Literary Humor

It seems the universe itself is conspiring against the residents of Corduroy Mansions, as they all find themselves struggling with their nearest and dearest. Oedipus Snark’s mother, Berthea, is still at work on her scathing biography of her son—the only loathsome Liberal Democrat Member of Parliament; literary agents Rupert Porter and Barbara Ragg are still battling each other for first crack at the manuscript of Autobiography of a Yeti; and fine arts graduate Caroline Jarvis is busy exploring the blurry line between friendship and romance....

Irreverently juggling magical realism, film noir, hip hop, and chicanismo, Tropic of Orange takes place in a Los Angeles where the homeless, gangsters, infant organ entrepreneurs, and Hollywood collide on a stretch of the Harbor Freeway. Hemmed in by wildfires, it's a symphony conducted from an overpass, grandiose, comic, and as diverse as the city itself - from an author who has received the California Book Award and the Association for Asian American Studies Book Award, among other literary honors.

Aisling is 28 and she’s a complete...Aisling. She lives at home in Ballygobbard (or Ballygobackwards, as some gas tickets call it) with her parents and commutes to her good job at PensionsPlus in Dublin. Aisling goes out every Saturday night with her best friend, Majella, who is a bit of a hames (she’s lost two phones already this year - Aisling has never lost a phone). They love hoofing into the Coors Light if they’re 'Out' or the vodka and Diet Cokes if they’re 'Out Out'.

You’ve never seen romance do this before. So brutally honest and breathtakingly perverse you’ll want to throw this book at the wall, but you’ll also want to know if it can possibly get any more disturbing (it can and it does). And as you start to wonder whether men and women were ever even meant to be together, a surprise ending brings the trilogy full circle and provides unexpected closure to an issue raised by a certain photographer's assistant in the first book. Eunuchs and Nymphomaniacs is about how we love today and how increasingly we try to avoid it altogether.

The story opens in the country parsonage of Dr. Primrose, a kindly man who has a good heart, a good family, and a good income. Suddenly, his idyllic life is cruelly devastated by a series of misfortunes, and he ends up in prison. Yet, despite all this calamity and injustice, the vicar never loses sight of Christian morality, a conviction which lends him genuine nobility and, in the end, also brings justice and the restoration of his family and fortune.

It is an April day in the year 2000 and an era is about to end, those booming times of market optimism when the culture boiled with money and corporations seemed more vital and influential than governments.

There are three things you should know about Elsie. The first is that she's my best friend. The second is that she always knows what to say to make me feel better. And the third...might take a little bit more explaining. Eighty-four-year-old Florence has fallen in her flat. As she waits to be rescued, Florence wonders if a terrible secret from her past is about to come to light; and, if the charming new resident is who he claims to be, why does he look exactly like a man who died 60 years ago?

She'd heard the stories, seen the movies, read the books. But now police Chief Inspector Sigrid Ødegård has to leave her native Norway and actually go there - to that land across the Atlantic where her missing brother is implicated in the mysterious death of a prominent African-American academic. America. Sigrid is plunged into a United States where race and identity, politics and promise, reverberate in every aspect of daily life.

In You Will Never Be Forgotten, Mary South explores how technology can both collapse our relationships from within and provide opportunities for genuine connection. Formally inventive, darkly absurdist, savagely critical of the increasingly fraught cultural climates we inhabit, these 10 stories also find hope in fleeting interactions and moments of tenderness. They reveal our grotesque selfishness and our intense need for love and acceptance, and the psychic pain that either shuts us off or allows us to discover our deepest reaches of empathy.

When Noel Bostock - aged 10, no family - is evacuated from London to escape the Nazi bombardment, he lands in a suburb northwest of the city with Vera Sedge - a 36-year-old widow drowning in debts and dependents. Always desperate for money, she's unscrupulous about how she gets it. Noel's mourning his godmother, Mattie, a former suffragette. Wise beyond his years, raised with a disdain for authority and an eclectic attitude toward education, he has little in common with other children and even less with the impulsive Vee.

It’s the summer of 2015, and Alice Quick needs to get to work. She’s twenty-eight years old, grieving her mother, barely scraping by as a nanny, and freshly kicked out of her apartment. If she can just get her act together and sign up for the MCAT, she can start chasing her dream of becoming a doctor...but in the Age of Distraction, the distractions are so distracting. There’s her tech millionaire brother’s religious awakening. His picture-perfect wife’s emotional breakdown. Her chaotic new roommate’s thirst for adventure.

Who says you can't run away from your problems? You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes—it would be too awkward—and you can't say no—it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all. What would possibly go wrong?

When the university merged his Department of Linguistics with English, Professor Desmond Bates took early retirement, but he is not enjoying it. But his daily discontent is nothing compared to the affliction of hearing loss, which is a constant source of domestic friction and social embarrassment. In the popular imagination, he observes, deafness is comic, as blindness is tragic, but for the deaf person himself it is no joke.

When recently orphaned Barnaby Gaunt is sent to stay with his uncle on a beautiful remote island off the coast of Canada, he is all set to have the perfect summer holiday. Except there is one small problem: His uncle is trying to kill him. Heir to a ten-million-dollar fortune, Barnaby tries to tell everyone and anyone that his uncle is after his inheritance, but no one will believe him. That is, until he tells the only other child on the island, Chrissie, who concludes that there is only one way for Barnaby to stop his demonic uncle: He will just have to kill him first.

Teddy Telemachus is a charming con man with a gift for sleight of hand and some shady underground associates. In need of cash, he tricks his way into a classified government study about telekinesis and its possible role in intelligence gathering. There he meets Maureen McKinnon, and it's not just her piercing blue eyes that leave Teddy forever charmed but her mind - Maureen is a genuine psychic of immense and mysterious power.

The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school, when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria, his social doom is sealed for the next four years.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.

Dan Starkey is a young journalist in Belfast, who shares with his wife, Patricia, a prodigious appetite for drinking and dancing. Then Dan meets a beautiful and apparently impoverished student. And then, terrifyingly, she is murdered. Is it because she was not exactly who she claimed to be? Is it the IRA? A Protestant extremist group? A jealous lover? Before long, Dan is a target himself.…

Twenty-four-year-old Megan may have her whole life ahead of her, but it already feels like a dead end, thanks to her dreadful job as a gastroenterologist's receptionist and her heart-clogging resentment of the success and happiness of everyone around her. But no one stokes Megan's bitterness quite like her coworker, Jillian, a grotesquely optimistic, 35-year-old single mother whose chirpy positivity obscures her mounting struggles.

Glue is the story of four boys growing up in the Edinburgh schemes, and about the loyalties, the experiences, and the secrets that hold them together into their 30s. Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer, driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally, who seems to find catastrophe at every corner.