Literary Life

When Rosie and Penn and their four boys welcome the newest member of their family, no one is surprised it's another baby boy. At least their large, loving, chaotic family knows what to expect. But Claude is not like his brothers. One day he puts on a dress and refuses to take it off. He wants to bring a purse to kindergarten. He wants hair long enough to sit on. When he grows up, Claude says, he wants to be a girl.

Inspired by a near-mythic event on the wild Florida frontier at the turn of the 20th century, Shadow Country re-imagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.

Eudora Honeysett is done with this noisy, moronic world - all of it. She has witnessed the indignities and suffering of old age and has lived a full life. At 85, she isn’t going to leave things to chance. Her end will be on her terms. With one call to a clinic in Switzerland, a plan is set in motion. Then she meets 10-year-old Rose Trewidney, a whirling, pint-sized rainbow of sparkling cheer. All Eudora wants is to be left alone to set her affairs in order.

Tommo has been aboard a whaling ship for six grueling months when he decides, with his friend Toby, to escape and hide on a wild island. They are not alone. The island is home to a tribe called the Typees known for being cannibals. But when Tommo breaks his leg, they can no longer avoid the valley the Typees call home. They venture down into the tribe’s territory, but instead of violence, the Typees greet them happily with food and shelter. Tommo and Toby quickly become accustomed to life in the tribe and even prefer aspects of island life to their so-called “civilized” society.

Prickly, wry, resistant to change yet ruthlessly honest and deeply empathetic, Olive Kitteridge is “a compelling life force” (San Francisco Chronicle). The New Yorker has said that Elizabeth Strout “animates the ordinary with an astonishing force”, and she has never done so more clearly than in this book, where the iconic Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine.

Jane Cleveland and Prudence Bates were close friends at Oxford University, but now live very different lives. Forty-one-year-old Jane lives in the country, is married to a vicar, has a daughter she adores, and lives a very proper life in a very proper English parish. Prudence, a year shy of 30, lives in London, has an office job, and is self-sufficient and fiercely independent - until Jane decides her friend should be married. Jane has the perfect husband in mind for her former pupil: a widower named Fabian Driver.

One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating's christening party uninvited. Before evening falls, he has kissed Franny's mother, Beverly - thus setting in motion the dissolution of their marriages and the joining of two families.

Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this.

Millanie McAllen is always logical. But after returning to her childhood home, she learns that some things are beyond explanation - like her undeniable passion for Drew Cunningham.... After finding success as a singer on the road, Beau Yates returns to Harmony to make peace with his dying father - only to find the woman he's been dreaming of for years. But the secrets they discover might be too much for him to bear....

When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.

Bigger Thomas, the central figure in Richard Wright’s novel Native Son (1940), eludes easy categorization. A violent and troubled character who rejects the rules of society, Bigger is both victim and perpetrator, damaged by racism and segregation on the South Side of Chicago, seemingly raping and killing without regrets. His story has electrified readers for more than eight decades, and it continues to galvanize debates around representation, respectability, social justice, and racism in American life.

In his downtown Toronto condo, Dr. Chen awakens to the sound of streetcars below, but it is not the early morning traffic that keeps him from sleep. News banners run across his phone: Fentanyl Crisis; Toxic Drug Supply; Record Number of Deaths. From behind the headlines, on the same screen, glow the faces of his patients, the faces of the what-ifs: What if he had done more, or less; or something different? Would they still be alive?

Taking place three years after The Bean Trees, Taylor is now dating a musician named Jax and has officially adopted Turtle. But when a lawyer for the Cherokee Nation begins to investigate the adoption, their new life together begins to crumble. Depicting the clash between fierce family love and tribal law, poverty and means, abandonment and belonging, Pigs in Heaven is a morally wrenching, gently humorous work of fiction that speaks equally to the head and to the heart.

It’s been raining for a long time now, so long that the land has reshaped itself and old rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father, an architect as cruel as he was revered, dies. His death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.

A seventeen-year-old boy, bullied and heartbroken, hangs himself. And although he felt terribly alone, his suicide changes everyone around him. His parents are devastated.

After her grandmother Arlette's death, Betty is finally ready to begin her life. She had forfeited university, parties, boyfriends, summer jobs in order to care for Arlette. Now she's ready for whatever life throws at her, and, since the will included a beneficiary unknown to her who lives in the city, she heads there to find the mysterious woman. In 1920s London, Arlette is starting her new life in a time of postwar change. Beautiful and charismatic, she's drawn into a hedonistic world, but then tragedy strikes, and she flees back to her childhood home....

C'est pas moi, je le jure?! étonne par sa fraîcheur et sa verve, par sa vision du monde de l'enfance, par son imaginaire débridé. À trente-neuf ans, soit l'âge qu'aurait aujourd'hui son petit héros, l'auteur est manifestement resté très près de ses premières années. - Marie-Claude Fortin, Voir

Fourteen-year-old Trixie Stone is in love for the first time. She's also the light of her father Daniel's life - a straight-A student; a pretty, popular freshman in high school; a girl who's always seen her father as a hero. That is until her world is turned upside down with a single act of violence. Suddenly everything Trixie has believed about her family - and herself - seems to be a lie. Could the boyfriend who once made Trixie wild with happiness have been the one to end her childhood forever?

Bhima, the unforgettable main character of Thrity Umrigar’s beloved national best seller, The Space Between Us, returns in this triumphant sequel - a poignant and compelling novel in which the former servant struggles against the circumstances of class and misfortune to forge a new path for herself and her granddaughter in modern India. Poor and illiterate, Bhima had faithfully worked for the Dubash family, an upper-middle-class Parsi household, for more than 20 years.

The final, haunting novel, in the extraordinary story that has enthralled millions! The horror began with Flowers in the Attic, the terrifying tale of four innocent children locked away from the world by a cruel mother. The shocking fury continued with Petals on the Wind and If There be Thorns. Now V.C. Andrews has created the last dark chapter in the strange, chilling tale of passion and peril.