Journalism Memoir

Today's world is complicated: companies are becoming more powerful than nations, the lines between public and corporate institutions grow murkier, and the internet is shredding our privacy. To combat these onslaughts, people everywhere - rich and not so rich, in business and in their personal lives - are turning away from traditional police, lawyers, and government regulators toward a new champion: the private investigator.

In 2000, Douglas Preston and his family moved to Florence, Italy, fulfilling a long-held dream. They put their children in Italian schools and settled into a 14th century farmhouse in the green hills of Florence, where they devoted themselves to living la dolce vita while Preston wrote his best-selling suspense novels. All that changed when he discovered that the lovely olive grove in front of their house had been the scene of a double-murder.

Noted Mexican American journalist Alfredo Corchado refuses to shrink from reporting on government corruption, murders in Juarez, or the ruthless drug cartels of Mexico. One night, Corchado received a tip that he could be the next target of the Zetas, a violent paramilitary group - and that he had 24 hours to find out if the threat was true. Midnight in Mexico is the story of one man's quest to report the truth of his country - as he races to save his own life.

Liz Truss’s journey from schoolgirl revolutionary to Britain’s shortest-serving Prime Minister. Despite being written off and mocked by even her closest colleagues, Liz Truss slowly but determinedly achieved her goal of taking over 10 Downing Street – only to instantly plunge her administration into chaos and announce her resignation after a record-breaking 44 days. How did she do it? And what exactly went so wrong?

The one real difference between the American press and the Soviet state newspaper Pravda was that the Russian people knew they were being lied to. To expose the lies our media tell us today, controversial journalist James O'Keefe created Project Veritas, an independent news organization whose reporters go where traditional journalists dare not. Their investigative work - equal parts James Bond, Mike Wallace, and Saul Alinsky - has had a consistent and powerful impact on its targets.

Steve Osborne has seen a thing or two in his 20 years in the NYPD - some harmless things, some definitely not. In "Stakeout" Steve and his partner mistake a Manhattan dentist for an armed robbery suspect and reduce the man down to a puddle of snot and tears when questioning him. In "Mug Shot" the mother of a suspected criminal makes a strange request and provides a sobering reminder of the humanity at stake in his profession.

The biggest crime story in American history began on the night of March 1, 1932, when the 20-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return “Little Lindy” to the arms of his parents - and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable.

In this widely acclaimed memoir ("Riveting, moving...a wonderful book" The New York Times Book Review), Katharine Graham tells her story—one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling.

Regina Martínez was no stranger to retaliation. A journalist out of Mexico’s Gulf Coast state of Veracruz, Regina's stories for the magazine Proceso laid out the corruption and abuse underlying Mexican politics. She was barred from press conferences, and copies of Proceso often disappeared before they made the newsstands. In 2012, shortly after Proceso published an article on corruption and two Veracruz politicians, and the magazine went missing once again, she was bludgeoned to death in her bathroom. The message was clear: No journalist in Mexico was safe.

Hardy/Friedland tells the story of David Hardy’s journalistic legacy and David Friedland’s brazen escape from justice through the eyes of the relentless reporter. One part globetrotting journalist chasing the scoop of a lifetime, and one part tense courtroom drama, Hardy/Friedland shines a light on a pioneering reporter and the largely forgotten legacy of a lawsuit that changed newsrooms across the country. Indeed, the landmark case marked the first time that editorial employees took a newsroom discrimination suit to trial.

This audiobook looks at the career of Gonzo journalist Hunter S. Thompson and how his version of reality compares to that of the mass media.

On August 11, 2008, 18-year-old Marie reported that a masked man broke into her apartment near Seattle and raped her. Within days, the police swiftly pivoted and began investigating Marie. Confronted with inconsistencies in her story and the doubts of others, Marie broke down and said her story was a lie - a bid for attention. More than two years later, Colorado detectives pursued a serial rapist who photographed his victims, threatening to release the images online, and whose calculated steps to erase all physical evidence suggested he might be a soldier or a cop.

This highly respected veteran newsman shares the stories he's long kept under wraps. Schieffer goes beyond the news everyone is familiar with to share the compelling anecdotes only his colleagues were previously privy to. Says the author, "I want to tell you about the parts that didn't get on television or in the paper." The result is an eye-opening glimpse behind the scenes of the news business.

Edited and annotated by H. L. M., this is a selection from his out-of-print writings. They come mostly from books - the six installments of the Prejudices series, A Book of Burlesques, In Defense of Women, Notes on Democracy, Making a President, A Book of Calumny, Treatise on Right and Wrong - but there are also magazine and newspaper pieces that never got between covers (from the American Mercury, the Smart Set, and the Baltimore Evening Sun) and some notes that were never previously published at all.

Media and law enforcement work at cross-purposes. Law enforcement want to solve a case as fast as possible and put the guilty behind bars. The media want a case to drag on as long as humanly possible and do all they can to extricate every last bit of drama, drop by bloody drop, in order to hold the attention of the millions of viewers who have gotten hooked. Law enforcement must abide by rules. The media make their own rules, and even then break them or find ways to work loopholes into them.

On September 16, 1922, the bodies of Reverend Edward Hall and Eleanor Mills were found beneath a crabapple tree on an abandoned farm outside of New Brunswick, New Jersey. The killer had arranged the bodies in a pose conveying intimacy.

The Angel Makers is a true-crime story like no other—a 1920s midwife who may have been the century’s most prolific killer leading a murder ring of women responsible for the deaths of at least 160 men.

Over his 30-year career at Condé Nast, Nicholas Coleridge has witnessed it all. From the anxieties of the Princess of Wales to the blazing fury of Mohamed Al-Fayed, his story is also the story of the people who populate the glamorous world of glossy magazines. With relish and astonishing candour, he offers the inside scoop on Tina Brown and Anna Wintour, David Bowie and Philip Green, Kate Moss and Beyonce and a surreal weekend away with Bob Geldof and William Hague.

On July 22, 2011, Anders Behring Breivik detonated a bomb outside government buildings in central Oslo, killing eight people. He then proceeded to a youth camp on the island of Utøya, where he killed 69 more, most of them teenage members of Norway's governing Labour Party. In One of Us, the journalist Åsne Seierstad tells the story of this terrible day and what led up to it. What made Breivik, a gifted child from an affluent neighborhood in Oslo, become a terrorist?

Before he became a novelist, Michael Connelly was a crime reporter, covering the detectives who worked the homicide beat in Florida and Los Angeles. In vivid, hard-hitting articles, Connelly leads the reader past the yellow police tape as he follows the investigators, the victims, their families and friends, and, of course, the killers, to tell the real stories of murder and its aftermath.