Literary Essays

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.

Un libro valiente, sutil y agudo sobre los milagros, la relación entre la ciencia y la fe, la redención o el destino final del hombre. Dios en el banquillo es una de las más conocidas colecciones de ensayos de Lewis, entre los que destacan El mito se hizo realidad, El gran milagro, ¿Sacerdotisas en la Iglesia? y, por supuesto Dios en el banquillo.

Many creatures lurk in the dark, weaving on top of one another, roiling together like waves on the night sea. The darkness forms in layers to encompass the land, fill the corners, and obscure angles. Untold mysteries lie just beyond reach told in many tongues, many inflections, many rhythms. The stories are many. Innumerable. Legion.

Born on the West Coast, the son of Bronx-born parents, Steve Wasserman is a generalist and public intellectual but is perhaps less well known as a cultural essayist and social critic of the first rank. In thirty splendid essays, originally published in such diverse publications as The New Republic and The Nation, The American Conservative and The Progressive, The Village Voice and The Economist, Wasserman delivers a riveting account of the awakening of an empathetic sensibility and a lively mind.

Virginia Hamilton (1936-2002) was not only one of the most magnificent writers who ever lived — winning honors such as the Newbery Medal, Newbery Honor, National Book Award, and the Coretta Scott King Award for classics like The House of Dies Drear, The People Could Fly, M. C. Higgins the Great, and Her Stories — she was one of the greatest thinkers we ever had on children's literature.

Hätte Shakespeare eine Schwester gehabt, ebenso begabt wie er, wie wäre es ihr ergangen? Welche Widerstände mussten Jane Austen oder die Brontë-Schwestern überwinden? Im Oktober 1928 hielt Virginia Woolf zwei Vorträge am ersten Frauencollege Großbritanniens an der Universität Cambridge. Ob ihnen bewusst sei, fragte Woolf ihre Zuhörerinnen, dass sie vielleicht "das am häufigsten abgehandelte Tier des Universums" seien? Schließlich wurde Literatur über Frauen fast ausschließlich von Männern verfasst. Aus Woolfs Vorträgen entstand der Essay Ein Zimmer für sich allein, den sie ein Jahr später veröffentlichte.

Walter Benjamin (1892 - 1940), war vieles: Philosoph, Kulturkritiker, Übersetzer - aber auch ein Schriftsteller. Auf der Flucht vor den Nazis, die Frankreich besetzt hatten, nahm er sich an der spanischen Grenze das Leben. Sein Essay Goethes Wahlverwandtschaften beweist außerordentlich eindrucksvoll, dass eine an sich wissenschaftliche Analyse großer Literatur selbst große Literatur sein kann!

Wenn sich einer der profiliertesten deutschsprachigen Autoren unserer Zeit mit dem Thema Humor in der Literatur auseinandersetzt, braucht er gute Gründe. Sven Regener hatte sie: Er war 2016 eingeladen, als Inhaber der GrimmProfessur der Universität Kassel eine PoetikVorlesung zu halten und er schlägt sich, seit er Romane veröffentlicht, damit herum, dass diese als witzig, komisch, humorvoll gelten, obwohl sie eigentlich traurige Geschichten erzählen von Leuten, die es im Leben nicht leicht haben und bei denen das Scheitern stets wahrscheinlicher ist als das Gelingen.

As any fan of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic rereader of books. In 2008, then-new science fiction mega-site Tor.com asked Walton to blog regularly about her rereading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor. Now this volume presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.

The Ukraine is a collection of twenty-six pieces that deliberately blur the line between nonfiction and fiction, conjuring the essence of a beloved country through its tastes, smells, and sounds, its small towns and big cities, its people and their compassion and indifference, simplicities and complications. The Ukraine conveys to listeners a place that Chapeye and his countrymen are currently fighting for with their lives. The book features a preface by the author, which he composed on his phone from the front lines.

The Amputee’s Guide to Jules Verne is a listener's guide to every novel Jules Verne wrote; in that respect alone, there is no other book like it on the market. But it’s more than that. Nick DiMartino has included several essays evaluating Verne’s overall approach as a writer and the values embodied in his work. He has included as well a number of deeply personal essays about his struggles with the loneliness, pain, and lack of mobility that came with being an amputee.

The power, anger and fluency of Liang Qichao's writings make him one of the towering figures in modern Chinese literature. He saw his great, almost unmanageable task as an attempt to write China into the new era - to provide an ancient country, devastated by civil war and foreign predators, with the intellectual equipment to renew itself. This selection of pieces shows Liang's extraordinary range and the burning sense of mission which drove him on, attempting to galvanize and refresh an entire nation.

In this thought-provoking, endlessly enlightening, and entertaining essay on the art of the novel, renowned author Milan Kundera suggests that "the curtain" represents a ready-made perception of the world that each of us has - a pre-interpreted world. The job of the novelist, he argues, is to rip through the curtain and reveal what it hides. Here an incomparable literary artist cleverly sketches out his personal view of the history and value of the novel in Western civilization.

Thirty years have passed since Cornel West's book Race Matters rose to the top of the bestseller lists in 1993. Yet his book remains as relevant as ever to American culture-even more so, if one considers its influence on contemporary racial justice movements such as Black Lives Matter, prison justice, and the fight for police reform. Prophetic Leadership and Visionary Hope looks back to the original 1993 text and forward into the future of racial understanding and healing in our current century.

In the three decades that Nobel prize-winning author Orhan Pamuk has devoted himself to writing fiction, he has also produced scores of witty, moving, and provocative essays and articles. He engages the work of Nabokov, Kundera, Rushdie, and Vargas Llosa, among others, and he discusses his own books and writing process. We also learn how he lives, as he recounts his successful struggle to quit smoking, describes his relationship with his daughter, and reflects on the controversy he has attracted in recent years.

Wieso wohnt das Glück in Osnabrück? Weshalb ist der "kleine Prinz" bei Diktatoren beliebt? Und warum sind die Türen in Dessau so niedrig? In seinen erstmals versammelten meisterhaften Reportagen und Betrachtungen schreibt Harald Martenstein die Biographie eines Landes, das sich so radikal und komisch gewandelt hat wie seine eigene Generation: von Heinz Erhardt zu Attac, von der Kneippkur zur Schwarmintelligenz.

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren’s lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren’s beloved Chicago White Sox, among other subjects. In this collection, not just Algren’s intensity but his diversity are revealed and celebrated.

良寛さんといえば、山寺で子どもと毬をついているイメージ。 が、爺になっても実家のすねかじって女と暮らしていたり、と知ってどうなの！と思ったり･･･「災難に逢う時節には、災難に逢うがよく候。死ぬ時節には、死ぬがよく候。是はこれ災難をのがるる妙法にて候。」等の考え方にふれて、やっぱりすごい人だと思ったり･･･ 要するに人間味の強い器のおおきい方だったのでしょう。 そんな良寛禅師の書。上手に見せようとするのではなく、「一つの点を打つ」「一つの棒を引く」筆運びをしてかきあげたという書。 北大路魯山人にいわせると、良寛さんの類まれなる書はその器の大きさである、ということのようだ。太閤秀吉の書をひきあいに出したりしながら展開されるこの作品は、筆者から良寛さんにおくるレブレターである。

まったくウルサイおやじである。 素晴らしいマグロがないとお話にならないとか（私はマグロはあったら食うけどなくてもいい）、飯に昆布や砂糖をいれたのはだめだとか（入れてました）。 店の経営方法やら、大正の人格やら、客の格やら、下世話で遠慮がない。 そこがおもしろいのが悔しい。 偉そうに！･･･と思いながら耳をそらせない。 寿司の人気の理由は「肴と飯が安直にいっしょに食べられるところが時代の人気に投じたものだろう。」などと日本料理の横綱かたなしだ。

こうるさいおやぢが目にみえるようである。 小煩い名を成した食通のセンセイが、眉間にシワをよせ、足を組み、指をたて て振り回しながら講釈を垂れている。 真剣に。 心の底から真剣に、横丁のおばさんにむかって。 横丁のおばさんにむかって、料理人たちに語りかけるときとおなじくらい心の 底から真剣に。 だしの素つかっているワタクシにそんなこと言われてもな。 苦笑いである。 でも、今晩は、ちょっとだしの素の説明書読んでから出汁を取ろうかな・・