow does all that she can to make the best of her unexpected circumstance. But it isn't long before her dreams for this new life are shattered.

Two Nails, One Love opens in New York City with the narrator - Ethan Taniguchi, a Japanese American gay man in his early 40s - awaiting the arrival of his mother from Hawaii. The two have been estranged for more than a decade, and the reunion is fraught with past grievances bubbling to the surface. After a fateful ferry ride to the Statue of Liberty, Ethan's mother reluctantly reveals details of her shattered childhood.

Fred Korematsu liked listening to music on the radio, playing tennis, and hanging around with his friends - just like lots of other Americans. But everything changed when the United States went to war with Japan in 1941 and the government forced all people of Japanese ancestry to leave their homes on the West Coast and move to distant prison camps. This included Fred, whose parents had immigrated to the United States from Japan many years before. But Fred refused to go.

Minoru Yamasaki described the feeling he sought to create in his buildings as “serenity, surprise, and delight.” Here, his granddaughter Katie Yamasaki charts his life and work: his childhood in Seattle’s Japanese immigrant community, paying his way through college working in Alaska’s notorious salmon canneries, his success in architectural school, and the transformative structures he imagined and built. A Japanese American man who faced brutal anti-Asian racism in post-World War II America and an outsider to the establishment, he nonetheless left his mark on the world.

「（犬は吠えなかった）だからこそ妙な行動なのです。」ホームズシリーズ第19弾の舞台は、イングランド南西部ダートムア！1888年秋、イングランドを震撼させたウェセックス賞杯