Literary Life

London, 1976. In the thick of a record-breaking heatwave, Gretta Riordan's newly-retired husband has cleaned out his bank account and vanished. Now, for the first time in years, the three Riordan children are converging on their childhood home: Michael Francis, a history teacher whose marriage is failing; Monica, with two stepdaughters who despise her and an ugly secret that has driven a wedge between her and the little sister she once adored; and Aoife (pronounced EE-fah), the youngest, whose new life in Manhattan is elaborately arranged to conceal her illiteracy.

The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude.

Wall Street traverse l'une des pires crises de son histoire. Nous sommes dans les années 1930, la Grande Dépression frappe l'Amérique de plein fouet. Un homme, néanmoins, a su faire fortune là où tous se sont effondrés. Héritier d'une famille d'industriels devenu magnat de la finance, il est l'époux aimant d'une fille d'aristocrates. Ils forment un couple que la haute société new-yorkaise rêve de côtoyer, mais préfèrent vivre à l'écart et se consacrer, lui à ses affaires, elle à sa maison et à ses oeuvres de bienfaisance.

Three brothers tear their way through childhood—smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times.

Jonathan Lewis-Adey was nine when his parents separated, and his mother, Sid, vanished entirely from his life. It is not until he is a grown man that Jonathan finally reconnects with his beloved lost parent, only to find, to his shock and dismay, that the woman he knew as "Sid" in Toronto has become an elegant man named Sydney living in his native Trinidad.

This is the final volume of The Cazalet Chronicle, the quartet of novels chronicling the lives of a British family before, during, and after the Second World War. VE Day has been celebrated, but the war with Japan goes on. Polly, Clary, and Louise are grown up, discovering loneliness, loss, and passion. Rupert, missing in France for so long, returns to find Zoe curiously withdrawn; Edward will be forced to choose between wife and mistress; Hugh must finally accept Sybil's death.

It's almost Christmas, but there is no joy in the house of terminally ill Jack and his family. With only a short time left to live, he spends his last days preparing to say goodbye to his devoted wife, Lizzie, and their three children. Then, unthinkably, tragedy strikes again: Lizzie is killed in a car accident. With no one able to care for them, the children are separated from each other and sent to live with family members around the country. Just when all seems lost, Jack begins to recover in a miraculous turn of events.

In the familiar setting of Holt, Colorado, home to all of Kent Haruf's inimitable fiction, Addie Moore pays an unexpected visit to a neighbor, Louis Waters. Her husband died years ago, as did his wife, and in such a small town they naturally have known of each other for decades; in fact, Addie was quite fond of Louis's wife.

Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.

Pursuing literary glory, Edward Gunther gives up his job as a copywriter, sells everything he owns, and moves with his wife and three children from Chicago to Venice. But success does not come as quickly or as painlessly as Edward had hoped. During his first month in Italy, he struggles to get his essays published, argues with his wife about the family finances, and embarks on an unsteady affair with Nina Callahan, an American poet who insists on keeping him at arm's length.

Penny is settling in on Magnolia Island. As the new owner of Magnolia Daily, she's determined to make the most of her new investment. Nothing is going to get in her way. That is, until her rental floods and she's forced to find another place. Wanting to allow her daughter her own autonomy, Penny discovers there is a room for rent. Everything seems perfect until she realizes that it's in the home of Spencer - the quiet, brooding mechanic at Clementine's hardware store.

A family of four - mother, father, and two boys - move to the south coast of Norway, to a new house on a newly developed site. It is the early 1970s and the family's trajectory is upwardly mobile: The future seems limitless.

Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.

Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare - the disappearance of a child - as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch listeners' hearts and make them celebrate the emotions that make us all one.

Willa Drake can count on one hand the defining moments of her life. In 1967, she is a schoolgirl coping with her mother's sudden disappearance. In 1977, she is a college coed considering a marriage proposal. In 1997, she is a young widow trying to piece her life back together. And in 2017, she yearns to be a grandmother but isn't sure she ever will be. Then, one day, Willa receives a startling phone call from a stranger. Without fully understanding why, she flies across the country to Baltimore....

"It was a beautiful, breezy, yellow-and-green afternoon..." This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture.

At the age of 12, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know and a legacy of shame that can be healed only when she returns to Haiti - to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.

Muhammad Ali was born Cassius Clay in racially segregated Louisville, Kentucky, the son of a sign painter and a housekeeper. He went on to become a heavyweight boxer with a dazzling mix of power and speed, a warrior for racial pride, a comedian, a preacher, a poet, a draft resister, an actor, and a lover. Millions hated him when he changed his religion, changed his name, and refused to fight in the Vietnam War. Jonathan Eig sheds important new light on Ali’s politics, religion, personal life, and neurological condition through unprecedented access to all the key people in Ali’s life.

After a night of fun back in 1992, Abby is responsible for a car crash that kills her beloved brother. It's a mistake she can never forgive, so she pushes away Liam, the man she loves most, knowing that he would eventually hate her for what she's done, the same way she hates herself. Twenty years later, Abby's husband, Nate, is also living with a deep sense of guilt. He was the driver who first came upon the scene of Abby's accident, the man who could not save her brother in time. It's this guilt, this regret, that binds them together. Then, Liam moves into the neighborhood....

Six years after the fight that ended their friendship, Daphne Berg is shocked when Drue Cavanaugh walks back into her life, looking as lovely and successful as ever, with a massive favor to ask. Daphne hasn’t spoken one word to Drue in all this time - she doesn’t even hate-follow her ex-best friend on social media - so when Drue asks if she will be her maid-of-honor at the society wedding of the summer, Daphne is rightfully speechless.