Literary Life

Emmeline lives on a remote island with her father, who teaches her about the natural world through her senses. What he won’t explain are the mysterious scents stored in glass bottles that line the walls of their cabin, or the origin of the machine that creates them. As Emmeline grows, however, so too does her curiosity, until one day the unforeseen happens, and Emmeline is vaulted out into the real world—a place of love, betrayal, ambition, and revenge. To understand her past, Emmeline must unlock the clues to her identity.

Miranda Brooks grew up in the stacks of her eccentric uncle Billy’s bookstore, solving the inventive scavenger hunts he created just for her. But on Miranda’s 12th birthday, Billy has a mysterious falling-out with her mother and suddenly disappears from Miranda’s life. She doesn’t hear about him again until 16 years later when she receives unexpected news: Billy has died and left her Prospero Books, which is teetering on bankruptcy, and one final scavenger hunt.

In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness--a combination that is dazzlingly, uniquely his. These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity.

This magnificent novel - which secured for its author the 1955 Nobel Prize in Literature - is now available to contemporary American audiences. Although it is set in the early 20th century, it recalls both Iceland's medieval epics and such classics as Sigrid Undset's Kristin Lavransdatter. And if Bjartur of Summerhouses, the book's protagonist, is an ordinary sheep farmer, his flinty determination to achieve independence is genuinely heroic and, at the same time, terrifying and bleakly comic.

Following the death of her former husband, Cam, fifty-four-year-old Eleanor has moved back to the New Hampshire farm where they raised three children to care for their brain-injured son, Toby, now an adult. Toby’s older brother, Al, is married and living in Seattle with his wife; their sister, Ursula, lives in Vermont with her husband and two children. Although all appears stable, old resentments, anger, and bitterness simmer just beneath the surface. How the Light Gets In follows Eleanor and her family through fifteen years (2010 to 2024).

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world.

From the author of the beloved Hum If You Don't Know the Words comes a rich, unforgettable story of three unique women in post-Apartheid South Africa who are brought together in their darkest time and discover the ways that love can transcend the strictest of boundaries.

This prizewinning author of over thirty books for young people confronts the period of struggle and confinement that marked the end of his own youth. On the surface, the narrative tumbles from one crazed moment to the next as Gantos pieces together the story of his restless final year of high school, his short-lived career as a criminal, and his time in prison.

Alice Fivey is seven years old when her father dies, and ten when her mentally fragile mother is institutionalized. So begins the “sleepover life” for Alice. Shuttled among the homes of wealthy relatives, retainers, babysitters, and reluctant caretakers, Alice must learn their habits and adapt if she is to survive. But how is she to remain intact after the loss of her parents, whose troubled pasts are invoked to punish and manipulate her? Books help, as do kindly teachers.

In 1918, after four harrowing years on the Western Front, Tom Sherbourne returns to Australia to take a job as the lighthouse keeper on remote Janus Rock. To this isolated island, where the supply boat comes only four times a year and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Three years later, after two miscarriages and one stillbirth, the grieving Isabel is tending the grave of her newly lost infant when she hears a baby’s cries on the wind. A boat has washed up on shore carrying a dead man and a living baby.

It’s October in Montreal, 2002, and winter is coming on fast. Past due on his first freelance gig and ensnared in lies to his family and friends, a graphic design student with a gambling addiction goes after the first job that promises a paycheck: dishwasher at the sophisticated La Trattoria. Though he feels out of place in the posh dining room, warned by the manager not to enter through the front and coolly assessed by the waitstaff in their tailored shirts, nothing could have prepared him for the tension and noise of the kitchen, or the dishpit’s clamor and steam.

Though her mind is still sharp, Elizabeth's eyes have failed. No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family, especially her beloved twin sister, Emily. When her late father's journals are discovered after an accident, the past suddenly becomes all too present.

In the 1950s poet Christopher Chubb composes a body of sexually charged poems. Chubb then dupes a trendy literary magazine into believing the poems were composed by the late Bob McCorkle, an undiscovered genius. But the trick backfires, and soon Chubb finds himself tormented by the very monster he creates. Decades later, a literary editor named Sarah Wode-Douglass begins peeling back the layers of the Chubb mystery in, of all places, Malaysia, where the reclusive poet remains in hiding.

Cannie Shapiro never wanted to be famous. The smart, sharp, plus-sized pop culture reporter was perfectly content writitng about other people's lives in the pages of the Philadlphia Examiner. But the day she opened up a national women's magazine to find out that her ex-boyfriend has been chronicling their ex-sex life is the day her life changes forever.

The second novel and first quick-listen title from Sunday Times and New York Times best-selling author Cathy Glass. My Dad's a Policeman is a dramatic and engaging story of a young boy with an alcoholic mother. Lonely, bullied and desperate for a life of happiness and security he tells everyone he meets his dad's a policeman. Fast paced and compelling, this short story from Cathy Glass follows the experiences of a Ryan, a small and lonely 12-year-old boy who struggles to fit in.

Three people find their way back from loss and loneliness to a different kind of belonging in this deeply moving novel. Arthur, an old widower struggling to overcome his grief, meets Maddy, a troubled teenage girl who avoids school by hiding out where Arthur goes every day for lunch. The two strike up a friendship that draws them out of isolation.

In the summer of 2020, with a heat wave bearing down and a brood of periodical cicadas climbing into the trees, Husha mourns the recent death of her mother while quarantining with her ailing grandfather, Arthur, at his lakeside cabin in remote Ontario. They’re soon joined by Husha’s ex-lover, Nellie, who arrives without explanation to complete their trio. Also among them is a strange book, discovered by Husha while cleaning out her mother’s house.

In the wake of her family's collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions - personal, moral, artistic, and practical - as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

Bea’s five-year-old daughter, Agnes, is slowly wasting away, consumed by the smog and pollution of the overdeveloped metropolis that most of the population now calls home. If they stay in the city, Agnes will die. There is only one alternative: the Wilderness State, the last swath of untouched, protected land, where people have always been forbidden. Until now.

Ils n'ont qu'une addiction : le sang. Mais depuis plus de vingt ans, ils ont décidé de renoncer à leur péché mignon et de se désintoxiquer. Pas facile d'être un vampire urbain au XXIe siècle ! Dans une banlieue british tout ce qu'il y a de plus respectable, les Radley essayent désespérément de se comporter comme « des gens normaux ». Mais des vampires de souche peuvent-ils définitivement refouler leurs désirs et leurs instincts ? Pas sûr.