Literary Humor

Jane Austen's first major novel, a parody of the popular literature of the time, is an ironic tale of the romantic folly of men and women in pursuit of love, marriage, and money. The humorous adventures of young Catherine as she encounters "the difficulties and dangers of a six weeks' residence in Bath" lead to some of Austen's most brilliant social satire.

Eve Fletcher is trying to figure out what comes next. A 46-year-old divorcée whose beloved only child has just left for college, Eve is struggling to adjust to her empty nest when one night her phone lights up with a text message. Sent from an anonymous number, the mysterious sender tells Eve, "U R my MILF!" Over the months that follow, that message comes to obsess Eve. Before long, Eve's online fixations begin to spill over into real life, revealing new romantic possibilities that threaten to upend her quiet suburban existence.

In the story of Russell and Corrine Calloway, set against the world of New York publishing, McInerney provides a stunningly accomplished portrayal of people contending with early success, then getting lost in the middle of their lives.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

When his third wife abandons him in Tucson, boozing, misanthropic anarchist Henry Holyoak Lightcap shoots his refrigerator and sets off in a battered pick-up truck for his ancestral home in West Virginia. Accompanied only by his dying dog and his memories, the irascible warhorse (a stand-in for the "real" Abbey) begins a bizarre cross-country odyssey - determined to make peace with his past-and to wage one last war against the ravages of "progress".

Once an inventive puppeteer, Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his longtime mistress—an erotic free spirit whose adulterous daring surpassed even his own—Sabbath, bereft and grieving and besieged by the ghosts of those who loved and hated him most, contrives a succession of farcical disasters that take him to the brink of madness and extinction.

Grammy Nominee for Best Spoken Word Album
Mirabelle, the "shopgirl" behind the glove counter at Neiman Marcus, is slightly lost, off-kilter, and shy. But there's something about Mirabelle. Steve Martin reads this charming novella. Hear an interview with the author and browse more Martin.

Meet Tom. Or Dr O’Grady, as he used to be called. When you pass him on the street, most people don’t even give him a second glance. You see, Tom isn’t living his best life. Burdened by grief, he’s only got his loyal dog, Bette Davis, for company and a rucksack containing his whole world. Then there’s Ruth and her son, DJ, who no longer have a place to call home. But Ruth believes that you can change the world by helping one person at a time - and Tom needs her help. There are a thousand ways to find your home - you just need to be brave enough to look for them.

Ever since his girlfriend ended things, Thomas’s life has been on a downward spiral. A gifted medical student, he has spent his entire adulthood struggling to escape the legacy of his father, an esteemed psychiatrist who used him as a test subject when he was a boy. Thomas lived his entire childhood watched over by researchers lurking behind one-way glass. But now the tables have turned. Thomas is the researcher, and he’s convinced an experiment he has concocted will cure three homeless men of their delusional claims. Then the experiment careens out of control....

The house-party at Chateau Blissac, Brittany features a rather odd array of guests this year. Mr. J. Wellington Gedge is hoping for some peace and quiet while his wife takes herself off for a while. She, however, has invited numerous visitors to the chateau, to whom he will have to play reluctant host. Senator Opal and his daughter are expected, and so is the chateau's handsome owner Vicomte de Blissac.

Beth shows that women really can have it all. Ruby lives life by her own rules. And then there’s Lauren, living the dream. As perfect as it looks? Beth hasn’t had sex in a year. Ruby feels like she’s failing. Lauren’s happiness is fake news. And it just takes one shocking event to make the truth come tumbling out....

Uncle Fred, or to give him his full title: Fredrick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a "splendid gentleman, a sportsman to his fingertips". Mr Twistleton, nephew to Earl, and otherwise known as "Pongo" to his friends, has a differing view. He simply describes his uncle as "being loopy to the tonsils".

When Graham Cavanaugh divorced his first wife, it was to marry his girlfriend, Audra, a woman as irrepressible as she is spontaneous and fun. But, Graham learns, life with Audra can also be exhausting, constantly interrupted by chatty phone calls, picky-eater houseguests, and invitations to weddings of people he's never met. Audra firmly believes that through the sheer force of her personality, she can overcome the most socially challenging interactions.

Minor Universe 31 is a vast story-space on the outskirts of fiction, where paradox fluctuates like the stock market, lonely sexbots beckon failed protagonists, and time travel is serious business. Every day, people get into time machines and try to do the one thing they should never do: change the past. That’s where Charles Yu, time travel technician—part counselor, part gadget repair man—steps in. He helps save people from themselves. Literally.

Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mother's disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened 26 years ago.

This is a darkly hilarious coming-of-age novel and a richly plotted suspense tale told through the distinctive voice of its heroine, Blue van Meer. After a childhood spent moving from one academic outpost to another with her father, Blue is clever and possessed of a vast lexicon of knowledge. But when a drowning and the shocking death of a teacher lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide - or misguide - her.

Things on board the R.M.S. Atlantic are terribly, terribly complicated... Monty Bodkin loves Gertrude, who thinks he likes Lotus Blossom, a starlet, who definitely adores Ambrose, who thinks that she has a thing for his brother, Reggie, who is struck by Mabel Spence, sister-in-law of Ikey Llewellyn (movie mogul, Ambrose's prospective employer and reluctant smuggler), but hasn't the means to marry her.

When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.

L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.