Literary Humor

Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. Set in the varied landscapes of Spain, Africa, and the American Midwest, this definitive audio collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style - from the plain bold language of this first story to his mastery of seamless prose that contained a spare, eloquent pathos, as well as a sense of expansive solitude.

Reclusive literary legend M. M. "Mimi" Banning has been holed up in her Bel Air mansion for years. But after falling prey to a Bernie Madoff-style Ponzi scheme, she's flat broke. Now Mimi must write a new book for the first time in decades, and to ensure the timely delivery of her manuscript, her New York publisher sends an assistant to monitor her progress. The prickly Mimi reluctantly complies - with a few stipulations: no Ivy Leaguers or English majors. Must drive, cook, tidy. Computer whiz. Good with kids.

Alex-Li Tandem sells autographs. A small blip in a huge worldwide network of desire, his business is to hunt for names on paper, collect them, sell them, and occasionally fake them - all to give the people what they want: a little piece of Fame. But what does Alex want? Only the return of his father, the reinstatement of some kind of all-powerful, benevolent God-type figure, the end of religion, something for his headache, three different girls, infinite grace, and the rare autograph of '40s movie actress Kitty Alexander. With fries.

In a country where patriarchal favoritism and the primacy of sons survived multiple revolutions and an ideological earthquake, this epic novel is first and foremost about women, with the female body serving as the book’s central metaphor. The protagonist, Mother, is born in 1900 and married at seventeen into the Shangguan family. She has nine children, only one of whom is a boy—the narrator of the book. A spoiled and ineffectual child, he stands in stark contrast to his eight strong and forceful female siblings.

Michael Beard is a Nobel prize-winning physicist whose best work is behind him. Trading on his reputation, he speaks for enormous fees, lends his name to the letterheads of renowned scientific institutions and half-heartedly heads a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: she is having the affair, and he is still in love with her.

Alice Pearse is a mostly happily married mother of three, an attentive daughter, an ambivalent dog owner, a part-time editor, a loyal neighbor, and a Zen commuter. She is not: a cook, a craftswoman, a decorator, an active PTA member, a natural caretaker, or the breadwinner. But when her husband makes a radical career change, Alice is ready to lean in - and she knows exactly how lucky she is to land a job at Scroll, a hip, young startup that promises to be the future of reading.

When his third wife abandons him in Tucson, boozing, misanthropic anarchist Henry Holyoak Lightcap shoots his refrigerator and sets off in a battered pick-up truck for his ancestral home in West Virginia. Accompanied only by his dying dog and his memories, the irascible warhorse (a stand-in for the "real" Abbey) begins a bizarre cross-country odyssey - determined to make peace with his past-and to wage one last war against the ravages of "progress".

The agent, the best seller, and the the unknown: When their fortunes become entangled, it seems too much to hope that they'll all find a happy ending. But maybe they'll each discover that there's more than one side to every story.

June 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

A swirling, psychedelic, bleakly funny fugue by the Booker-shortlisted author of The Butcher Boy and Breakfast on Pluto. Una Fogarty, suffering from dementia in a seaside nursing home, would be all alone without her brother Dan, whose epic free-verse monologue tells their family story. Exile from Ireland and immigrant life in England. Their mother’s trials as a call girl. Young Una’s search for love in a seemingly haunted hippie squat, and the two-timing Scottish stoner poet she’ll never get over.

Elizabeth Hay's runaway national best seller is a funny, sad-eyed, deliciously entertaining novel about a woman caught in a tug of war between real life and the films of the past. Inflamed by the movies she was deprived of as a child, Harriet Browning forms a Friday-night movie club with three companions-of-the-screen: a boy who loves Frank Sinatra, a girl with Bette Davis eyes, and an earthy sidekick named after Dinah Shore. Into this idiosyncratic world come two refugees from Hollywood.

There are three things you should know about Elsie. The first is that she's my best friend. The second is that she always knows what to say to make me feel better. And the third...might take a little bit more explaining. Eighty-four-year-old Florence has fallen in her flat. As she waits to be rescued, Florence wonders if a terrible secret from her past is about to come to light; and, if the charming new resident is who he claims to be, why does he look exactly like a man who died 60 years ago?

Marnie MacGraw and Patrick Delaney have been in love for a few years now, enough to realize that they are imperfectly perfect together. Still, there are some things that maybe need a little attention. Marnie’s ebullient; he’s brooding. She thrives on change; he prefers stability. She sees marriage and parenthood in their future, but he can’t see beyond the shadow of an earlier tragedy. Then an eight-year-old surprise from Patrick’s past shows up on their doorstep, cartwheeling into their lives and spinning things in all directions.

Twenty years ago, Abigail Sorenson’s brother Robert went missing one day before her 16th birthday, never to be seen again. That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams. Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse.

Charles O’Brien, Irish bard and giant: The cynical are moved by his flights of romance; the craven stirred by his tales of epic deeds. The Surprising Irish Giant may be the sensation of the season but only his compatriots seem to attend to his mythic powers of invention. John Hunter, celebrated surgeon and anatomist, buys dead men from the gallows and babies’ corpses by the inch. Where is a man as unique as The Giant to hide his bones when he is yet alive?

Ever since his girlfriend ended things, Thomas’s life has been on a downward spiral. A gifted medical student, he has spent his entire adulthood struggling to escape the legacy of his father, an esteemed psychiatrist who used him as a test subject when he was a boy. Thomas lived his entire childhood watched over by researchers lurking behind one-way glass. But now the tables have turned. Thomas is the researcher, and he’s convinced an experiment he has concocted will cure three homeless men of their delusional claims. Then the experiment careens out of control....

You’ve never seen romance do this before. So brutally honest and breathtakingly perverse you’ll want to throw this book at the wall, but you’ll also want to know if it can possibly get any more disturbing (it can and it does). And as you start to wonder whether men and women were ever even meant to be together, a surprise ending brings the trilogy full circle and provides unexpected closure to an issue raised by a certain photographer's assistant in the first book. Eunuchs and Nymphomaniacs is about how we love today and how increasingly we try to avoid it altogether.

Ils n'ont qu'une addiction : le sang. Mais depuis plus de vingt ans, ils ont décidé de renoncer à leur péché mignon et de se désintoxiquer. Pas facile d'être un vampire urbain au XXIe siècle ! Dans une banlieue british tout ce qu'il y a de plus respectable, les Radley essayent désespérément de se comporter comme « des gens normaux ». Mais des vampires de souche peuvent-ils définitivement refouler leurs désirs et leurs instincts ? Pas sûr.

Newly orphaned, recently divorced, and semiadrift, Nina Popkin is on a search for her birth mother. She's spent her life looking into strangers' faces, fantasizing they're related to her, and now, at thirty-five, she's ready for answers. Meanwhile, the last thing Lindy McIntyre wants is someone like Nina bursting into her life, announcing that they're sisters and campaigning to track down their mother. She's too busy with her successful salon, three children, beautiful home, and...oh yes, some pesky little anxiety attacks.

"Work," said Psmith, with simple dignity. "I am now a member of the staff of this bank. Its interests are my interests. Psmith, the individual, ceases to exist, and there springs into being Psmith, the cog in the wheel of the New Asiatic Bank; Psmith, the link in the bank's chain; Psmith, the Worker. "I shall not spare myself," he proceeded earnestly. "I shall toil with all the accumulated energy of one who, up till now, has only known what work is like from hearsay."