Journalism Memoir

El libro está escrito en primera persona, es la voz siempre del propio poeta la que conversa con él mismo. La voz del narrador debería ser la de un hombre de más-menos 40 años. Deberá ser una voz varonil, profunda, grave. Nunca que lea en tono de declamación, o recitando, debe ser un poco cómo hablaba el poeta. Aquí dejo un video en el que se escucha la voz de Sabines cuándo leyó para su disco Voz Viva de la UNAM. y algo así deberá de ser la voz del narrador.

In this candid and revealing audiobook, Mike Wallace tells the behind-the-scenes stories from his remarkable 60-year career. Here are intimate anecdotes, off-camera antics, never-before-told tales, and, most important, Wallace's insights about some unforgettable characters.

For film aficionados, Walter Murch is legendary - a three-time Academy Award winner, arguably the most admired sound and film editor in the world for his work on Apocalypse Now, The Godfather trilogy, The English Patient, and many others. Outside of the studio, his mind is wide-ranging; his passion, pursued for several decades, has been astrophysics, in particular the rehabilitation of Titius-Bode, a long-discredited 18th century theory regarding the patterns by which planets and moons array themselves in gravitational systems across the universe.

Priscilla Buckley is probably known for her long and admired tenure as managing editor of the conservative political journal National Review, founded in the 1950s by her brother, William F. Buckley, Jr. But in String of Pearls we meet a different Priscilla, young Pitts Buckley, just out of Smith, eager for the next step up from the college paper to "real" journalism.

Aquel mediodía del 25 de marzo de 1977, hace 45 años, Rodolfo Walsh llegó puntual a una cita que tenía programada en la esquina de las avenidas San Juan y Entre Ríos, en el centro de la ciudad de Buenos Aires. La reunión había sido confirmada respetando los códigos de seguridad de la clandestinidad: contraseñas secretas y chequeos telefónicos. No sabía que, en verdad, un operativo, que incluía un francotirador, lo estaba esperando para capturarlo.

A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a 25-year-old national correspondent for the Los Angeles Times, was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, witnessing the changes that swept the Muslim world and laboring to tell its stories.

An essential document of the first American war of the new century. During this journey into war, Rodgers and his crew embraced the dangers, the numbing fatigue, and the moments of stark fear of the young armored cavalrymen they lived with twenty-four hours each day, an experience that created for them the lifelong bond that only soldiers serving together under fire share.

Un libro imprescindible para todos los aficionados al True Crime, a los misterios sin resolver y al lado más oscuro del crímen en España. La periodista Cruz Morcillo recopila testimonios y experiencias de policías y guardias civiles a través de los crímenes más truculentos ocurridos en España. Este audiolibro está narrado en castellano.

Carles Porta probablemente sea uno de nuestros mejores periodistas, pero sin duda se ha coronado, con sus libros, podcasts y series televisivas, como un magistral narrador de relatos reales. En este volumen, que recoge diez de los casos más impactantes de la crónica negra reciente, descubriremos su especialidad literaria: contarnos extraordinarias historias de crimen y trabajo policial mientras nos mantiene en vilo hasta la última línea.

David Dimbleby has interviewed prime ministers and presidents, made award-winning documentaries, chaired Question Time for 25 years, and anchored the BBC's live coverage of historic national and world events. Keep Talking is David's wry look at his own extraordinary career, and the people, events and controversies he has encountered along the way. As a broadcaster for the BBC, David had an obligation to appear a neutral observer.

Boken bakom Netflix miniserie "The Nurse"! En tidig morgon i mars 2015 får polisen ett samtal från en sjuksköterska på Nykøbing Falster sjukhus. Hon misstänker sin kollega för att medvetet döda patienter och fruktar att det just har hänt igen. Snart avslöjas ett fall som kommer att lämna djupa spår i den danska rättshistorien. Avslöjandet sätter en boll i rullning och flera andra berättar nu för polisen att de också misstänker sjuksköterskan för att ha förgiftat patienterna. Vissa menar att de har gått runt med misstankarna i flera år. Men varför har ingen reagerat? Och var är bevisen?

From an early age, Sara Kehaulani Goo has always been enchanted by her family’s land in Hawai’i. The vast area along the rugged shores of Maui’s east side—given by King Kamehameha III in 1848—extends from mountain to sea, encompassing sixty acres of lush, undeveloped rainforest jungle along the rocky coastline, and a massive 16th century temple with a mysterious past. When a property tax bill arrives with a 500% increase, Sara and her family members are forced to make a decision about the property: fight to keep the land or sell to the next Mainland millionaire.

Indiana-born Vivian Gordon fluttered to New York in 1920 looking for fame and fortune. Before long, the flame-haired chorus girl parlayed her youth, beauty, and ambition into more profitable means as a tough and glamorous symbol of Prohibition-era excess. She was a speakeasy owner, blackmailer, high-end escort, extortionist, racketeer, and con woman. But given her dangerously intimate associations, Vivian was also a woman who knew too much and who rightfully feared for her life.

In The Inconvenient Journalist, Dusko Doder, writing with his spouse and journalistic partner Louise Branson, describes how one February night crystalized the values and personal risks that shaped his life. The frigid Moscow night in question was in 1984, and Washington Post correspondent Doder reported signs that Soviet leader Yuri Andropov had died.

Undaunted is a representative history of the American women who surmounted every impediment put in their way to do journalism’s most valued work. From Margaret Fuller’s improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists.

It takes just seconds for someone to die. Sometimes questions remain: was it an accident, suicide, or something more sinister?

I can still feel the chills, as I recall the scene on Fifth Avenue, below the editor’s office in August 1997. Two people were given their lives back, because of the journalism by my team. Now, their family was gathering in front of the building, holding copies of an extra edition of The Herald-Dispatch, which declared their freedom. This was why, I was sure, the Founders had created the First Amendment. We had stood up to a foreign government, forced our own to do the right thing. Stories would not always end so elegantly. Justice and good journalism do not always win.

Jorge Zarza es uno de los reporteros con más prestigio internacional de México: sus coberturas respecto a un atentado terrorista, la tragedia humana ante un desastre natural o la voz rasgada de quienes sobreviven a un enfrentamiento armado confirman su rigor periodístico y su tenacidad para informar desde el lugar de los hechos.

Russia was not the first foreign power to influence American popular opinion from the inside. In the lead-up to America’s entry into the First World War, Germany spent the modern equivalent of one billion dollars to infiltrate American media, industry, and government in order to undermine the supply chain of the Allied forces. If not for the ceaseless activity of John Revelstoke Rathom, editor of the scrappy Providence Journal, America may have remained committed to its position of neutrality.

When Gerald Eskenazi started reporting, sports journalism had a different look than it does today. Eskenazi gives a behind-the-scenes look into the journalistic techniques that go into crafting a story, as well as the pitfalls reporters fall into. There are cautionary tales of journalistic excess, as well as moments of triumph such as the time Eskenazi got Joe Namath to open up to him by admitting he was a sportswriter who knew nothing about football. Along the way, Eskenazi discusses interviewing other reluctant subjects and writing under the intense pressure of a deadline.