Literary Humor

Published in 1945, Cannery Row focuses on the acceptance of life as it is: both the exuberance of community and the loneliness of the individual. Drawing on his memories of the real inhabitants of Monterey, California, Steinbeck interweaves the stories of Doc, Henri, Mack and his boys, and the other characters in this world where only the fittest survive, to create a novel that is at once one of his most humorous and most poignant works.

In An Irish Country Christmas, the third book in Patrick Taylor's Irish Country Books, Barry Laverty, M.B., is looking forward to his first Christmas in the cozy village of Ballybucklebo, at least until he learns that his sweetheart, Patricia, might not be coming home for the holidays. That unhappy prospect dampens his spirits somewhat, but Barry has little time to dwell on his romantic disappointments. Christmas may be drawing nigh, but there is little peace to be found on earth, especially for a young doctor plying his trade in the emerald hills and glens of rural Ireland.

Barney Panofsky - Canadian expat, wily lover of women, writer, television producer, raconteur - is finally putting pen to paper so he can rebut the charges about him made in his rival’s autobiography. Whether it’s ranting about his bohemian misadventures during the 1950s in Paris, his tumultuous three marriages, or his successful trashy TV company, Totally Unnecessary Productions, he quickly proves that his memory may be slipping, but his bile isn’t.

Ted Wallace is an old, sour, womanising, cantankerous, whisky-sodden beast of a failed poet and drama critic, but he has his faults too. Fired from his newspaper, months behind on his alimony payments and disgusted with a world that undervalues him, Ted seeks a few months repose and free drink at Swafford Hall, the country mansion of his old friend Lord Logan. But strange things have been going on at Swafford....

Barry Laverty, M.B., can barely find the village of Ballybucklebo on a map when he first sets out to seek gainful employment there, but already he knows that there is nowhere he would rather live than in the emerald hills and dales of Northern Ireland. The proud owner of a spanking-new medical degree and little else in the way of worldly possessions, Barry jumps at the chance to secure a position as an assistant in a small rural practice. At least until he meets Dr. Fingal Flahertie O'Reilly.

Margaret Atwood's The Robber Bride is inspired by "The Robber Bridegroom", a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

In 1970s Baltimore, 14-year-old Mary Jane loves cooking with her mother, singing in her church choir, and enjoying her family’s subscription to the Broadway Showtunes of the Month record club. Shy, quiet, and bookish, she’s glad when she lands a summer job as a nanny for the daughter of a local doctor. A respectable job, Mary Jane’s mother says. In a respectable house.

You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes - it would be too awkward - and you can't say no - it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all.

It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat: smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Inspired by their own fantasies, fears, and dreams, they create the Escapist.

In Shock Induction, the best and brightest students at a seemingly reputable high school are disappearing. Every day it seems another overachiever is lost to an apparent suicide. But something far more sinister is lurking beneath the surface. These kids have been under surveillance since birth, monitored and measured by an online service called “Greener Pastures.” It’s here, in Greener Pastures, that billionaires observe and recruit the next generation of talent.

Ralph and Smith are flatmates and best mates - until, that is, the gorgeous Jemima moves in. Then suddenly, they're bickering about a lot more than who drank the last beer. Of course, Jem knows that one of them is the man for her - but is it Ralph or Smith? Upstairs, Karl and Siobhan have been happily unmarried for 15 years - until, that is, Cheri moves into the flat above theirs. Cheri's got her eye on Karl and doesn't see why she should let a little thing like his girlfriend stand in her way.... Sooner or later, it’s all got to come to a head.

The holiday film A Christmas Story, first released in 1983, has become a bona fide Christmas perennial, gaining in stature and fame with each succeeding year. Its affectionate, wacky, and wryly realistic portrayal of an American family's typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to It's a Wonderful Life and Miracle on 34th Street.

Es una sucesión perturbadora en la que la conciencia adquiere una dimensión real y los impulsos más secretos se presentan con toda su altanera desnudez: el amor conyugal, el amor por las letras, el amore de las madres, el platónico, el primer amor, el amor en la posmodernidad, el amor por el trabajo, y otros amores y desamores, inconfesables, condenados, acomodaticios que, unos más que otros, nos matan.

The year is 2108, and the North American Commonwealth is bursting at the seams. For welfare rats like Andrew Grayson, there are only two ways out of the crime-ridden and filthy welfare tenements: You can hope to win the lottery and draw a ticket on a colony ship settling off-world...or you can join the service. With the colony lottery a pipe dream, Andrew chooses to enlist in the armed forces for a shot at real food, a retirement bonus, and maybe a ticket off Earth.

In 1939, Lavender flees London to escape the German bombs and her shattered marriage. Settling in a small town, she pulls together a makeshift orchestra to help cope with the times.

"It began as a mistake." By middle age, Henry Chinaski has lost more than 12 years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.

Strange things are happening at Belpher Castle. For starters, the Earl's sister is intent on pairing off her stepson, Reggie, and niece, Lady Patricia (known as Maud). Maud, however, is in hot pursuit of Geoffrey Raymond, and she is also being pursued by the unacceptable composer, George Bevan.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at 50, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

For Susan Green, messy emotions don’t fit into the equation of her perfectly ordered life. She has a flat that is ideal for one, a job that suits her passion for logic, and an “interpersonal arrangement” that provides cultural and other more intimate benefits. But suddenly confronted with the loss of her mother and the news that she is about to become a mother herself, Susan’s greatest fear is realized. She is losing control.