Literary Humor

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.

Things on board the R.M.S. Atlantic are terribly, terribly complicated... Monty Bodkin loves Gertrude, who thinks he likes Lotus Blossom, a starlet, who definitely adores Ambrose, who thinks that she has a thing for his brother, Reggie, who is struck by Mabel Spence, sister-in-law of Ikey Llewellyn (movie mogul, Ambrose's prospective employer and reluctant smuggler), but hasn't the means to marry her.

Millie, 30, just can't pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again. When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning within reach. But with it also comes the paralyzing realization of just how hollow that vision has become.

From the millions of listeners who follow the tales of Lake Wobegon and A Prairie Home Companion every Saturday night on public radio, and for fans of Garrison Keillor's literary take on life in our times, this audiobook will be most welcome.

Eighteen years old, pregnant, and working as a pizza delivery girl in suburban Los Angeles, our charmingly dysfunctional heroine is deeply lost and in complete denial. She's grieving the death of her father, avoiding her supportive mom and loving boyfriend, and flagrantly ignoring her future.

Célian Laurent. Manhattan royalty. Notorious playboy. Heir to a media empire...and my new boss. I could have impressed him, if not for last month's unforgettable one-night stand. I left it with more than orgasms and a pleasant memory - namely, his wallet. Now he's staring me down like I'm the dirt under his Italian loafers, and I'm supposed to take it. But the thing about being Judith "Jude" Humphry is I have nothing to lose. Brooklyn girl. Infamously quirky. Heir to a stack of medical bills and a tattered couch.

Zane and Maggie have been living a lie...A marriage that’s not really a marriage. A relationship that’s about as f--ked-up as they come. A secret that’s going to kill them both if they don’t sort their sh*t out, stat. And now they’re going on tour with Dirty. As the band’s assistant manager, Maggie knows she has to keep it professional - and keep away from her “husband” on the road.

Daniel Pecan Cambridge, 30, 35, 38 or 27, depending on how he feels that day, is a young man whose life is rich and full, provided he never leaves his Santa Monica apartment. After all, outside there are 8-inch-high curbs and there's always the horrible chance he might see a gas station attendant wearing a blue hat. So, except for the occasional trip to the Rite Aid to admire the California girl Zandy and to buy earplugs because they're on sale, he stays home a lot. And good thing, too.

From the creator of the beloved and universally acclaimed television series BoJack Horseman, a fabulously off-beat collection of short stories about love - the best and worst thing in the universe. Equally at home with the surreal and the painfully relatable (and both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability.

Published in rapid succession in the middle 1930s, these two books shocked European literature and world consciousness. Nominally fiction but more rightly called "creative confessions," they told of the author's childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Celine's influence revolutionized the contemporary approach to fiction.

From the rubble-strewn streets of US-occupied Baghdad, Hadi - a scavenger and an oddball fixture at a local café - collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed.

Once an inventive puppeteer, Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his longtime mistress—an erotic free spirit whose adulterous daring surpassed even his own—Sabbath, bereft and grieving and besieged by the ghosts of those who loved and hated him most, contrives a succession of farcical disasters that take him to the brink of madness and extinction.

A delightfully funny and moving novel about the singular life of a cantankerous Jewish-American writer and anarchist troublemaker, as remembered by his daughter. In 1972, sixty-four-year-old Ezra Slavin's heart gives out at an anti-war rally. A contentious and irascible Jewish-American writer, anarchist, and inadvertent guru to discontented youth, he leaves behind a large extended family of ex-wives, lovers, and children, most of whom had cut all ties with the infuriating intellectual provocateur years earlier.

No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George. As the two heroines make their way through the tawdry glamour of Regency society, battles are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.

When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.

In this masterful debut, Martin Clark proves to be the heir apparent of great Southern raconteurs and the envy of more seasoned novelists as he takes us on a frantic tour of the modern South. Hung over, beaten by the unforgiving sun, bitter at his estranged wife, and dreading the day's docket of petty criminal cases, Judge Evers Wheeling is in need of something on the morning he's accosted by Ruth Esther English.

Tom Perrotta's thirtysomething parents of young children are a varied and surprising bunch. There's Todd, the handsome stay-at-home dad dubbed "The Prom King" by the moms of the playground; Sarah, a lapsed feminist with a bisexual past, who seems to have stumbled into a traditional marriage; Richard, Sarah's husband, who has found himself more and more involved with a fantasy life on the Internet than with the flesh and blood in his own house; and Mary Ann, who thinks she has it all figured out.

Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.

Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.

Years after the events of The House of God, the Fat Man has been given leadership over a new Future of Medicine Clinic at what is now only Man's 4th Best Hospital, and has persuaded Dr. Roy Basch and some of his intern cohorts to join him to teach a new generation of interns and residents. In a medical landscape dominated by computer screens and corrupted by money, they have one goal: to make medicine humane again.